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A rare moulded 'Longquan' celadon figure of Buddha Shakyamuni, China, Ming dynasty, 15th century

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A rare moulded 'Longquan' celadon figure of Buddha Shakyamuni, China, Ming dynasty, 15th century

A rare moulded 'Longquan' celadon figure of Buddha Shakyamuni, China, Ming dynasty, 15th centuryEstimate 5000/7000 €. Sold 5.000 €. Photo Nagel

the moulded deity seated in dhyanasana on a lotus throne raised on a tiered pedestal base, wearing a loose robe opened at the chest revealing a wan symbol and falling in folds over his legs and the base, the face with gentle smile and framed by curly hair, covered overall in a thick sage-green glaze save for the face, chest and hands reserved in the biscuit and fired orange. H. 25,8 cm. Very minor restorations

Property from a Dutch private collection

Notecf. Bo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 166 - The World's Great Collections, Oriental Ceramics, vol. 8, Tokyo, 1982, pl. 190.Chinese Ceramics in the Carl Kempe Collection, the Museum of Art and Far Eastern Antiquities in Ulricehamn, Ulricehamn, 2002, pl. 385 - It is rare to find a 'Longquan' celadon shrine of this size. In the tradition of celadon figures, the face and hands have been left unglazed to allow for the application of pigment or gilding - Compare a slightly smaller two-tiered shrine illustrated in Julian Thompson, 'Chinese Celadons', Arts of Asia, November-December, 1993, front cover, and sold at Sotheby's Hong Kong, 5th November 1996, lot 615; and a similar example in the Charles Russell collection illustrated by R.L. Hobson et. al., Chinese Ceramics in Private Collections, London, 1931, p. 187. A larger shrine from the Edward T. Chow collection, engraved with a date equivalent to 1385, is illustrated in Sheila Riddell, Dated Chinese Antiquities, 600-1650, London, 1979, pl. 11 

NAGEL. "Asian Art". Sale 722, 06/06/2015 

 


A moulded 'Longquan' celadon figure of Buddha Shakyamuni, China, Ming dynasty, 15th century

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A moulded 'Longquan' celadon figure of Buddha Shakyamuni, China, Ming dynasty, 15th century

A moulded 'Longquan' celadon figure of Buddha Shakyamuni, China, Ming dynasty, 15th centuryEstimate 5000/7000 €. Sold 13.000 €. Photo Nagel

the moulded deity seated in dhyanasana on a lotus throne raised on a tiered pedestal base, wearing a loose robe opened at the chest revealing a wan symbol and falling in folds over his legs and the base, the face with gentle smile and framed by curly hair, covered overall in a thick sage-green glaze save for the head and chest reserved in the biscuit and fired orange. H. 27,5 cm. Few fine firing cracks in the unglazed sections

Property from a Dutch private collection 

NoteIt is rare to find a 'Longquan' celadon shrine of this size, and the present piece is exceptional for its extensive delicately modelled details, which demonstrate the skill of the Longquan potters in the production of devotional figures for the home market. In the tradition of celadon figures, the head and chest have been left unglazed to allow for the application of pigment or gilding - Cf. Bo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 166 - The World's Great Collections. Oriental Ceramics, vol. 8, Tokyo, 1982, pl. 190. Chinese Ceramics in the Carl Kempe Collection, The Museum of Art and Far Eastern Antiquities in Ulricehamn, Ulricehamn, 2002, pl. 385 a slightly smaller two-tiered shrine illustrated in Julian Thompson, 'Chinese Celadons', Arts of Asia, November-December, 1993, front cover, was sold at Sotheby's Hong Kong , 5th November 1996, lot 615; and a similar example in the Charles Russell collection illustrated by R. L. Hobson et. al., Chinese Ceramics in Private Collections, London, 1931, p. 187. A larger shrine from the Edward T. Chow collection, engraved with a date equivalent to 1385, is illustrated in Sheila Riddell, Dated Chinese Antiquities, 600-1650, London, 1979, pl. 11, and was sold at Sotheby's London, 16th December 1980, lot 324, and again, 16th June 1998, lot 232 - 'Longquan' celadon shrines of this type are generally much smaller, for example see one from the Evelyn Annenberg Hall collection sold at Christie's New York, 29th March 2006; another from the estate of Stanley Hertzman sold at Christie's New York, 20th September 2002, lot 308; and a third from the collection of J. C. Dragon II sold at Sotheby's Hong Kong, 5th November 1996, lot 615 

NAGEL. "Asian Art". Sale 722, 06/06/2015

An exceptionally rare gem-set Egyptian Revival pendent sautoir, by Van Cleef & Arpels

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An exceptionally rare gem-set Egyptian Revival pendent sautoir, by Van Cleef & Arpels. Estimate CHF440,000 - CHF580,000 ($320,233 - $422,125). Price Realized CHF465,500 ($338,792). Photo Christie's Image Ltfd 1998.

The pendant designed as a pavé-set diamond panel with central seated figure of Maat in domed calibré-cut rubies to the chevron border with lotus flower terminals and gem-set fringe, suspended by a series of twelve shaped rectangular panels, each depicting a falcon, with collet and buckle spacers to the ruby, emerald and diamond winged scarab clasp,December 1924, 75.5 cm., with French assay marks, in a later green leather fitted case. Signed by Van Cleef & Arpels, Paris, no. 23336

NoteThis sautoir ranks amongst Van Cleef & Arpels' greatest achievements. Of exceptional quality and inspiration, it was one of two similar pieces to be produced. As fine examples of creations from this period become ever rarer, it is unfortunate that the other necklace has disappeared.

Jewellery production in the first quarter of this century, particularly in the years just after the discovery of Tutankhamun's tomb, was marked by a prevailing Egyptomania. Pieces inspired by the pectoral, an ornamental breastplate placed on the chest of the mummies, were executed by both Cartier and Van Cleef. Though Cartier's initial designs are of an earlier date - circa 1910 - preceding the 1922 find and probably more influenced by the 1911 Franco-Egyptian exhibition at the Louvre, they were never quite as ambitious as the present necklace.

Typical of the Egyptian-inspired creations of the time, the motifs and hieroglyphs incorporated into this sautoir were chosen strictly for their decorative value. As an ensemble, they have no meaning. The central image represents the Goddess Maat. According to Egyptologist Regine Schulz in "Egypt: the World of the Pharaohs", "the concept of Maat stood for the principal of the structured world, that is, for order and equilibrium, ethical values and justice, culture and creativity." Accompanying Maat to the right is a hieroglyph representing the ostrich feather. In ancient Egypt, an efficient postal service existed. To identify themselves, the postmen wore ostrich feathers. Thus, the symbol came to mean "bearing good intentions". She is sitting below a circle representing the sun and above the zig-zag hieroglyph for water, which has been inverted. To her left is the symbol for a sceptre. To either side of the pendant are lotuses, symbolising lower Egypt.

The surmount depicts a winged scarab, representative of Khepri, the morning sun. Such objects were placed on the chests of the dead as a symbol of ressurrection. The cartouche shaped-panel surrounding the scarab is reminiscent of those used to write the names of the Kings in hieroglyphs. The falcon, an image repeated in the neckchain, was the protector of royalty in ancient Egypt. It also sometimes represented the God Ra or the supreme embodiment of power. 

Christie's. ART DECO JEWELLERY, 17 November 1998.  Geneva

An impressive emerald and diamond pendant-brooch, by Cartier

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An impressive emerald and diamond pendant-brooch, by Cartier

An impressive emerald and diamond pendant-brooch, by CartierEstimate CHF100,000 - CHF120,000 ($72,780 - $87,336). Price Realized CHF163,000  ($118,632). Photo Christie's Image Ltfd 1998.

Designed as an old European and old mine-cut diamond openwork panel with a central rectangular-cut emerald weighing 12.28 carats, suspending a diamond palmette and emerald bead drop, to the pear-shaped diamond surmount, circa 1927, in its original Cartier red leather fitted case. By Cartier

Christie's. ART DECO JEWELLERY, 17 November 1998.  Geneva

A fine gem-set pendant-brooch, circa 1930

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A fine gem-set pendant-brooch, circa 1930

A fine gem-set pendant-brooch, circa 1930Estimate CHF130,000 - CHF150,000 ($94,614 - $109,170). Price Realized CHF190,500 ($138,646). Photo Christie's Image Ltfd 1998

Designed as a pierced curved bar with diamond palmette terminals suspending an articulated plaque of marquise-cut diamonds and carved ruby, emerald, sapphire, amethyst or citrine flowerheads with diamond-set borders to the emerald, diamond and yellow diamond tassels, circa 1930, with French assay marks  

NoteFloral engraved gemstones were a preferred motif in the 1920s. Whether on brooches or vanity cases, in precious or hardstones, they were ubiquitous, bringing a very colourful touch to the creations.  

Christie's. ART DECO JEWELLERY, 17 November 1998.  Geneva

An impressive twin-stone diamond ring, by Cartier, circa 1935

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An impressive twin-stone diamond ring, by Cartier, circa 1935

An impressive twin-stone diamond ring, by Cartier, circa 1935Estimate CHF130,000 - CHF150,000 ($94,614 - $109,170). Price Realized CHF190,500 ($138,646). Photo Christie's Image Ltfd 1998

Set with two old mine-cut diamonds weighing 6.13 and 6.33 carats to the tiered baguette-cut diamond shoulders and plain hoop, circa 1935, size 6¼, with French assay marks. Signed by Cartier, number indistinct 

Christie's. ART DECO JEWELLERY, 17 November 1998.  Geneva

A fine diamond clip brooch, by Cartier, circa 1932

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A fine diamond clip brooch, by Cartier, circa 1932

A fine diamond clip brooch, by Cartier, circa 1932Estimate CHF53,000 - CHF65,000 ($38,574 - $47,307). Price Realized CHF88,200 ($64,192). Photo Christie's Image Ltfd 1998

Designed as a circular-cut diamond stylised pyramid within a baguette-cut diamond openwork surround to the diamond-set arched bar top, circa 1932. Signed by Cartier, London, nos. 7881 and 133 

Christie's. ART DECO JEWELLERY, 17 November 1998.  Geneva

John Dumas for Hermès, Brown crocodile Kelly Bag, Leather, Paris, 1990s

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John Dumas for Hermès, Brown crocodile Kelly Bag, Leather, Paris, 1990sEstimate: 6 000 € / 7 800 €. Photo Auctionata AG

Embossed manufacturer logo above the clasp as well as on the eyelets, the right buckle, and the strap . Handbag removable shoulder strap; 3 inner pockets. With original dust bag. Dimensions: 32.5 x 28.5 x 12 cm. Good condition 

Designed in 1935, this bag gained by their bearer - the American style icon Grace Kelly - cult status and was named after her in 1956. The bags fetch up to €91,500 on the international auction market. This item can only be delivered to an address within the EU.

Hermès 
The company Hermès, based in Paris, was founded in 1837 by the saddler Thierry Hermès (1901-1878) as a business for riding accessories. Under Thierry's son, Charles-Émile Hermès, the product range was extended to cases and leather bags as of 1878. Handbags were introduced in the 1920s. Finally, in 1951, the company launched its first perfume. The high quality and durability of the Hermès products quickly became known throughout Europe. Today, Hermès is known worldwide for its high quality craftsmanship. (bde)

AUCTIONATA AG, 10719 BERLIN. Grandes Marques & Véritables Chef-d'Oeuvres. le 14 Août 2015 à 14h00


Black Crocodile Leather 'Sellier Kelly' Bag, Hermes, Paris

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Black Crocodile Leather 'Sellier Kelly' Bag, Hermès, Paris. Estimate $10,000-15,000. Sold for $10,000. Photo Doyle New York

With interior pockets, with handle, signed Hermes, Pariswithout lock & key. 9 1/2 x 13 5/8 x 5 1/2 inches. With signed fabric drawstring bag. Good condition. With slight wear to edges and corners. One small abrasion to strap.

Doyle New York. Fine Jewelry. June 11, 2015

A silvered-bronze mounted blue and white playing boys jar, China, underglaze blue Jiajing six-character mark and period

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A silvered-bronze mounted blue and white playing boys jar, China, underglaze blue Jiajing six-character mark and period

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A silvered-bronze mounted blue and white playing boys jar, China, underglaze blue Jiajing six-character mark and period. Estimate 3000/5000 €. Lot sold 4.500 €. Photo Nagel

The mounts French, ca. 1920. H. 19 cm. Firing cracks, glaze frits

Property from an old European private collection

NAGEL. "Asian Art". Sale 722, 06/06/2015

A blue and white pomegranate jar, China, Wanli period

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A blue and white pomegranate jar, China, Wanli period

A blue and white pomegranate jar, China, Wanli periodEstimate 1000/1500 €. Lot sold 1.400 €. Photo Nagel

H. 18,4 cm. Glaze frits

Property from an important South German private collection 

NAGEL. "Asian Art". Sale 722, 06/06/2015

Two blue and white porcelain jars, one with lion mask handles, China, Wanli period

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Two blue and white porcelain jars, one with lion mask handles, China, Wanli period

Two blue and white porcelain jars, one with lion mask handles, China, Wanli period. Estimate 1200/1800 €. Unsold. Photo Nagel

H. 12,6/13,2 cmFew glaze frits

Property from an important South German private collection 

NAGEL. "Asian Art". Sale 722, 06/06/2015

Two blue and white porcelain kendi, China, Wanli period, one with metal mount

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Two blue and white porcelain kendi, China, Wanli period, one with metal mount

Two blue and white porcelain kendi, China, Wanli period, one with metal mount. Estimate 1500/2000 €. Unsold. Photo Nagel

H. 20-22,5 cmFew firing cracks

Property from the Wollheim collection 

NAGEL. "Asian Art". Sale 722, 06/06/2015

A deep blue and white kraak porcelain bowl, China, Wanli period

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A deep blue and white kraak porcelain bowl, China, Wanli period

A deep blue and white kraak porcelain bowl, China, Wanli period. Estimate 900/1200 €. Sold 500 €. Photo Nagel

D. 12,8 cmFew small rim chips or frits

Provenance: Senta Wollheim Collection no. OA 192, bought with the German trade prior 1975 

NAGEL. "Asian Art". Sale 722, 06/06/2015

A deep blue and white kraak porcelain plate, China, Wanli period

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A deep blue and white kraak porcelain plate, China, Wanli period

A deep blue and white kraak porcelain plate, China, Wanli period. Estimate 2500/3500 €. Unsold. Photo Nagel

D. 36 cmSmall glaze frits to rim

Property from a German private collection 

NAGEL. "Asian Art". Sale 722, 06/06/2015


A blue and white porcelain crane tripod censer, China, Wanli period

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A blue and white porcelain crane tripod censer, China, Wanli period

A blue and white porcelain crane tripod censer, China, Wanli period. Estimate 1200/1800 €. Unsold. Photo Nagel

D. 16 cmGlaze frits to mouth rim

Provenance: Senta Wollheim Collection, no. OA 189, bought in Germany before 1976 

NAGEL. "Asian Art". Sale 722, 06/06/2015

Artist Michael Duté's Studio and Home in Berlin

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HIBR_D_00121896_fine

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Artist Michael Duté's Studio and Home in Berlin. Photos by David Hiepler and Fritz Brunier

Two fine and rare blue and white lotus and blossom bottle vases, China, Transitonal period

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Two fine and rare blue and white lotus and blossom bottle vases, China, Transitonal period

Two fine and rare blue and white lotus and blossom bottle vases, China, Transitonal period. Estimate 15000/20000 €. Unsold. Photo Nagel

H. 41,2 cm. 

Property from an old German private collection , bought from Stucker Auctions, Bern (Switzerland), 5.5.1977, Lot 588  

Formerly in the possession of Queen Auguste Viktoria (1890-1966) the last Queen of Portugal, a born princess of Hohenzollern-Sigmaringen which was wedded in her first mariage with Manuel II. (1889-1932), the last King of Portugal

Nagel Auktionen, "Asian Art",  06/06/2015

A silvered-mounted blue and white tankard with scholar and page boy, China, Transitional period

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A silvered-mounted blue and white tankard with scholar and page boy, China, Transitional period

A silvered-mounted blue and white tankard with scholar and page boy, China, Transitional period. Estimate 600/1000 €. Sold 1.100 €. Photo Nagel

H. 23,5 cm. Minor wear

Property from an old North German private collection.

Nagel Auktionen, "Asian Art",  06/06/2015

Two blue and white porcelain plates, China, 16th century

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Two blue and white porcelain plates, China, 16th century

Two blue and white porcelain plates, China, 16th century. Estimate 600/1000 €. Sold 330 €. Photo Nagel

B. 8,8-18,2 cm. Minor wear

Property from an old North German private collection.

Nagel Auktionen, "Asian Art",  06/06/2015

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