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Hermès rarities = Holiday Luxury at Heritage Auctions' accessories signature auction

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Hermès 30cm Matte White Himalayan Nilo Crocodile Birkin Bag with Palladium Hardware. Estimate: $80,000 - $100,000. Photo  Heritage Auctions

DALLAS, TX.- An Hermès 30cm Matte White Himalayan Nilo Crocodile Birkin Bag, with Palladium Hardware, considered the pinnacle of Birkin bags, is expected to bring $80,000+ when it crosses the block on Dec. 8. 2015, as the top lot in Heritage Auctions' Holiday Luxury Accessories Signature® Auction. 

"Known the world over as a Holy Grail handbag, the Himalayan Birkin certainly makes a statement of opulence, excellence and ultimate luxury," said Diane D'Amato, Director of Luxury Accessories at Heritage Auctions. "Any time one appears on the luxury re-sale market, somewhere there is a collector about to enter a very exclusive club." 

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Hermès 30cm Matte White Himalayan Nilo Crocodile Birkin Bag with Palladium Hardware. Estimate: $80,000 - $100,000. Photo  Heritage Auctions 

This bag is in Excellent to Pristine Condition. The protective plastic is intact on the plaquees, touret base, and all four clous. There is slight curling to the top left and top right edges of the flap top. This bag includes an Hermes box, dustbag, protective felt, rain protector, care card with its dustbag, a ribbon, two keys, a lock, and a clochette. 12" Width x 8" Height x 6" Depth

The pinnacle of Birkin bags, the Himalayan Birkin is only made available to the most prestigious of clientele. Known the world over as a holy grail handbag, the Himalayan Birkin certainly makes a statement of opulence, excellence, and ultimate luxury. It is done in White Himalayan Nilo Crocodile, its namesake taken from the monolithic and snowy Himalayan Mountains. Mountainous in its appearance and in its allure, this bag is truly elusive, with very select owners throughout the globe. This bag features two rolled top handles, Palladium Hardware, keys, clochette, and a matching Crocodile covered lock. The interior is done in expertly paired Gris Cendre Chevre Leather and features one slip pocket and one zip pocket. A truly incredible piece, this Himalayan Birkin is the capstone piece to any collection.

Whimsy and luxury go hand-in-hand in the form of a highly desirable Hermès Limited Edition 5P Bubblegum Pink Swift Leather Quelle Idole Kelly Doll Bag, with Palladium Hardware, which is estimated at $60,000+. 

"This bag is perfect for both the seasoned collector and the collector-in-training," said D'Amato. "This Kelly Doll bag is a fanciful play on the sophistication we know and love from Hermès." 

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Hermès Limited Edition 5P Bubblegum Pink Swift Leather Quelle Idole Kelly Doll Bag with Palladium Hardware. Estimate: $60,000 - $80,000. Photo  Heritage Auctions

This bag is in Pristine Condition. There are no signs of wear. The protective plastic is intact on the hardware, except for the touret tip. This bag includes an Hermes box and dustbag. 6" Width x 5" Height x 3" Depth

Perfect for both the seasoned Hermes collector and the Hermes collector-in-training, this Kelly Doll bag is a whimsical play on the sophistication we know and love from Hermes. Specifically designed for the SOGO department store opening in Hong Kong, this bag is one of the rarest items ever produced by Hermes. As well as being done in incredibly rare and sought after 5P Bubblegum Pink Swift Leather, this shrunken down Kelly bag is adorned with a smiling face and leather arms and feet, giving it the appearance of a doll. The turnlock "nose" opens to reveal an 5P Pink Swift Leather interior, and a silver "Hermes at SOGO 2010" embossment on the front, just beneath the flap top. The arms of the bag are moveable, allowing you to pose this adorable keepsake however you'd like. The bag is accented with a Palladium Hardware turnlock "nose" and two Palladium eyes. A 5P Kelly Doll has not come onto the market for a long time. Do not miss this chance to own an incredibly rare and important piece from Hermes.

Hermès highlights continue with an attractive Matte Beton Alligator Birkin Bag, with Palladium Hardware (estimate: $40,000+), representing a great opportunity for the seasoned, savvy collector done in Beton, a recently envisioned color from 2013 that straddles the line between white and gray; an Hermès 25cm Shiny Blue Marine Nilo Crocodile Sellier Kelly Bag, with Gold Hardware (Estimate: $40,000+) and an Hermès Special Order Horseshoe 30cm Rose Confetti, Anemone & Blue Aztec Chevre Leather Birkin Bag, with Gold Hardware (Estimate: $20,000+).

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Hermes 35cm Matte Beton Alligator Birkin Bag with Palladium Hardware. Estimate: $40,000 - $50,000. Photo  Heritage Auctions

This bag is in Excellent to Pristine Condition. The protective plastic is intact on the touret base and three of the clous. There is ever-so slight scratching to the plaquees and one of the clous, and one light scuff at the front left base corner. This bag includes an Hermes box, dustbag, protective felt, clochette dustbag, care card with its dustbag, a rain protector, two keys, a lock, and a clochette. 14" Width x 10" Height x 7" Depth

This incredibly special rendition of the Birkin bag is for the seasoned collector and savvy shopper. This Birkin is done in Beton, a recently envisioned color from 2013, and a fantastic shade that straddles the line between white and gray. This color is extremely difficult to produce in an exotic skin due to its fairness, making this bag an incredible rarity. The Palladium Hardware makes this bag even more desirable, giving this bag a seamless finish. This bag features two rolled handles, and a flap top with a turnlock closure. The interior is done in Gris Perle Chevre Leather, featuring one zip pocket and one slip pocket. This bag includes two keys, a lock, and a clochette. 

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Hermès 25cm Shiny Blue Marine Nilo Crocodile Sellier Kelly Bag with Gold Hardware. Estimate: $40,000 - $60,000. Photo  Heritage Auctions

This bag is in Pristine Condition. There are no signs of wear. The protective plastic is intact on the hardware. This bag includes an Hermes box, dustbag, protective felt, a care card with its dustbag, a shoulder strap with its dustbag, a clochette dustbag, two keys, a lock, and a clochette. 10" Width x 7" Height x 3.5" Depth

This one of the most elegant and sophisticated handbags. Since its introduction in the 1930s, the Kelly has been beloved for its functionality and sleek design. This particular Kelly is a notable piece, done in Shiny Blue Marine Nilo Crocodile, and accented with Gold Hardware. This bag features a top handle, a removable shoulder strap, and a flap top with a turnlock closure. The interior of the bag is done in Blue Marine Chevre Leather with one slip pocket and one zip pocket. This bag includes two keys, a lock, and a clochette. 

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Hermès Special Order Horseshoe 30cm Rose Confetti, Anemone & Blue Aztec Chevre Leather Birkin Bag with Gold Hardware. Estimate: $20,000 - $24,000. Photo  Heritage Auctions

This bag is in Pristine Condition. There are minor scratches to the pontets. This bag includes an Hermes box, dustbag, protective felt, rain protector, clochette dustbag, a care card with its dustbag, a ribbon, two keys, a lock, and a clochette. 12" Width x 8" Height x 6" Depth

What an incredible piece this is! Created as a special order, this tri-color Birkin bag is truly one of a kind. This is the perfect opportunity for collectors and savvy shoppers to own an amazing piece of Hermes that will likely never be seen again on the market. This bag is done in stunning Rose Confetti, Anemone, and Blue Aztec Chevre Leather, a stunning combination. This bag features expertly paired Gold Hardware, two rolled handles, and a flap top with a turnlock closure. The interior is done in Anemone Chevre Leather, featuring one zip pocket and one slip pocket. Yet another unique aspect of this bag is that included on the front of the interior slip pocket, is a mobile device slip pocket. This bag includes two keys, a lock, and a clochette.

Further highlights include, but are not limited to: 

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Hermès Special Order Horseshoe 30cm Rouge Casaque, Blue Aztec & Black Chevre Leather Birkin Bag with Gold Hardware. Estimate: $20,000 - $24,000. Photo  Heritage Auctions

This bag is in Pristine Condition. There are no signs of wear. The protective plastic is intact on the hardware, save for the touret. This bag includes an Hermes box, dustbag, clochette dustbag, protective felt, rain protector, care card with its dustbag, a ribbon, two keys, a lock, and a clochette. 12" Width x 8" Height x 6" Depth

What an incredible piece! This special order Birkin bag is a stark example of Hermes's attention to details when it comes to their handbags and luxury accessories. A fabulous collectors piece, this Birkin is reminiscent of Mondrian squares, and plays in perfectly with color blocking trends. This bag is done in a simply gorgeous combination of Rouge Casaque, Blue Aztec, and Black Chevre Leather, featuring expertly paired Gold Hardware. This Birkin bag features two rolled handles, and a flap top with a turnlock closure. The interior is done in Black Chevre Leather, featuring one zip pocket, one slip pocket, and one mobile device slip pocket, the crowning element of this bag's interior. This bag includes two keys, a lock, and a clochette.

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Hermès Special Order Horseshoe 30cm Parme & Rose Tyrien Chevre Leather Birkin Bag with Gold Hardware. Estimate: $20,000 - $24,000. Photo  Heritage Auctions

This bag is in Pristine Condition. There is slight denting to the front leather from the interior pockets. The protective plastic is intact on the hardware. This bag includes an Hermes box, dustbag, clochette dustbag, a care card with its dustbag, protective felt, rain protector, a ribbon, two keys, a lock, and a clochette. 12" Width x 8" Height x 6" Depth

What a find! This special order Birkin bag is bright, feminine, and stunningly chic. Done in a fabulous combination of Parme and Rose Tyrien Chevre Leather, this Birkin is sure to turn heads. This bag features two rolled handles, Gold Hardware, and a flap top with a turnlock closure. The interior is done in Rose Tyrien Chevre Leather, featuring one zip pocket, one slip pocket, and a unique mobile device slip pocket. This bag includes two keys, a lock, and a clochette.

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Hermès Special Order Horseshoe 30cm Rose Tyrien, Blue Hydra & Parme Chevre Leather Birkin Bag with Gold Hardware. Estimate: $20,000 - $24,000. Photo  Heritage Auctions

This bag is in Pristine Condition. There are no signs of wear. The protective plastic is intact on the clous and the plasquees. The protective plastic has slightly ripped on one plaquee. This bag includes an Hermes box, dustbag, clochette dustbag, protective felt, a care card with its dustbag, a ribbon, two keys, a lock, and a clochette. 12" Width x 8" Height x 6" Depth

A Birkin bag for the savvy collector and avid Hermes frequenteur alike. An incredible special order bag, this Birkin features three stunning colors that blend and contrast beautifully together. Done in Rose Tyrien, Blue Hydra, and Parme Chevre Leather, this Birkin is truly the only of its kind. This bag features two rolled handles, Gold Hardware, and a flap top with a turnlock closure. The interior is done in Parme Chevre Leather, featuring one slip pocket, one zip pocket, and the crowning element to this bag's interior: one mobile device slip pocket. This bag includes two keys, a lock, and a clochette.

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Hermès Special Order Horseshoe 35cm Crocus & Rose Tyrien Epsom Leather Birkin Bag with Palladium Hardware. Estimate: $18,000 - $22,000Photo  Heritage Auctions

This bag is in Pristine Condition. There are no signs of wear. The protective plastic is intact on the hardware. This bag includes an Hermes box, dustbag, clochette dustbag, protective felt, rain protector, a care card with its dustbag, a ribbon, two keys, a lock, and a clochette. 14" Width x 10" Height x 7" Depth

The perfect Birkin bag for avid collectors, this special order piece is a beautiful feminine bag that is sure to attract much attention. Done in a stunning combination of Crocus and Rose Tyrien Epsom Leather, this Birkin is absolutely amazing. This bag features two rolled handles, Palladium Hardware, and a flap top with a turnlock closure. The interior is done in Rose Tyrien Chevre Leather, featuring one slip pocket and one zip pocket. This bag includes two keys, a lock, and a clochette.

 

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Hermes Special Order Horseshoe 35cm 5P Bubblegum Pink, Tosca & Crocus Epsom Leather Birkin Bag with Gold Hardware. Estimate: $18,000 - $22,000. Photo  Heritage Auctions

This bag is in Pristine Condition. There is a small scratch with very slight color loss to the back base corner. The protective plastic is intact on the hardware. This bag includes an Hermes box, dustbag, clochette dustbag, a protective felt, rain protector, a care card with its dustbag, a ribbon, two keys, a lock, and a clochette. 14" Width x 10" Height x 7" Depth

Fabulous and feminine, this Birkin bag is for the discerning collector and ultra-chic shopper. Done in an incredible three colorations, this bag will make a statement. This bag is done in rare 5P Pink, Tosca, and Crocus Epsom Leather, three beautiful colors that blend seamlessly together in the Birkin design. This bag features Gold Hardware, two rolled handles, and a flap top with a turnlock closure. The interior is done in Crocus Chevre Leather, featuring one zip pocket, one slip pocket and one unique mobile device slip pocket. This bag includes two keys, a lock, and a clochette.

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Hermès Limited Edition 35cm So Black Calf Box Leather Birkin Bag with PVD Hardware. Estimate: $16,000 - $20,000. Photo  Heritage Auctions

This bag is in Very Good to Excellent Condition. There are a few light scuffs on the bag's exterior leather. There is light scuffing on the base corners and the piping trim. This bag comes with the box, dustbag, lock, keys, clochette, clochette dustbag, paperwork, paperwork dustbag, raincoat, and ribbon. 14" Width x 10" Height x 7" Depth

The Hermes So Black Collection first appeared in US stores at the tail end of 2010. The Limited Edition handbags from this collection features black PVD hardware in addition to the bag's Black leather body. This effect gives the bag and all black or So Black appearance. Bags from this collection are an even more hard to come by than the already elusive Hermes Birkin, making them a true indication of status and access. This bag features two handles, lock, keys, and clochette. The interior is done in Black Chevre Leather with one slip pocket and one zip pocket


Exhibition of work by jeweller Romilly Saumarez Smith and artist Verdi Yahooda opens in Norwich

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Romilly Saumarez Smith, Gertrude’s Jewel, 2013. Photo: Lucinda Douglas-Menzies

NORWICH.- Newfoundland is an exhibition of work by contemporary jeweller Romilly Saumarez Smith and artist Verdi Yahooda. Each of the 70+ pieces in the exhibition are unique and have at their core Roman, Anglo-Saxon or Medieval metalwork, dropped or discarded hundreds of years ago. 

In 2011, Romilly became fascinated by the amazing availability of these antique objects, which she discovered on eBay – the finds of metal detectorists who scour the countryside in search of lost treasure. She quickly recognised the inherent beauty of buttons, pins, thimbles and metal buckles which arrived in the post, tightly wrapped. Originally these objects were everyday domestic things, but lost in the ground and buried in time they have become particular and special.

A small belt buckle becomes a delicate ring; what had been a metal garment pin turns into an elegant brooch; an old spoon is reawakened with the addition of silver granulation along its handle. 

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Verdi Yahooda, Aligned Thimbles, 2015. Silver Gelatin print.

Combined with tiny pearls, gold and diamonds the antique is embedded, fused, sewn and riveted to the new to create tiny fanciful landscapes, both rich and strange. Romilly draws out the inherent characteristic of the pieces and gives them a resonance well beyond their function. 

After a successful career as a bookbinder, Romilly started making jewellery in 1998. Now physically unable to make the jewellery herself, her ideas and designs are translated into being by three jewellers: Lucie Gledhill, Anna Wales and Laura Ngyou. 

In October 2014 the Newfoundland jewels were shown alongside ceramics by Edmund de Waal in a private exhibition at his studio. In 2004 Romilly showed both book bindings and jewellery in a solo exhibition at the Yale Centre for British Art but, apart from a ring in the Victoria and Albert Museum jewellery collection, this is the first time that her jewellery will be seen in a major public museum in this country.

 

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Romilly Saumarez Smith, Kindly Stag, 2014. Medieval bronze bridle charm; silver.

As part of the Newfoundland exhibition, photographer Verdi Yahooda has made some exceptional photographic prints of the original metal finds. She is a long standing friend and artistic collaborator of Romilly's. 

Ghislaine Wood, deputy director of the Sainsbury Centre for visual arts said: "we are delighted to be showcasing this remarkable body of work by Romilly Saumarez Smith. It resonates well with the whole ethos and raison d'être of the Sainsbury Centre." 

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Romilly Saumarez Smith, Gold Caddis Earrings, 2013. Tudor bronze buttons; 18 carat gold.

La saison 6 de Downton Abbey sur TMC : dernier tour de piste pour les Crawley

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Michelle Dockery dans la saison 6 de "Downton Abbey"

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Allen Leech et Michelle Dockery dans la saison 6 de "Downton Abbey"

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Michelle Dockery, Matthew Goode et Allen Leech dans la saison 6 de "Downton Abbey"

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Michelle Dockery et Maggie Smith dans la saison 6 de "Downton Abbey"

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Michelle Dockery dans la saison 6 de "Downton Abbey"

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Michelle Dockery et Matthew Goode dans la saison 6 de "Downton Abbey"

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Matthew Goode dans la saison 6 de "Downton Abbey"

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 Allen Leech, Brendan Coyle, Hugh Bonneville et Kevin Doyle dans la saison 6 de "Downton Abbey"

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Allen Leech dans la saison 6 de "Downton Abbey"

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Allen Leech, Elizabeth McGovern, Laura Carmichael, Matthew Goode et Michelle Dockery dans la saison 6 de "Downton Abbey"

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Allen Leech et Harry Hadden-Paton dans la saison 6 de "Downton Abbey"

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Jim Carter, Kevin Doyle, et Michael Fox (III) dans la saison 6 de "Downton Abbey"

Après un carton d'audience dans son pays d'origine, la sixième et dernière saison de la série britannique la plus populaire arrive sur TMC, pour une diffusion dès ce samedi 5 décembre. 

A Qingbai melon-form ewer, Northern Song dynasty, 11th-12th century

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A Qingbai, melon-form ewer, Northern Song dynasty, 11th-12th century

A Qingbai, melon-form ewer, Northern Song dynasty, 11th-12th century

Lot 2829. A Qingbai melon-form ewer, Northern Song dynasty, 11th-12th centuryEstimate HK$100,000 - HK$200,000 ($12,964 - $25,927). Price Realized HK$275,000 ($35,650)Photo Christie's Image Ltd 2015

The ewer is delicately potted with a melon-form body rising to a narrow waisted neck below an everted lipped rim, set at one side with a strap handle with a small loop on top opposite the curved spout. The body is incised with stylisedruyi heads below the curving spout and the strap handle. It is covered overall with a pale whitish-blue glaze. 5 7/8 in. (14.8 cm.) high, Japanese wood box

ProvenanceChristie's Amsterdam, 31 October 2006, Lot 462
Sen Shu Tey, Tokyo

Christie's. THE CLASSIC AGE OF CHINESE CERAMICS - THE LINYUSHANREN COLLECTION, PART I, 2 December 2015, Convention Hall

A carved Qingbai meiping, Southern Song Dynasty (1127-1279)

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A carved Qingbai meiping, Southern Song Dynasty (1127-1279)

Lot 2830. A carved Qingbai meiping, Southern Song Dynasty (1127-1279). Estimate HK$300,000 - HK$500,000 ($38,891 - $64,818). Price Realized HK$1,360,000 ($176,305)Photo Christie's Image Ltd 2015

The meiping with high-shouldered, tapering body is carved with a broad band of scrolling tendrils between double borders. It is covered inside and out with a glaze of pale aquamarine tone that ends above the foot to expose the fine biscuit ware. 10 1/4 in. (26.2 cm.) high, Japanese wood box

Provenance: Sen Shu Tey, Tokyo 

Literature: Sen Shu Tey, The Collection of Chinese Art, Tokyo, 2006, p. 67, no. 85

Exhibited: Sen Shu Tey, Special Exhibition Run Through 10 Years, Tokyo, 2006, Catalogue, no. 85

NotesStarting from the early Northern Song dynasty, kilns at Jingdezhen achieved success in producing very fine white-bodied porcelain covered with a glaze of icy blue tinge, earning the name qingbai, 'blue white', or yingqing, 'shadow blue'. The exquisite quality of qingbai porcelain was widely recognised, and the Southern Song ceramic historian Jiang Qi mentioned in his treatise Tao ji (Ceramic Records) that white porcelain produced at Jingdezhen was so refined and pure that it was known as Raoyu, 'jade of Rao'. Raozhou was the name of the region in which the Jingdezhen kilns were located.

A larged example was sold at Christie's Hong Kong, 26 November 2014, lot 3231. A similarly carved meiping with broader shoulders is illustrated in Sekai toji zenshu, vol. 12, Song, Tokyo, 1977, pl. 30; and another is illustrated in Mayuyama Seventy Years, Tokyo, 1976, pl. 417. 

A rare large carved Qingbai meiping and cover, Southern Song dynasty (1127-1279)

A rare large carved Qingbai meiping and cover, Southern Song dynasty (1127-1279). Sold HK$3,160,000 ($409,233) at Christie's Hong Kong, 26 November 2014, lot 3231. Photo Christie’s Ltd 2014

Christie's. THE CLASSIC AGE OF CHINESE CERAMICS - THE LINYUSHANREN COLLECTION, PART I, 2 December 2015, Convention Hall

AGTA Spectrum’s Cutting Edge Awards for 2015

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The AGTA Cutting Edge Awards honor excellence and creativity of the lapidary arts, including natural colored gemstones and cultured pearls, carvings, other gem materials and objects of art in U.S. and Canada. A panel of judges will evaluate entries in the Cutting Edge Awards.

The purpose of the Cutting Edge Competition is to celebrate the excellence and creativity of lapidary artists and colored gemstones. 

Entries may incorporate existing lapidary techniques; however entries in Pairs & Suites, Innovative Faceting, Carving and Objects of Art must reflect unique, new and innovative designs. 

Classic Gemstones will honor excellence in traditional cuts among Ruby, Emerald and Sapphire; Other Faceted Gemstones and Phenomenal Gemstones will also honor traditional cuts in these specific gemstones. The entries in this category will be evaluated on the following qualities: 
1) Quality of Lapidary Work 
2) Technique 
3) Quality/Rarity of Gem Material 
4) Overall Beauty 

Classic Gemstones 
Limited to outstanding examples of ruby, emerald and sapphire with traditional gemstone cutting techniques.

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1st Place, Classic Gemstone: Allen Kleiman, A. Kleiman & Co., San Francisco, CA. 20.24 ct. emerald-cut unheated yellow Sapphire.

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2nd Place, Classic Gemstone: Joseph Ambalu, Amba Gem Corp., New York, NY. 19.06 ct. brilliant, step-cut unheated blue Sapphire.

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3rd Place, Classic Gemstone: Joseph Ambalu, Amba Gem Corp., New York, NY. 5.00 ct. oval pink Sapphire.

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Honorable Mention, Classic Gemstone: Alan Hackman, Intercolor, New York, NY. 38.06 ct. blue Sapphire.

All Other Faceted Gemstones 

Open to outstanding examples of any gemstone that is faceted with traditional gemstone cutting techniques.

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1st Place, All Other Faceted: Hemant Phophaliya, AG Color, Inc., New York, NY. 43.96 ct. oval cabochon Tanzanite.

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2nd Place, All Other Faceted: Mikola Kukharuk, Nomad's, New York, NY. 12.99 ct. oval mint grossular Garnet.

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3rd Place, All Other Faceted: Mikola Kukharuk, Nomad's, New York, NY, 28.21 ct. Imperial Topaz.

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Honorable Mention, All Other Faceted: Mikola Kukharuk, Nomad's, New York, NY. 115.48 ct. emerald-cut Heliodor.

Phenomenal Gemstones 

Open to outstanding examples of any phenomenal gemstone (stars, cat’s eyes, opals, etc.) with traditional gemstone cutting techniques.

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1st Place, Phenomenal: Robert Shapiro, Robert Shapiro, Madison, WI. Natural split pair of boulder Opals (60.50 ctw).

Each entry in Pairs & Suites, Innovate Faceting, Carving and Objects of Art will be judged on the following qualities: 
1) Originality of Design 
2) Quality of Lapidary Work 
3) Technique 
4) Quality/Rarity of Gem Material 
5) Overall Beauty 

Pairs & Suites 

Two or more gemstones to be judged as a set.

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1st Place, Pairs & Suites: Dalan Hargrave, Geogem-USA, Glenns Ferry, ID. Rhodolite Garnet suite (138.49 ctw.).

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2nd Place, Pairs & Suites: Mikola Kukharuk, Nomad's, New York, NY. Pair of Imperial Topaz (70.14 ctw.).

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3rd Place, Pairs & Suites: Hemant Phophaliya, A G Color, Inc., New York, NY. Fancy pear-shaped Tanzanites.

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Honorable Mention, Pairs & Suites: Allen Kleiman, A. Kleiman & Co., San Francisco, CA. Suite of pear-shaped unheated yellow Sapphires (57.73 ctw.).

Innovative Faceting 

Innovative faceting and lapidary techniques

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1st Place, Innovative Faceting: John Dyer, John Dyer & Co., San Jose, CA. 63.19 ct. fancy round curprian Tourmaline.

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2nd Place, Innovative Faceting: John Dyer, John Dyer & Co., San Jose, CA. 67.92 ct. swirling "Nebula" Ametrine.

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3rd Place, Innovative Faceting: John Dyer, John Dyer & Co., San Jose, CA. 19.43 ct. "Royal Velvet" Tanzanite.

Carving 

Carving of any natural gem material in any style. 

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1st Place, Carving: Naomi Sarna, Naomi Sarna Designs, New York, NY. "Rose de France" Amethyst carving (1015 ctw.).

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2nd Place, Carving: Bernie Benavidez, Master Jewelers, Rochester, MN. "The Eye of Genesis" Opal carving (260 ctw.).

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3rd Place, Carving. Darryl Alexander, Nirinjan, Beverly Hills, CA. 102 ct. specialy-cut Sunstone.

(Source:  Robin Hawk)

A very rare Cizhou white-glazed lobed vase, Northern Song dynasty, 11th-12th century

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A very rare Cizhou white-glazed lobed vase, Northern Song dynasty, 11th-12th century

Lot 2831. A very rare Cizhou white-glazed lobed vase, Northern Song dynasty, 11th-12th century Estimate HK$200,000 - HK$300,000 ($25,927 - $38,891). Price Realized HK$187,500 ($24,307)Photo Christie's Image Ltd 2015

The vase is well potted with lobed bulbous body rising to a trumpet neck and a flaring flower-shaped mouth, supported on a scalloped foot. The exterior is covered with a white slip under a clear glaze that continues inside the neck. 7 5/8 in. (19.5 cm.) high, Japanese wood box

ProvenanceFrank Caro, New York, February 1966 
Pauline and Johnny Falk Collection, no. 133, sold at Christie’s New York, The Falk Collection I: Important Chinese Ceramics and Works of Art, catalogue date 20 September 2001, lot 58
Sen Shu Tey, Tokyo

Literature: Sen Shu Tey, The Collection of Chinese Art, Tokyo, 2006, p. 68, no. 86

Exhibited: Sen Shu Tey, Special Exhibition Run Through 10 Years, Tokyo, 2006, Catalogue, no. 86

NotesThis attractive lobed-form is more usually seen in qingbai-glazed porcelains, and it is rare to find a well-potted stoneware example. Compare the present lot to a very similar Cizhou vase, illustrated in The Matsuoka Museum of Art,Selected Masterpieces of Oriental Ceramics, Tokyo, 1984, no. 24. The present vase has slightly more pronounced lobes on the body and does not have the addition of pairs of double lines encircling the trumpet neck. Another Cizhou example with somewhat elongated neck and more rounded body is in the Asian Art Museum of San Francisco, illustrated by He Li Chinese Ceramics: A New Comprehensive Survey, New York, 1996, no. 222. Compare also a related Cizhou vase of more slender proportion in the Umezawa Gallery, illustrated in Mayuyama Seventy Years, Tokyo, 1976, vol. 1, p.189, no. 561.

Christie's. THE CLASSIC AGE OF CHINESE CERAMICS - THE LINYUSHANREN COLLECTION, PART I, 2 December 2015, Convention Hall

A painted Cizhou polychrome ‘Fish’ bowl, Jin dynasty, 13th Century

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A painted Cizhou polychrome ‘Fish’ bowl, Jin dynasty, 13th Century

Lot 2832. A painted Cizhou polychrome ‘Fish’ bowl, Jin dynasty, 13th Century. Estimate HK$100,000 - HK$150,000 ($12,964 - $19,445). Price Realized HK$100,000 ($12,964)Photo Christie's Image Ltd 2015

The bowl is painted to the interior in red and green overglaze enamels to depict a fish swimming amidst lotus. It is covered overall with a white slip under clear glaze stopping above the foot, exposing the biscuit body which is inscribed with three indecipherable characters in ink. 6 3/4 in. (17 cm.) diam., box

Provenance: Sen Shu Tey, Tokyo

Literature: Sen Shu Tey, The Collection of Chinese Art, Tokyo, 2006, p. 73, no. 101

Exhibited: Sen Shu Tey, Special Exhibition Run Through 10 Years, Tokyo, 2006, Catalogue, no. 101

NotesFirst appearing in the late 12th to early 13th century, Cizhou polychrome decoration represents the earliest overglaze enamelling in Chinese ceramic history. This technique entails two firings. On pieces like the present bowl, a milky-white slip was applied to the clay body and a colourless transparent glaze was applied over the top. Lead-fluxed overglaze enamels were applied to the surface of the fired glaze and the vessel was fired a second time at a lower temperature. The Chinese term of Cizhou polychrome wares, honglü cai (red and green colours) is derived from the most popular overglaze colours in the Cizhou palette, green and red. 

Popular decorative themes on Cizhou polychrome bowls include floral patterns and aquatic scenes. A similar ‘fish’ bowl in the collection of Sekido Museum of Art, classified as an Important Art Object, is illustrated in Asahi Shimbun, Song Ceramics, Tokyo, 1999, p. 147, no. 108 (fig.1).  

A painted Cizhou polychrome ‘fish’ bowl, Jin dynasty, Sekido Museum of Art

fig. 1 A painted Cizhou polychrome ‘fish’ bowl, Jin dynasty, Sekido Museum of Art.

Compare a dated example decorated with waterfowl flying amidst lotus and inscribed with the date, first year of the Taihe reign (1201) from the Ataka collection, illustrated in Masterpieces of Old Chinese Ceramics from Ataka Collection, Osaka, 1972, Catalogue, no. 42. Compare also a bowl with mandarin duck pattern in the Tokyo National Museum collection, illustrated in T. Mikami, Sekai Toji Zenshu, vol. 13, Tokyo, 1981, p. 242, no. 273. A more frequently used decorative theme seen on Cizhou polychrome bowls is peony spray, as seen on a bowl illustrated in Sekai Toji Zenshuop. cit., p. 242, no. 271, and another three Cizhou polychrome bowls in the Ataka collection, illustrated in Masterpieces of Old Chinese Ceramics from Ataka Collectionop. cit., Catalogue, no. 40,41,43. 

Christie's. THE CLASSIC AGE OF CHINESE CERAMICS - THE LINYUSHANREN COLLECTION, PART I, 2 December 2015, Convention Hall


A painted Cizhou deep bowl, Northern Song-Jin Dynasty, 12th Century

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A painted Cizhou deep bowl, Northern Song-Jin Dynasty, 12th Century

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Lot 2833. A painted Cizhou deep bowl, Northern Song-Jin Dynasty, 12th Century. Estimate HK$200,000 - HK$300,000 ($25,927 - $38,891). Price Realized HK$250,000 ($32,409)Photo Christie's Image Ltd 2015

The bowl is well potted with an ovoid body, supported on a high foot ring. The exterior is freely painted in darkish-brown slip depicting four foliate sprigs. The details of the sprigs are rendered by incising through the brown slip to the creamy white ground beneath. The interior is also covered in creamy-white slip, all under a clear glaze. 6 5/8 in. (16.6 cm.) high, Japanese wood box 

ProvenanceThe Rudolph Schaeffer Collection, sold at Butterfield and Butterfield San Francisco, 14 May 1997, lot. 1556
Sen Shu Tey, Tokyo

Literature: Sen Shu Tey, The Collection of Chinese Art, Tokyo, 2006, p. 69, no. 90

Exhibited: Sen Shu Tey, Special Exhibition Run Through 10 Years, Tokyo, 2006, Catalogue, no. 90

NotesThis well-potted deep bowl on a small-diameter straight foot is one of the most elegant forms produced at the Cizhou kilns, and appears to have been particularly popular during the 12th century. A number of these deep bowls have been excavated from the Guantai kilns in Cixian, Hebei province. According to archaeologists, deep bowls of the present shape belong to the late Phase II of the Guantai kiln, dating from Jianzhongjingguo reign of Song Huizong to the Huangtong reign of Jin Xizong (1101-1149). The decoration on such pieces can be divided into three styles. Some of these were left plain white, illustrated in Archaeology Department of Peking University, Guantai Cizhou yaozhi, Beijing, 1997, colour pl. VI, no. 2. Some were decorated with linear sgraffiato designs incised through the slip to reveal the body beneath, ibid., colour pl. VI no. 1, monochrome pl. XIII, no. 4. The majority of the deep bowls, both excavated and preserved in collections, are decorated with bold designs painted in black or dark brown slip, cf. ibid., colour pl. VI, no. 3, monochrome pl. XIII, no. 3, pl. XIV, no. 1. It has been suggested by some scholars that the painted technique was developed in Cizhou kilns to imitate the complicated black-sgraffiato decoration. This effect is most successfully achieved by a type like the current bowl, which have bold black painted decorative motifs, on which details have been incised through the black slip to reveal the white slip beneath. Compare also two superb examples in the Linyushanren collection representing this technique, illustrated in Christie's, The Classical Age of Chinese Ceramics: An Exhibition of Song Treasures from the Linyushanren Collection, Hong Kong, 2012, pp. 138-141, nos. 57-58.

Christie's. THE CLASSIC AGE OF CHINESE CERAMICS - THE LINYUSHANREN COLLECTION, PART I, 2 December 2015, Convention Hall

A Very Rare Sgraffiato Cizhou ‘Peony’ Vase, Northern Song-Jin Dynasty, 12th Century

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A Very Rare Carved Cizhou ‘Peony’ Vase, Northern Song-Jin Dynasty, 12th Century

Lot 2834. A Very Rare Sgraffiato Cizhou ‘Peony’ Vase, Northern Song-Jin Dynasty, 12th Century. Estimate HK$1,000,000-1,500,000 ($130,000-190,000). Unsold. Photo Christie's Image Ltd 2015

The vase is potted with an ovoid body tapering sharply towards a tall spreading foot, surmounted by a trumpet neck below an everted rim. The body is carved through black slip to depict a broad peony scroll borne on leafy stem above a band of petals against a ground of white slip, under a clear glaze. The foot and base are applied with darkish-brown slip and unglazed. 8 7/8 in. (22.5 cm.) high, wood stand, Japanese wood box

Provenance: Kochukyo, Tokyo

Exhibited: The Kuboso Memorial Museum of Arts, Hana no utsuwa (Flower Vase), Izumi, 2 October to 27 November 1994, Catalogue, no. 101
Kochukyo, Soji (Song Ceramics), Tokyo, 2 to 4 October 1998, Catalogue, no. 2
Christie’s, The Classical Age of Chinese Ceramics: An Exhibition of Song Treasures from the Linyushanren Collection, Hong Kong, 22 to 27 November 2012; New York, 15 to 20 March 2013; London, 10 to 14 May 2013, Catalogue, no. 49

Literature: Kochukyo, Soji (Song Ceramics), Tokyo, 1998, no. 26
Osaka Municipal Museum of Art, Charm of Black & White Ware: Transition of Cizhou Type Wares, 2002, no. 36

Notes: Cizhou sgraffiato decoration, as displayed by the current vase is remarkably difficult to execute successfully. This technique involved covering the vessel with a white slip, and after drying applying a dark slip over the top. Areas of the dark slip were then cut away leaving the decoration in dark brown against a white ground. Details of the decoration were also incised through the dark slip, using a sharp point, to reveal the paler slip beneath. The vessel was then covered in a colourless transparent glaze and the piece fired. The decorator had to employ great skill and care in cutting the ground of the decoration away, since it was difficult not to cut too deeply and remove some of the pale slip along with the dark.

A small number of related vases using this decorative technique are published, such as the vase in The Matsuoka Museum of Art, illustrated in Selected Masterpieces of Oriental Ceramics, Tokyo, 1984, no. 23; and a vase of similar form and decoration but with a rounded body is published in T. Mikami, Sekai Toji Zenshu, vol. 13, Tokyo, 1981, p. 238, no. 229. The current type also has a green glazed version, such as the Cizhou sgraffiato vase of very similar proportion and decoration in the Ataka collection, illustrated in Masterpieces of Old Chinese Ceramics from Ataka Collection, Osaka, 1972, Catalogue, no. 21. Another example with a compressed body is the collection of the Asian Art Museum of San Francisco, illustrated by He Li, in Chinese Ceramics: A New Comprehensive Survey, New York, 1996, no. 319. Compare also Cizhou vases of similar form and pattern but decorated in slip painting and incising technique, such as two vases in the  Gotoh Art Museum, Japan, illustrated in Mayuyama Seventy Years, Tokyo, 1976, vol. 1, pp.188-189, nos. 559-560.

Christie's. THE CLASSIC AGE OF CHINESE CERAMICS - THE LINYUSHANREN COLLECTION, PART I, 2 December 2015, Convention Hall

A Rare Sgraffiato Cizhou ‘Peony’ Meiping, Northern Song-Jin Dynasty, 11th-12th Century

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A Rare Sgraffiato Cizhou ‘Peony’ Meiping, Northern Song-Jin Dynasty, 11th-12th Century

 

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Lot 2835. A Rare Sgraffiato Cizhou ‘Peony’ Meiping, Northern Song-Jin Dynasty, 11th-12th CenturyEstimate HK$400,000-600,000 ($52,000-78,000). Unsold. Photo Christie's Image Ltd 2015

The exterior of the vase is freely carved with three pairs of peony blossoms borne on meandering scrolls issuing broad leaves, between a band of elongated petals around the foot and a band of rounded petals on the shoulder, and is covered with creamy white slip under a clear glaze against the buff body, with the exception of the deeply sunken base which reveals the buff biscuit. 12 º inch. (31 cm.) high, Japanese wood box

Provenance: Kochukyo, Tokyo

Exhibited: Kochukyo, Soji (Song Ceramics), Tokyo, 2 to 4 October 1998, Catalogue, no. 26
Osaka Municipal Museum of Art, Charm of Black & White Ware: Transition of Cizhou Type Wares, 1 October to 8 December 2002, Catalogue, no. 36

Literature: Kochukyo, Soji (Song Ceramics), Tokyo, 1998, no. 26
Osaka Municipal Museum of Art, Charm of Black & White Ware: Transition of Cizhou Type Wares, 2002, no. 36

Christie's. THE CLASSIC AGE OF CHINESE CERAMICS - THE LINYUSHANREN COLLECTION, PART I, 2 December 2015, Convention Hall

A large finely sgraffiato Cizhou globular jar, Jin-Yuan Dynasty, 13th-14th century

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A large finely sgraffiato Cizhou globular jar, Jin-Yuan Dynasty, 13th-14th century

Lot 2836. A large finely sgraffiato Cizhou globular jar, Jin-Yuan Dynasty, 13th-14th centuryEstimate HK$300,000 - HK$500,000 ($38,891 - $64,818). Price Realized HK$775,000 ($100,468)Photo Christie's Image Ltd 2015

The jar is carved with two horizontal registers of stylised leaf scrolls, above a lower register with foliate scrolls in blackish-brown slip against the unglazed buff-coloured body. The inside of the jar, short neck, lipped rim and recessed base are further applied with black slip and covered with a colourless glaze. 11 1/2 in. (29.2 cm.) wide, Japanese wood box

Provenance: Kochukyo, Tokyo

Literature: Kochukyo, Soji (Song Ceramics), Tokyo, 1998, no. 27
Christie's, The Classical Age of Chinese Ceramics: An Exhibition of Song Treasures from the Linyushanren Collection, Hong Kong, 2012, pp. 134-135, no. 55

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The current vase illustrated in Kochukyo, Soji (Song Ceramics), Tokyo, 1998. Image © Kochukyo Co., Ltd.

Exhibited: Kochukyo, Soji (Song Ceramics), Tokyo, 2 to 4 October 1998, Catalogue, no. 27
Christie's, The Classical Age of Chinese Ceramics: An Exhibition of Song Treasures from the Linyushanren Collection, Hong Kong, 22 to 27 November 2012; New York, 15 to 20 March 2013; London, 10 to 14 May 2013, Catalogue, no. 55

Christie's. THE CLASSIC AGE OF CHINESE CERAMICS - THE LINYUSHANREN COLLECTION, PART I, 2 December 2015, Convention Hall

A rare carved Qingbai foliate 'chilong' bowl, Southern Song Dynasty (1127-1279)

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A rare carved Qingbai foliate 'chilong' bowl, Southern Song Dynasty (1127-1279)

 

A rare carved Qingbai foliate 'chilong' bowl, Southern Song Dynasty (1127-1279)

Lot 3174. A rare carved Qingbai foliate 'chilong' bowl, Southern Song Dynasty (1127-1279). Estimate HK$500,000 - HK$800,000 ($64,818 - $103,709). Price Realized HK$875,000 ($113,432)Photo Christie's Image Ltd 2015

The bowl is well potted with rounded sides rising to a slightly flared rim which is divided into six shallow lobes. The interior is fluidly incised with two chilong contesting a flaming pearl, the exterior with two large peony sprays with combed details. It is covered overall with a transparent glaze of pale blue tone with the exception of the centre of the base revealing the biscuit body. 7 3/4 in. (19.6 cm.) diam., box

NotesThe Qingbai bowls of this design are extremely rare. Compare to a slightly larger qingbai example with virtually identical design sold at Christie's New York, 21 March 2002, lot 148. Compare also a similar design illustrated in line drawing by J. Wirgin, Sung Ceramic Designs, London, 1979, fig. 12d.

Christie's. IMPORTANT CHINESE CERAMICS AND WORKS OF ART, 2 December 2015, Convention Hall

 

Gianguan Auctions opens new gallery with collections of Buddhist art and scroll paintings

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 NEW YORK, NY.- Gianguan Auctions will inaugurate its new Manhattan gallery at 39 W. 56th Street with a holiday sale of Buddhist art, Chinese porcelains and fine Chinese paintings, ancient to modern. Collections of stone seals, teapots and carved jades also come to the podium on Saturday, December 19th, beginning at 11:00 a.m. 

Chinese Porcelains 
The Chinese porcelains include Famille Rose, Caledon, Zisha, and Blanc de Chine from the Yuan Dynasty through the Ming, Glazes run from copper red to wood grain, flambé and purple splash, creating a compelling inventory for collectors. 

The marquee item is Lot 138, a Yuan dynasty dragon jar with a rare copper red underglaze that depicts a three-clawed dragon among flames chasing a flaming pearl. Standing 12 ¾ inches tall, the pear-shaped vase is $200,000-$400,000.  

Meanwhile, mid-level collectors will be well pleased with Lot 234, a Ming Dynasty bovine blood-red stem plate that carries the Xuande six-character mark and is of the period. It is $6,000-$10,000.

Entry level collectors will appreciate Lot 236, a copper-red ewer sculpted with florals and insects, valued at $1,500-$3,000.

Another highlight is Lot 150, a Qing Dynasty Famille-Rose white enamel plate with brightly painted wasps and butterflies. Of the period, bearing the Qianlong four character mark inside a double blue square, the 7 ½ inch plate will go for $200,000 - $300,000.

Famille-Rose Enamel Plate, Qing Dynasty, Qianlong Four Character Mark inside a Double Blue Square and of the Period

Lot 150. Famille-Rose Enamel Plate, Qing Dynasty, Qianlong Four Character Mark inside a Double Blue Square and of the Period. Diameter: 7⅞ in (20 cm). Height: 1¾ in (4.4 cm). Estimate $200,000 - $300,000. 

The interior of the shallow plate curving to a slightly everted gilt lip, is delicately painted with circular register of animated wasps in varying position interspersed with butterflies, all picked out in gray, green, black, yellow, blue , pink and aubergine enamels, the interior glazed white. 

One of the day’s best values is Lot 237, an unusual Famille rose ogee-form bowl decorated with flowers and a key fret border valued at $1,500-$4,000.

The blanc de chine highlight is Lot 144, a pair of Yuan Dynasty vases with fish handles, their bodies incised with dragons and cobalt blue inscriptions at the shoulders. The presale estimate is $80,000-$200,000.

A Rare Pair of White-Glazed Carved Dragon Vase with Blue and White Inscriptions, Yuan Dynasty

Lot 144. A Rare Pair of White-Glazed Carved Dragon Vase with Blue and White Inscriptions, Yuan Dynasty. Height: 18¾ in (47.6 cm), 18⅞ in (47.9 cm). Estimate $80,000-$200,000. 

With rounded shoulders tapering to the base, the exterior carved with a central register of flaming dragons in between classic scroll bands, flanked by applied fish handles on both sides, below galleried rim. The unglazed base with am embossed stamp of the studio mark: Boling. 

Blue and white collectors will find Lot 168, a large Yuan Dynasty yuhuchunping featuring plantain leaves on the pear shaped body worth their bid at $50,000-$80,000.

Celadon takes center stage at Lot 159 with a Northern Song Dynasty baluster form yuhuchunping in tones of sea green. Molded with peonies and plantain leaves, the vase is $20,000-$30,000.

The baluster body is moulded with a wide band of peony scroll, above a band of upright plantain leaves, and below a downward band, rising to the flared mouth rim. The vase is covered overall with a light sea-green tone.  

Purple splash celadon from the Song Dynasty makes a statement at Lot 250, a Junyao teabowl and stand. An unglazed foot rim exposes the buff gray ware. Price: $800-$2,000. 

Showy tones of raspberry and moss green decorate Lot 165, an elephant-ear handle vase. It is $6,000-$8,000.

A wood-grain glaze brings to life a small, round porcelain box with cover at Lot 225. With the Qianlong mark, it is just $800-$1,000.

Finally a collection of Zisha porcelain teapots (Lots 256- 259) and a cricket jar (Lot 258) add to the interest of unusual Chinese ceramics.

Buddhist Art 
Buddhist art rendered in silver, gilt bronze, polychrome porcelain, jade, stone, crystal and gouache carry values from $400 to $40,000. Lot 37, for instance, is a silver figure of a Shakyamuni Buddha seated in dhyanasana. Of the Ming Dynasty with the Zhengde six-character mark, the 12-inch statue weighs 5,300 grams (slightly more than 11 pounds) and is valued at $30,000-$50,000. 

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Lot 37. A Silver Figure of a Seated Shakyamuni Buddha, Ming Dynasty, Zhengde Six Character Mark and of the Period. Height: 12¼ in (31.1 cm). Weight: 5300 g. Estimate $30,000-$50,000

Seated in dhyanasana with his hands in bhumisparsamudra, dressed in a loose layered robes with foliate scroll borders, the broad face centered by a raised urna and flanked by pendulous earlobes, the hair in tight curls over the ushnisha and topped with a knop, the base sealed. 

Lot 207 is a rare, richly gilded bronze figure of Tara embellished with blue pigment at the head and polychrome at lips and eyes. This unusual statue will make $20,000-$40,000. 

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 A Rare Gilt-Bronze and Pigment Painted Figure of Tara. Height: 9¾ in (24.8 cm). Estimate $20,000-$40,000

Richly gilt overall, seated in lalitasana with her pendant right foot resting on a lotus rising from the double-lotus base with beaded rims, her lower body clad in a closely fitting dhoti gathered at the ankles and secured with a belt at the waist, a shawl across her chest and shoulders, the hands forming varada and vitarkamudra, her face serene with polychrome accents to the face and a crown framing the forehead and secured by a band tied over blue painted hair drawn up into a knotted jatamakuta and topped by a cintamani jewel, with tresses falling to the bare shoulders and flanked by lotus blossoms on either side. The metal covered underside incised with a double varja. 

A silver Qing Dynasty Vajrasattva, seated and dressed in incised robes, is decorated with turquoise and coral. Its base is sealed with a double varja. It is Lot 204, $6,000-$10,000. Bronze with silver inlay were used for a statue of the 5th Dali Lama. It is Lot 193, a rare 6-pound treasure valued at $6,000-$8,000. 

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 A Silver Figure of Vajrasattva, Qing Dynasty. Height: 10⅝ in (14.3 cm). Weight: 1278 g. Estimate $6,000-$10,000.

Standing on a double-lotus base with the hands holding varja, dressed in robe incised with dentilated pattern and adorned with gems, face with downcast expression surmounted with a tiara topped with a varja finial. The base sealed with a double varja. 

Two Thangka wall murals, Lots 194 and 195, depict Goddess Sarawati with a stringed instrument and Ushnishavijaya holding all her instruments and framed by a flaming mandorla. Painted in gouache, the dynamic pieces will bring $3,000-$4,000.

Stone reflections of faith include Lot 34, a Guanyin with amphora bottle carved of shoushan stone. At 11-inches, it is $3,000-$4,000. Polychrome adorns the carved shoushan stone Budai Louhan at Lot 35. Its estimate is $2,800-$5,000. Polychrome furon stone makes Lot 36, a delicately decorated Guanyin dressed in flowing robes and holding an amphora bottle, a smart buy at $3,000-$6,000. Lot 6, a carved jade pendant of Maitreya, is destined to fetch $600-$1,000.

Lot 71, is a hanging scroll of Guanyin of South Sea painted by Hong Yi (Li Shutong – 1880-1942). The red ink-on- paper is signed and has two artist seals. Its value is $8,000-$15,000. 

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Lot 71. Hong Yi (Li Shutong), (1880-1942), Guanyin Of South Sea. Hanging Scroll, Color on Paper. Signed Hong Yi, with two artist seals, 32½× 16⅞ in., 82.6 × 42.9 cm. Estimate $8,000-$15,000. 

Fine Scroll Paintings 
Fine art collectors who appreciate the company they keep need only view the thirteen Emperor seals, twenty-two collectors’ seals and colophon by Emperor Qianlong that adorn Lot 113, Traveling Troupe, a Northern Song Dynasty painting by Fan Kuan (950-1032). A masterpiece of tonality, the ink on paper captures the high rising river and plateaus of a mountain while a troupe of travelers in the foreground groom their water buffalo and attend to daily chores. The estimate on Lot 117, Traveling Troupe, is $15,000,000-$20,000,000.  

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Fan Kuan, Northern Song dynasty, Traveling Troupe. Hanging Scroll, Ink on Paper. Signed Fan Kuan, with one artist seal. Thirteen Emperors' seals. Twenty-Two collectors' seals. Colophon by Emperor Qianlong. Estimate  $15,000,000-$20,000,000.

The strong collection of landscapes continues with Lot 113, Spring Outing by Tang Yin (1470-1523), and ink-on-paper portraying rockery in the foreground of a bridge with two-foot travelers, all set above a pavilion by the river’s edge filled with people. An inscription, signature, one artist seal and seven collectors’ seals support the $3,000,000-$4,000,000 estimate.  

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Tang Yin, Ming Dynasty, Spring Outing. Hanging Scroll, Ink & Color on Paper. Inscribed and signed Tang Yin, with one artist seal. Seven Collectors’ seals. Estimate  $3,000,000-$4,000,000.

River’s End by Wang Shimin (1592-1680) a highly stylized undulating landscape depicting bridge over river and varieties of lichen, evergreens and blue leafed tees is dated 1668. It is signed by the artist and bears two artist seals, nine Emperors’ seals and three collectors’ seals. Bidding starts at $200,000. 

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Lot 94. Wang Shimin (1592 - 1680), Qing Dynasty, River’s End. Hanging Scroll, Ink & Color on Paper. Dated 1668. Signed Wang Shimin, with two artist seals. Nine Emperors’ seals. Three Collectors’ seals 51 × 25 in., 130 × 63 cm. Estimate  $200,000- $300,000.

Fast forwarding to mid-century, Lot 100, Spring Trees by Wu Guanzhong (1919-2010) makes a strong abstract statement with a ground of colorful ink splashed overlaid with bold black strokes. Signed, with one artist seal, it is set to go off at $40,000-$60,000.  

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Lot 100. Wu Guanzhong (1919 - 2010), Spring Trees. Hanging Scroll, Ink & Color on Paper. Signed Wu Guanzhong, with one artist seal 52 × 26 in., 133 × 66 cm. Estimate $40,000-$60,000.

Florals, animals, fruit, scholars and maidens all bring the Chinese lifestyle and beliefs into the visual dimension. Artists Qi Baishi, Ru Pu, Li Keran, Li Kuchan and others are represented with works that range in value from $20,000 to $200,000. For instance, Lot 89, Crabs and Cabbage by Qi Baishi (1864-1957 is a masterful painting in spare strokes that will bring $25,000-$40,000 while Lot 116, Road to Riches, captures in few strokes a worker with rake and basket. Dated 1947, it is signed, with three artist seals, and will go off at $150,000-$200,000. 

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Lot 89. Qi Baishi (1864 - 1957), Crabs and Cabbage. Hanging Scroll, Ink & Color on Paper. Signed Qi Baishi, with one artist seal, 26½× 17⅜ in, 67.3 × 44.1 cm. Estimate $25,000 to $40,000.

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Lot 116. Qi Baishi (1864 - 1957)Road to Riches. Hanging Scroll, Ink & Color on Paper. Dated 1947. Entitled and signed Baishi, with three artist seals, 35⅛ × 18½ in., 89.2 × 47 cm. Estimate $150,000-$200,000.

Among the more majestic paintings is Lot 106, Horse and Attendant by Ru Pu (Xin Yu – 1896-1943), a modem rendition of the black stallion obedient in the hands of a handler in blue. The 1945 ink-on-silk is valued at $15,000-$30,000. 

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Lot 106.  Pu Ru (Xin Yu) (1896 - 1963), Horse and Attendant. Hanging Scroll, Ink & Color on Silk. Dated 1945. Inscribed and signed Xinyu, with two artist seals, 24⅜ × 14⅛ in., 61.9 × 35.9 cm. Estimate $15,000-$30,000.

The attributes of scholars are poignantly portrayed in Lot 126, Luohans Crossing by Zhang Daqian (1899-1983), that shows a wizened old man supported by attendant crossing water will fetch $50,000-$80,000. Study Group, 1951, also by Zhang Daqian, captures two men pouring over a book. It is inscribed and signed with three artist seals bringing the auction to $40,000-$50,000. Both pair nicely with Lot 30, a golden shoushan stone boulder carving of nine Luohans moving between heaven and earth. It is $2,000-$4,000. 

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Lot 126. Zhang Daqian (1899 - 1983), Luohans Crossing. Hanging Scroll, Ink & Color on Paper. Dated 1946. Inscribed and signed Zhang Yuan, with four artist seals, 30 × 17 in., 76.2 × 43.2 cm. Estimate $50,000-$80,000.

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Lot 87. Zhang Daqian (1899 - 1983), Study Group. Hanging Scroll, Ink & Color on Paper. Dated 1951. Inscribed and signed Zhang Yuan, with three artist seals, 47½× 17½ in., 120.7 × 44.5 cmEstimate $40,000-$50,000.

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Lot 30. Translucent Golden Shoushan Stone Boulder Carving of Nine LuohansEstimate $2,000-$4,000.

Exquisitely carved with flaming dragon above and rockwork below, depicting nine luohans moving between Heaven and Earth. With wood stand. Height: 5½ in ( 14 cm)

Seals and Smalls 
Always popular with collectors are shoushan and jade seals. The auction puts a fine collection up front. The most sought after will be Lot 32, an olive green jade dragon seal of the Ming Dynasty. Surmounted on a rectangular base is a highly detailed, very scaly, recumbent dragon. The base has a six character intaglio: Zhengtong Huangdi Zhibao (Treasure of the Zhengtong Emperor.) The five pound seal is valued at $30,000-$50,000. 

Rounding out the sale is a collection of the mythological creatures that populate Chinese mythology. Lot 173 a rare pair of rock crystal bixie from the Song Dynasty, predating the prevalence of Ming and Qing Dynasty crystal carvings, reflects the importance of the stone, known as “essence of water.” This crouching pair is very detailed and expected to find a buyer at $28,000-$40,000. Other bixie in the sale are represented in yellow jade (Lot 174), shoushan stone (Lot 12) and carved bamboo root (Lot 137). 

For details on carved jade decorative items and the fine collection of zitan and burl wood collectibles, please visitwww.gianguanauctions.com

A diamond and multi-gem 'Flower' bracelet, by Tiffany & Co.

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A diamond and multi-gem 'Flower' bracelet, by Tiffany & Co

 

A diamond and multi-gem 'Flower' bracelet, by Tiffany & Co

Lot 10. A diamond and multi-gem 'Flower' bracelet, by Tiffany & Co. Estimate $25,000 – $35,000. Photo Christie's Image Ltd 2015.

Centering upon a series of carved aquamarine and sapphire flowers, enhanced with cabochon jade petals and circular-cut diamonds, within a circular-cut diamond border, 7 1/8 ins., mounted in platinum. Signed Tiffany & Co., no. 17797387

Christie's. MAGNIFICENT JEWELS, 10 December 2015, New York, Rockefeller Plaza 


A diamond and tsavorite 'Queen Anne's' flower brooch, by Tiffany & Co.

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A diamond and tsavorite 'Queen Anne's' flower brooch, by Tiffany & Co

Lot 11. A diamond and tsavorite 'Queen Anne's' flower brooch, by Tiffany & Co. Estimate $12,000 – $18,000. Photo Christie's Image Ltd 2015.

Designed as two articulated circular-cut diamond clusters of Queen Anne's flowers, with entwined baguette-cut diamond stems, enhanced by baguette-cut tsavorite leaves, 2 7/8 ins., mounted in platinum and 18k gold. Signed Tiffany & Co.

Christie's. MAGNIFICENT JEWELS, 10 December 2015, New York, Rockefeller Plaza

A set of sapphire and diamond 'Leaf' jewelry and necklace, by Tiffany & Co

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A set of sapphire and diamond 'Leaf' jewelry, by Tiffany & Co

Lot 12. A set of sapphire and diamond 'Leaf' jewelry, by Tiffany & Co. Estimate $20,000 – $30,000. Photo Christie's Image Ltd 2015.

Comprising a bracelet, designed as a two-row pear-shaped sapphire band of foliate motif, trimmed with circular-cut diamonds; and a pair of ear clips en suite, 6 3/4 ins. (bracelet), 7/8 in. (ear clips), mounted in platinum. Each signed Tiffany & Co.

A sapphire and diamond 'Leaf' necklace, by Tiffany & Co

Lot 13. A sapphire and diamond 'Leaf' necklace, by Tiffany & Co. Estimate $30,000 – $50,000. Photo Christie's Image Ltd 2015.

Of foliate motif, designed as a two-row pear-shaped sapphire band, trimmed with circular-cut diamonds, 16 1/2 ins., mounted in platinum. Signed Tiffany & Co.

Christie's. MAGNIFICENT JEWELS, 10 December 2015, New York, Rockefeller Plaza

A rock crystal and diamond flower necklace, by Tiffany & Co.

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A rock crystal and diamond flower necklace, by Tiffany & Co

Lot 19. A rock crystal and diamond flower necklace, by Tiffany & Co. Estimate $12,000 – $18,000. Photo Christie's Image Ltd 2015.

Designed as a series of rock crystal flower blossoms, each with a circular-cut diamond pistil, linked by circular-cut diamond openwork leaves, to the circular-cut diamond clasp, 16 1/4 ins., mounted in platinum. Signed Tiffany & Co., France

Christie's. MAGNIFICENT JEWELS, 10 December 2015, New York, Rockefeller Plaza

A cultured pearl and diamond necklace, by Tiffany & Co.

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A cultured pearl and diamond necklace, by Tiffany & Co

Lot 14. A cultured pearl and diamond necklace, by Tiffany & Co. Estimate $8,000 – $12,000. Photo Christie's Image Ltd 2015.

Designed as a line of cultured pearls, measuring approximately 6.80 mm, spaced by circular-cut diamonds, 16 1/2 ins., mounted in platinum. Signed Tiffany & Co.

Christie's. MAGNIFICENT JEWELS, 10 December 2015, New York, Rockefeller Plaza

A sapphire, emerald and diamond bracelet, by Tiffany & Co.

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A sapphire, emerald and diamond bracelet, by Tiffany & Co

 

Lot 15. A sapphire, emerald and diamond bracelet, by Tiffany & Co. Estimate $8,000 – $12,000. Photo Christie's Image Ltd 2015.

Set with a series of circular-cut diamonds, with calibré-cut emerald and sapphire geometric detail, 7 5/8 ins., mounted in platinum. Signed Tiffany & Co.

Christie's. MAGNIFICENT JEWELS, 10 December 2015, New York, Rockefeller Plaza

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