EDINBURGH.- From drawings by Leonardo da Vinci and a gardening manual owned by Henry VIII, to a metre-high clock in the form of a vase of flowers, a new exhibition exploring the garden in art opened in Edinburgh at The Queen's Gallery, Palace of Holyroodhouse. 

Painting Paradise: The Art of the Garden brings together over 75 paintings, drawings, books, and decorative arts from theRoyal Collection, a number of which have not been exhibited in Scotland before. From spectacular images of epic royal landscapes to jewel-like manuscripts and delicate botanical studies, it includes works by masters such as Leonardo da Vinci and Rembrandt van Rijn. 

Shown in Scotland for the first time, a copy of the Ruralia Commoda, the world's first gardening manual, acquired by Henry VIII after the death in 1543 of its previous owner, Richard Rawson, the King's chaplain and advisor on his divorce from Catherine of Aragon. It was written in Latin between 1304 and 1309 by Petrus de Crescentiis, a wealthy lawyer from Bologna in Italy, and was the only publication of its kind during Henry VIII's reign. 

Petrus de Crescentiis (c. 1230–35–c. 1320), Ruralia Commoda,  c.1490-5. With woodblock illustrations and marginal annotations throughout, 29 cm x 42.5 cm (open) (book measurement (conservation)), RCIN 1057436. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016

Also displayed for the first time in Scotland is a book of verse by the Edinburgh-born artist Esther Inglis, illustrated with watercolour paintings of native species of flower, such as the thistle and buttercup. It was one of four works created by Inglis for the young Henry, Prince of Wales (the eldest son of James VI of Scotland and Anne of Denmark, who was brought up in Edinburgh) and is believed to have been presented as a New Year's gift in 1607.  

Esther Inglis (1571-1624), Cinquante octonaires sur la va [sic] vanite et inconstance du monde : dediez à Monsieur le Prince pour ses estrennes de l'an 1607 / escrit et illumine par moy Esther Inglis., 1607, 13.0 x 16.5 cm (book measurement (inventory)), RCIN 1047001. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016

A highlight of the exhibition is the magnificent Sunflower Clock, c.1752, produced in the 18th century by the Vincennes porcelain factory. The clock is made up of delicate porcelain flowers that surround a dial made from brass shavings to imitate the centre of a sunflower, a symbol of the Sun King, Louis XIV. A Sèvres porcelain pot-pourri gondole, 1757–8, for growing bulbs, acquired by George IV when Prince of Wales, was once displayed in the dining room of Carlton House, the Prince's London residence.  

Vincennes porcelain factory (1738-56). The Sunflower clock, c. 1752. Soft-paste porcelain, gilding, green-lacquered brass wire (for the stems), gilt bronze mounts; 105.4 x 66.7 x 54.0 cm (whole object); RCIN 30240. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016

Sèvres Porcelain Factory, Pot-pourri gondole, 1757–58. Soft-paste porcelain, graduated pink ground, gilded decoration and gilt bronze, RCIN 36099. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016 

Painting Paradise includes works on paper that chart the rise of botanical art. Leonardo da Vinci's pen-and-ink drawing of Job's tears, c.1510, shows the artist's desire to understand the structure and growth of plants as part of his wider interest in examining the scientific forces underpinning the whole of nature. Six delicate works by Alexander Marshal, c.1650-82, represent the phenomenon of the florilegium, a celebration of the plants in a particular collection or garden. Marshal's work is the only surviving painted florilegium from 17th-century England.  

Leonardo da Vinci (Vinci 1452-Amboise 1519), Job's tears (Coix lachryma-jobi), c.1510. Black chalk and pen and ink, 21.2 x 23.0 cm (sheet of paper), RCIN 912429. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016

Leonardo da Vinci (Vinci 1452-Amboise 1519), The seed-heads of two rushes (Scirpus lacustris and Cyperus sp.), with notes, c.1510. Pen and ink, 19.5 x 14.5 cm, RCIN 912427. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016

Alexander Marshal (c. 1620-82), A tulip with common milkwort and white buttercup, c.1650 – 82. Watercolour and bodycolour, 45.9 x 33.0 cm, RCIN 924303. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016

 Alexander Marshal (c. 1620-82), Spiderwort, a snail, the ‘Ragatte rose’ and two forms of love-in-a-mist, c.1650 – 82. Watercolour and bodycolour, 45.9 x 33.0 cm, RCIN 924344. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016

Alexander Marshal (c. 1620-82), Narcissus and Poet’s Narcissus, Crown Imperial and Auricula, c.1650 – 82. Watercolour and bodycolour, 45.7 x 32.9 cm, RCIN 924280. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016

Alexander Marshal (c. 1620-82), Auriculas, c.1650 – 82. Watercolour and bodycolour, 45.9 x 33.0 cm, RCIN 924281. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Alexander Marshal (c. 1620-82), Tulip (Tulipa gesneriana L.) with the sweet briar (Rosa rubiginosa L.), c.1680. Watercolour and bodycolour, 45.9 x 33.2 cm (sheet of paper), RCIN 924313. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Alexander Marshal (c. 1620-82), Tulips, c.1650-82. Watercolour and bodycolour, 45.7 x 33.2 cm (sheet of paper), RCIN 924309. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

In the Victorian period, the garden was often used as the backdrop for portraits of the Royal Family. A painting by Franz Xaver Winterhalter from 1850 shows Queen Victoria nursing her third son, Prince Arthur, on the Pavilion Terrace at Osborne House on the Isle of Wight. The composition echoes the traditional image of the Madonna and Child in a garden, while the setting reflects the latest fashions in horticulture. It includes an Agave americana, a succulent from Mexico, which was among the many rare species collected by botanists and introduced into Victorian domestic gardens. 

Franz Xaver Winterhalter (1805-73), Queen Victoria with Prince Arthur. Signed and dated 1850. Oil on canvas, 59.5 x 75.1 cm (support, canvas/panel/str external), RCIN 405963. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Also explored in the exhibition is the theme of the 'sacred garden'. Adam and Eve in the Garden of Eden, 1615, is one of a series of 'Paradise landscapes' by the Flemish artist Jan Brueghel the Elder. The exquisite painting by Rembrandt van Rijn of Christ and St Mary Magdalene at the Tomb, 1638, depicts the New Testament story of Mary Magdalene mistaking the resurrected Christ for a gardener.

Jan Brueghel the Elder (Brussels 1568-Antwerp 1625), Adam and Eve in the Garden of Eden, 1615. Oil on copper, RCIN 405512. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016

Rembrandt van Rijn (Leiden 1606-Amsterdam 1669), Christ and St Mary Magdalen at the Tomb. Signed and dated 1638. Oil on panel, 61.0 x 49.5 cm (support, canvas/panel/str external), RCIN 404816. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016

After Master of Hoogstraten (early 16th century), The Virgin and Child with Saints Catherine and Barbara, c. 1520-30. Oil on panel, 51.3 x 38.1 cm (support, canvas/panel/str external), RCIN 407812. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016

Lodewijk Toeput (c. 1550-c. 1605), Pleasure Garden with a Maze, c. 1579-1584. Oil on canvas, 147.4 x 200.0 cm (support, canvas/panel/str external), RCIN 402610. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016

Attributed to Francesco Colonna (1432-33-c. 1527), Hypnerotomachia Poliphili, 1499, 8vo : π4 a-y8 z10 A-E8 F4 (C1 signed E1) [242 leaves]; RCIN 1057947. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016

Franciabigio (Florence 1484-1525), Portrait of Jacopo Cennini dated MDXXIII on left hand page of the ledger. Oil on panel, 65.4 x 49.6 cm (support, canvas/panel/str external), RCIN 405766. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016

Isaac Oliver (c. 1565-1617), A Young Man Seated Under a Tree , c.1590-1595. Watercolour on vellum laid on card, 12.4 x 8.9 cm (support, canvas/panel/str external), RCIN 420639. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Maria van Oosterwyck (Noorddorp 1630-Uitdam 1693), Still Life with Flowers, Insects and a Shell. Signed and dated 1689. Oil on panel, 47.5 x 36.9 cm (support, canvas/panel/str external), RCIN 405625. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Maria van Oosterwyck (Noorddorp 1630-Uitdam 1693), Still Life with Flowers and Butterflies. Signed and dated 1686. Oil on panel, 47.4 x 36.95 cm (support, canvas/panel/str external), RCIN 405626. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Attributed to Adriaen van Diest (c.1655-1704), Buckingham House, c. 1703-10. Oil on canvas, 85.1 x 110.4 cm (support, canvas/panel/str external), RCIN 404350. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Jakob Bogdani (c. 1660-1720), Flowers in a Vase, c.1688-1710. Oil on canvas, 173.0 x 83.7 cm (support, canvas/panel/str external), RCIN 402811. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Jakob Bogdani (c. 1660-1720), Flowers in a Vase, c.1688-1710. Oil on canvas, 173.4 x 84.1 cm (support, canvas/panel/str external), RCIN 402807. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Attributed to Jean-Baptiste Martin (1659-1735), A Stag Hunt at Versailles, c. 1700. Oil on canvas, 120.0 x 180.4 cm (support, canvas/panel/str external), RCIN 406958. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Leonard Knyff (1650-1722), A View of Hampton Court, c. 1702-14. Oil on canvas, 153.1 x 216.3 cm (support, canvas/panel/str external), RCIN 404760. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Studio of Marco Ricci (Belluno 1676-Venice 1730), A View of the Cascade, Bushy Park Water Gardens, c.1715. Oil on canvas, 150.4 x 248.0 cm (support, canvas/panel/str external), RCIN 402592. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Attributed to British School, 18th century, Windsor Castle, c. 1710. Oil on canvas, 68.2 x 83.0 cm (support, canvas/panel/str external), RCIN 400926. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Adriaen Kocks (d. 1701), Tulip vase, c.1694. Tin-glazed earthenware, 147.2 cm (whole object), RCIN 1085. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Thomas Tompion (bapt. 1639 d.1713), Sundial, c. 1699. Copper alloy, 31.5 x 52.2 cm (whole object), RCIN 95190. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Thomas Tompion (bapt. 1639 d.1713), Sundial, c. 1699. Copper alloy, 41.0 x 52.2 cm (whole object), RCIN 11959. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Hubert Le Sueur (c. 1580-1658), Boy with a thorn in his foot, 'Spinario', 1636-37. Bronze, 78.0 x 53.0 x 60.0 cm (whole object) | RCIN 26319. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

John Nost II (d. 1729), Garden urn, c.1701, 75.0 x 66.0 cm (maximum), RCIN 95183. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Sutton Nicholls (active 1680-1740), An exact prospect of Hampton Court, c.1700. Etching, RCIN 702878. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Jakob Bogdani (c. 1660-1720), Birds in a Landscape, c.1688-1710. Oil on canvas, RCIN 402812.  Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Stefano della Bella (1610-1664), Romae in Hortis Medicaeis vas marmoreum eximium, dated 1656. Etching, RCIN 806143. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Sèvres porcelain factory. A Pair of Vases and Covers (vase ferré), c. 1768. Soft-paste porcelain, green ground, gilded decoration and gilt bronze, RCIN 2294. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Sèvres porcelain factory. Vase à feuilles de myrte, c. 1775-80. Soft-paste porcelain, green ground, gilded decoration and gilt bronze, RCIN 36072. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Sèvres porcelain factory. Pot-pourri fontaine or pot-pourri à dauphins, c. 1760. Soft-paste porcelain, bleu lapis and apple green ground, gilded decoration and gilt bronze, RCIN 36074. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Chelsea Porcelain Works (London) (c. 1745-69), Oval Dish, c. 1755. Soft-paste porcelain, 3.0 x 28.6 x 22.6 cm (whole object), RCIN 102343. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Chelsea Porcelain Works (London) (c. 1745-69), Circular Plate, c. 1755. Soft-paste porcelain, 4.5 x 36.0 x 36.0 cm (whole object), RCIN 100711. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

The orange blossom parure, 1846. Gold, porcelain, enamel, velvet, RCIN 65305. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016. 

Gobelins Tapestry Factory. Les Portières des Dieux: Venus, c.1768. Woven silk and wool tapestry, 335.28 x 287.0 cm (whole object), RCIN 45255. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Thomas Gainsborough (1727-88), Henry, Duke of Cumberland with Anne, Duchess of Cumberland, and Lady Elizabeth Luttrell, c.1785-8.Oil on canvas, 163.5 x 124.5 cm (support, canvas/panel/str external), RCIN 400675. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Attributed to Robert Campbell (active 1754-93), A Pair of Armchairs, c.1780. Gilded beechwood, upholstered in embroidered silk and wool, 153.0 x 74.0 x 83.0 cm (whole object), RCIN 1141. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Jean-Baptiste-Joseph Pater (1695-1736), Fête Champêtre, c.1728-36. Oil on canvas, 50.6 x 60.2 cm (support, canvas/panel/str external), RCIN 400671. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Jean-Baptiste-Joseph Pater (1695-1736), Fête Champêtre with a Flute Player, c.1720-36. Oil on canvas, 50.5 x 60.5cm (support, canvas/panel/str external), RCIN 400673. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

William Hogarth (1697-1764), The family of George II, c. 1731-2. Oil on canvas, 63.8 x 76.4 cm (support, canvas/panel/str external), RCIN 401358. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Johan Jacob Schalch (1723-89), The Gardens at Kew, 1759. Oil on canvas, 75.6 x 102.1 cm (support, canvas/panel/str external), RCIN 403517. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Attributed to British School, 18th century, St James's Park and the Mall, c. 1745. Oil on canvas, 103.5 x 138.5 cm (support, canvas/panel/str external), RCIN 405954. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Sir Edwin Landseer (1803-73), Windsor Castle in modern times; Queen Victoria, Prince Albert and Victoria, Princess Royal, 1841-43. Oil on canvas, 113.4 x 144.3 cm (support, canvas/panel/str external), RCIN 406903. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

John Tinney (c. 1729-1761), An oblique View of the East Front of Hampton Court, with part of the Garden. Etching, 34.5 x 49.5 cm (platemark), RCIN 702885. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Laurits Regner Tuxen (1853-1927), The Garden Party at Buckingham Palace, 28 June 1897. Dated 1897-1900. Oil on canvas, 167.7 x 228.7 cm (support, canvas/panel/str external), RCIN 405286. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Henry Phillips (1779-1840), Floral emblems, or, A Guide to the language of flowers / by Henry Phillips, 1831, RCIN 1164011. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Henri Fantin-Latour (1838-1904), Azelea and Pansies, Signed and dated 1881. Oil on canvas, 55.6 x 70.2 cm (support, canvas/panel/str external), RCIN 409075. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Francis Bacon, 1st Baron Verulam & Viscount St Albans (1561-1626), Of gardens : an essay / by Francis Bacon, 1904?, 27.0 x 1.5 cm (book in box), RCIN 1047540. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2016.

Lot 1826. Important 11.66 carats Type IIa, D colour, Internally Flawless clarity diamond ring. Estimate 13,500,000 — 16,000,000 HKD. Lot sold 18,580,000 HKD. Photo Sotheby's 2011

Simply set with a brilliant-cut diamond weighing 11.66 carats, mounted in 18 karat white gold. 

Ring size: 5½

Accompanied by GIA report numbered 1122820396, dated 7 January 2011, stating that the 11.66 carat diamond is D colour, Internally Flawless clarity, with Excellent Cut, Polish and Symmetry; also accompanied by diamond type classification report stating that the diamond is a Type IIa diamond. Type IIa diamonds are the most chemically pure type of diamond and often have exceptional optical transparency.

Sotheby's. Jewels and Jadeite, Hong Kong, 06 Apr 2011.

Lot 1671. Important 27.67 carats "Pigeon's Blood", Mogok, Burmese ruby and diamond ring, Bulgari. Estimate 12,000,000 — 20,000,000 HKD. Lot sold 17,460,000 HKD. Photo Sotheby's 2011

Centring on a sugar loaf cabochon ruby weighing 27.67 carats, flanked on each side by a shield-shaped diamond together weighing approximately 3.00 carats, mounted in platinum and 18 karat yellow gold, signed. 

Ring size: 6½

Aiguière à décor de dragon, règne de Wanli (1573-1620), porcelaine wucai (cinq couleurs), fours de Jingdezhen. Hauteur : 0.17 m. Diamètre : 0.138 m. Collection Ernest Grandidier. Paris, musée Guimet - musée national des Arts asiatiques, G4609. Photo © Musée Guimet, Paris, Dist. RMN-Grand Palais / Martine Beck-Coppola

Deux dragons à cinq griffes de face tenant au-dessus de leur tête un lotus surmonté d'un caractère "shou" (longévité).

Jarre à décor de dragons, règne de Wanli (1573-1620), porcelaine wucai (cinq couleurs), fours de Jingdezhen. Hauteur : 0.087 m. Collection Ernest Grandidier. Paris, musée Guimet - musée national des Arts asiatiques, G5403. Photo © Musée Guimet, Paris, Dist. RMN-Grand Palais / Martine Beck-Coppola

Sur la panse : dragons à cinq griffes poursuivant la perle enflammée parmi les nuages et les flammes, au-dessus des flots.

Lot 1792. 10.05 carats,  D colour, Internally Flawless clarity Type IIa diamond ring, mounted by Cartier. Estimate 13,500,000 — 16,000,000 HKD. Lot sold 15,220,000 HKD. Photo Sotheby's 2011

Centring on an old European-cut diamond weighing 10.05 carats, flanked on each side by an emerald-cut diamond together weighing approximately 2.00 carats, mounted in platinum, signed. 

Accompanied by GIA report numbered 2125341822, dated 12 November 2010, stating that the 10.05 carat diamond is D colour, Internally Flawless clarity; also accompanied by diamond type classification report stating that the diamond is determined to be a Type IIa diamond. Type IIa diamonds are the most chemically pure type of diamond and often have exceptional optical transparency. Further accompanied by Gübelin report numbered 1010286, dated 2 November 2010, stating that the 10.05 carat diamond is D colour, Internally Flawless clarity; also accompanied by an appendix stating that the diamond is a Type IIa diamond.

Sotheby's. Jewels and Jadeite, Hong Kong, 06 Apr 2011.

Lot 1801. Impressive and fine pair of 10.73 and 9.52 carats Colombian emerald and diamond pendent earrings. Estimate 13,500,000 — 16,000,000 HKD. Lot sold 15,220,000 HKD. Photo Sotheby's 2011

Each suspending on a cushion-shaped emerald weighing 10.73 and 9.52 carats respectively, framed by old mine-cut diamonds altogether weighing approximately 3.60 carats, each surmounted by a cushion-shaped diamond weighing 3.01 carats, mounted in platinum. 

Accompanied by Gübelin reports numbered 1012096 and 1012097, and AGL report numbered CS43608 A and B, stating that the 10.73 and 9.52 carat emeralds are natural, of Colombian origin, with no indication of clarity enhancement; also accompanied by a separate AGL JewelFolio, stating that "such a well matched pair of Colombian emeralds possessing such a combination of attributes as superior colour, uncommon clarity and well-proportioned cut, is extremely rare". Further accompanied by GIA reports numbered 5101872696 and 2105772461, dated 9 December 2010, stating that the 3.01 and 3.01 carat diamonds are G colour, VS2 and VVS2 clarity respectively.

Sotheby's. Jewels and Jadeite, Hong Kong, 06 Apr 2011.

Boîte à criquet à décor de dragon et chien de Fo, règne de Wanli (1573-1620), porcelaine bleu blanc, fours de Jingdezhen. Hauteur : 0.142 m. Largeur : 0.134 m. Collection Ernest Grandidier. Paris, musée Guimet - musée national des Arts asiatiques, G3166. Photo © Musée Guimet, Paris, Dist. RMN-Grand Palais / Martine Beck-Coppola

Vase à décor de dragon et phénix, marque et règne de Wanli (1573-1620), porcelaine bleu blanc, fours de Jingdezhen. Hauteur : 0.183 m. Collection Ernest Grandidier. Paris, musée Guimet - musée national des Arts asiatiques, G4710. Photo © Musée Guimet, Paris, Dist. RMN-Grand Palais / Martine Beck-Coppola

Sur la panse : dragon à cinq griffes et phénix parmi les nuages. 

Lot 1656. Impressive 56.25 carats fancy brown yellow briolette diamond and diamon necklace. Estimate 6,000,000 — 7,800,000 HKD. Lot sold 7,220,000 HKD. Photo Sotheby's 2011

Suspending a fancy brown yellow briolette diamond weighing 56.25 carats, to a stylised necklace of arbesque form, set with baguette, tapered baguette and brilliant-cut diamonds, the diamonds together weighing approximately 16.00 carats, mounted in platinum, length approximately 390mm, necklace signed Cartier and numbered 57-G3174.

Accompanied by GIA report numbered 15022715, dated 14 April 2010, stating that the 56.25 carat diamond is natural, Fancy Brown-Yellow colour, VS1 clarity; also accompanied by a signed box.

Sotheby's. Jewels and Jadeite, Hong Kong, 06 Apr 2011.

Lot 1810. Fancy vivid yellowish green diamond ring. Estimate 4,000,000 — 4,500,000 HKD. Lot sold 6,020,000 HKD. Photo Sotheby's 2011

Modelled as a calla lily, set with a pear-shaped fancy vivid yellowish green diamond weighing 1.13 carats, decorated throughout with brilliant-cut diamonds and edged by brilliant-cut pink diamonds together weighing approximately 1.60 carats, mounted in 18 karat white and blackened gold.

ng size: 5¾

Accompanied by GIA report numbered 1102193346, dated 29 September 2008, stating that the 1.13 carat diamond is natural, Fancy Vivid Yellowish Green colour, VS2 clarity.

Sotheby's. Jewels and Jadeite, Hong Kong, 06 Apr 2011.

Lot 1626. Diamond and gem-set 'Azalea' bangle, Cindy Chao. Estimate 2,200,000 — 2,600,000 HKD. Lot sold 3,620,000 HKD. Photo: Sotheby's 2011.

Modelled as an azalea, set in the centre with an oval fancy light yellow diamond weighing 7.02 carats, the petals decorated with brilliant-cut diamonds, highlighted by circular-cut rubies, pink sapphires and rhodolites together weighing approximately 14.65 carats, to an openwork bangle set with circular-cut diamonds of colourless, yellow, orange and brown hues, the diamonds together weighing approximately 43.75 carats, mounted in 18 karat white gold, inner diameter approximately 57.71 x 56.25mm, signed. 

Accompanied by GIA report numbered 5111611939, dated 18 January 2010, stating that the 7.02 carat diamond is natural, Fancy Light Yellow colour, VS2 clarity; also accompanied by a certificate of origin & warranty and a signed box. 

Sotheby's. Jewels and Jadeite, Hong Kong, 06 Apr 2011

Lot 1635. 18.00 carats Colombian emerald and diamond ring. Estimate 2,000,000 — 2,800,000 HKD. Lot sold 3,140,000 HKD. Photo: Sotheby's 2011.

Centring on a step-cut emerald weighing approximately 18.00 carats, flanked on each side by a trilliant diamond together weighing approximately 3.00 carats, mounted in 18 karat white gold.

Ring size: 6¾

Accompanied by SSEF report numbered 58180, dated 11 January 2011, stating that the 18.00 carat emerald is natural, of Colombian origin, with no indication of clarity modification; also accompanied by an appendix stating that the emerald "exhibits an outstanding transparency and a well-saturated green colour... Natural emeralds from Colombia of this size and quality represent a great rarity and the described gemstone is thus a very exceptional treasure."

Sotheby's. Jewels and Jadeite, Hong Kong, 06 Apr 2011

Lot 1646. Colombian emerald ring. Estimate 1,800,000 — 2,200,000 HKD. Lot sold 2,540,000 HKD. Photo: Sotheby's 2011.

Centring on a cushion-shaped emerald weighing 8.02 carats, flanked on each side by a cushion-shaped emerald weighing 2.91 and 2.87 carats respectively, mounted in platinum.

Ring size: 6¾

Accompanied by SSEF report numbered 58180, dated 11 January 2011, stating that the 18.00 carat emerald is natural, of Colombian origin, with no indication of clarity modification; also accompanied by an appendix stating that the emerald "exhibits an outstanding transparency and a well-saturated green colour... Natural emeralds from Colombia of this size and quality represent a great rarity and the described gemstone is thus a very exceptional treasure."

Sotheby's. Jewels and Jadeite, Hong Kong, 06 Apr 2011

Lot 1802. 3.32 carats Fancy intense orangy pink diamond and diamond ring. Estimate 2,500,000 — 3,500,000 HKD. Lot sold 3,020,000 HKD. Photo: Sotheby's 2011.

Centring on a heart-shaped fancy intense orangy pink diamond weighing 3.32 carats, framed by brilliant-cut diamonds, mounted in platinum.

Ring size: 6

Accompanied by GIA report numbered 1122718854, dated 2 November 2010, stating that the 3.32 carat diamond is natural, Fancy Intense Orangy Pink colour, VVS1 clarity.

Sotheby's. Jewels and Jadeite, Hong Kong, 06 Apr 2011

Lot 1805. 3.46 carats fancy light blue diamond and pink diamond ring. Estimate 1,600,000 — 2,000,000 HKD. Lot sold 2,780,000  HKD. Photo: Sotheby's 2011.

Centring on a pear-shaped fancy light blue diamond weighing 3.46 carats, framed by circular-cut pink diamonds together weighing approximately 1.50 carats, mounted in platinum.

Ring size: 6

Accompanied by GIA report numbered 2135023478, dated 1 February 2011, stating that the 3.46 carat diamond is natural, Fancy Light Blue colour, VVS2 clarity.

Sotheby's. Jewels and Jadeite, Hong Kong, 06 Apr 2011

Lot 1664. Pair of fine translucency bright emerald green jadeite and diamond earclips. Estimate 850,000 — 1,100,000 HKD. Lot sold 2,900,000 HKD. Photo: Sotheby's 2011.

Each centring on a bright emerald green oval jadeite cabochon of fine translucency, surrounded by brilliant-cut and marquise-shaped diamonds together weighing approximately 13.00 carats, mounted in 18 karat white gold.

Cabochons approximately 18.45 x 15.81 x 7.50mm and 18.57 x 15.79 x 7.07mm respectively.

Accompanied by Hong Kong Jade & Stone Laboratory certificate numbered KJ57111 and KJ57112, dated 27 January 2011, stating that the jadeites are natural, known in the trade as "A Jade".

Sotheby's. Jewels and Jadeite, Hong Kong, 06 Apr 2011

Lot 1817. Highly translucent emerald green jadeite 'Leaf' and diamond pendant. Estimate 1,800,000 — 2,500,000 HKD. Lot sold 2,180,000 HKD. Photo: Sotheby's 2011.

The highly translucent emerald green jadeite carved as a leaf, surmounted by a cluster composed of marquise-, pear-shaped and brilliant-cut diamonds, mounted in 18 karat white gold. Leaf approximately 39.55 x 23.18 x 6.02mm.

Accompanied by Hong Kong Jade & Stone Laboratory certificate numbered KJ55317, dated 30 November 2010, stating that the jadeite is natural, known in the trade as "A Jade".

Sotheby's. Jewels and Jadeite, Hong Kong, 06 Apr 2011

Lot 1809. 6.01 carats, E colour, Internally Flawless clarity diamond ring. Estimate 1,800,000 — 2,100,000 HKD. Lot sold 2,540,000 HKD. Photo: Sotheby's 2011.

Centring on an oval diamond weighing 6.01 carats, flanked on each side by a pear-shaped diamond together weighing approximately 1.00 carat, mounted in platinum.

Ring size: 4½

Accompanied by GIA report numbered 1122856905, dated 30 November 2010, stating that the 6.01 carat diamond is E colour, Internally Flawless clarity.

Sotheby's. Jewels and Jadeite, Hong Kong, 06 Apr 2011