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Ginseng Flower, Banda Lisha, Qing dynasty, Kangxi reign, 1662-1722

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Ginseng Flower, Banda Lisha, Qing dynasty, Kangxi reign, 1662-1722. Hanging scroll, colors on paper. National Palace Museum.


A pair of blue and white and coral-glazed bowls, Kangxi marks and period (1662-1722)

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A pair of blue and white and coral-glazed bowls, Kangxi marks and period (1662-1722)

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Lot 148. A pair of blue and white and coral-glazed bowls, Kangxi marks and period (1662-1722). Estimate 12,000 — 18,000 GBP. Photo: Sotheby's.

the rounded sides of each rising from a straight foot to a straight rim, the interior painted with a medallion of an egret in a lotus pond, the exterior covered in a deep coral glaze, the base with an underglaze blue six-character reign mark. Quantité: 2 - 11.4 cm, 4 1/2  in.  

ProvenanceCollection of E.T. Hall.
Christie's London, 7th June 2004, Lot 252.

Sotheby's. Important Chinese Art, Londres, 09 nov. 2016, 11:30 AM 

A rare white-glazed beehive water pot, taibo zun, Kangxi mark and period (1662-1722)

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A rare white-glazed beehive water pot, taibo zun, Kangxi mark and period (1662-1722)

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Lot 150. A rare white-glazed beehive water pot, taibo zun, Kangxi mark and period (1662-1722). Estimate 40,000 — 50,000 GBP. Photo: Sotheby's.

the rounded sides rising to a narrow wasted neck and slightly flared rim, the sides crisply carved with three medallions in shallow relief with an archaistic dragon, all beneath a translucent white glaze; 12.7 cm, 5 in.  

ProvenanceChristie's Hong Kong, 26th April 2004, lot 916.

NotesBeehive waterpots of this shape are well-known with peach-bloom glazes but those covered in other monochrome glazes were produced in smaller numbers. A closely related waterpot in the Shanghai Museum, Shanghai, is illustrated in Kangxi Porcelain Wares, Hong Kong, 1998, pl. 228; one from the Qing court collection and still in Beijing, is published in The Complete Collection of Treasures of the Palace Museum. Monochrome Porcelain, Hong Kong, 1999, pl. 111; another in the Koger collection, illustrated in J. Ayers, Chinese Ceramics. The Koger Collection, London, 1985, pl. 139, was sold in these rooms, 16th May 2012, lot 171; and a fourth example, from the Riesco collection, illustrated in Edgar E. Bluett, The Riesco Collection of Old Chinese Pottery and Porcelain, London, 1951, pl. 61 (right), was sold in these rooms, 11th December 1984, lot 430.

Sotheby's. Important Chinese Art, Londres, 09 nov. 2016, 11:30 AM

A Fine and Rare White-Glazed Beehive Waterpot, Taibo Zun, Kangxi Mark and Period (1662-1722)

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A Fine and Rare White-Glazed Beehive Waterpot, Taibo ZunKangxi Mark and Period (1662-1722). Lot sold 181,250 GBP at Sotheby's London, The Koger Collection, 11th December 1984, lot 430. Photo: Sotheby's.

the domed hemispherical body rising from a recessed base to a short waisted neck, finely moulded and carved with three dragon and phoenix medallions, applied overall with a milky-white glaze pooling to a slightly darker tone in the recesses of the carving, the base inscribed with a six-character Kangxi mark in underglaze-blue; 13cm., 5 1/8 in.

ProvenanceThe Koger Collection.
Marchant, London, 30th September 2005.

ExhibitedThe Jacksonville Art Museum, 1973.

LiteratureJ. Ayers, Chinese Ceramics. The Koger Collection, London and New York, 1985, no. 139.

NotesBeehive waterpots of this type are well-known with peach-bloom glazes but are rare in other colours. A closely related example from the Shanghai Museum, Shanghai, is illustrated in Kangxi Porcelain Wares, Hong Kong, 1998, pl. 228; one from the Qing Court collection and still in Beijing, is published in The Complete Collection of Treasures of the Palace Museum. Monochrome Porcelain, Hong Kong, 1999, pl. 111; another from the Riesco collection, illustrated in Edgar E. Bluett, The Riesco Collection of Old Chinese Pottery and Porcelain, London, 1951, pl. 61 (right), was sold in these rooms, 11th December 1984, lot 430; and a fourth example exhibited on loan at Yale University Art Gallery, New Haven, from the collection of Mrs Yale Kneeland, was sold in our New York rooms, 1st June 1994, lot 371, and again at Christie's Hong Kong, 26th April 1999, lot 507.

A peachbloom-glazed seal-paste box and cover, yinse he, Kangxi six-character mark in underglaze blue and of the period

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A peachbloom-glazed seal-paste box and cover, yinse he, Kangxi six-character mark in underglaze blue and of the period (1662-1722)

Lot 43. A peachbloom-glazed seal-paste box and cover, yinse he, Kangxi six-character mark in underglaze blue and of the period (1662-1722)Estimate GBP 50,000 - GBP 80,000 (USD 60,900 - USD 97,440). Photo Christie's Images Ltd 2016.

The circular box and cover is covered overall with a soft mottled peachbloom glaze, with paler tones around the sides. The recessed base is glazed in white. 2 7/8 in. (7.4 cm.) diam.

Christie's. Fine Chinese Ceramics and Works of Art, 8 November 2016, London, King Street

A very rare imperial painted enamel 'lotus' miniature vase, Kangxi four-character yuzhi mark and of the period (1662-1722)

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Lot 130. A very rare imperial painted enamel 'lotus' miniature vase, Kangxi four-character yuzhi mark in blue enamel within a double-circle and of the period (1662-1722). Estimate GBP 50,000 - GBP 80,000 (USD 60,900 - USD 97,440). Photo Christie's Images Ltd 2016.

The bulbous body is finely painted with four large lotus blooms amidst leafy vines and below eight smaller flowers, set between a key-fret border at the mouth and a classic scroll on the spreading foot. 4 ¾ in. (12.1 cm.) high.

Christie's. Fine Chinese Ceramics and Works of Art, 8 November 2016, London, King Street

A rare lacquer and mother-of-pearl decorated porcelain brushpot, Kangxi period (1662-1722)

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A rare lacquer and mother-of-pearl decorated porcelain brushpot, Kangxi period (1662-1722)

Lot 21. A rare lacquer and mother-of-pearl decorated porcelain brushpot, Kangxi period (1662-1722). Estimate GBP 15,000 - GBP 25,000 (USD 18,270 - USD 30,450). Photo Christie's Images Ltd 2016. 

The brushpot is of cylindrical shape and is decorated to the exterior with two figures in a riverscape scene beside bamboo and rocks. 4 ½ in. (11.5 cm.) high

Christie's. Fine Chinese Ceramics and Works of Art, 8 November 2016, London, King Street

Modern Dutch by Paola Andrea & Naomi McColloch

Gerhard Richter, Paper Fuji (23 Oktober 1996), 1996

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Lot 183. Gerhard Richter, Paper Fuji (23 Oktober 1996),  signed and dated "23 Oktober 1996 Richter" upper right, oil on paper, 11 1/2 x 16 1/4 in. (29.2 x 41.3 cm.). Executed in 1996. Estimate $120,000 - 180,000Photo courtesy Phillips.

Provenance: Galerie Fred Jahn, Munich
Thomas von Lintel Gallery, New York & Munich
Private Collection, New York (acquired in 1998) 

"Picturing things, taking a view, is what makes us human; art is making sense and giving shape to that sense." Gerhard Richter

Phillips. 20TH CENTURY & CONTEMPORARY ART DAY SALE, NEW YORK AUCTION, 17 NOVEMBER 2016


Gerhard Richter, Onkel Rudi (Uncle Rudi), 2000

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Lot 246. Gerhard Richter, Onkel Rudi (Uncle Rudi), 2000, signed and numbered "Richter VII/XXV" on the reverse. Cibachrome print, mounted to Alu-Dibond plate, 34 1/4 x 19 5/8 in. (87 x 49.8 cm). Estimate $18,000 - 24,000Photo courtesy Phillips.

Executed in 2000, this work is number VII from an edition of 80 plus XXV plus a trial print on baryta paper. Published by Centro Per L'Arte Contemporanea Luigi Pecci, Prato, Italy.  

Provenance: Marian Goodman Gallery, New York 
Acquired from the above by the present owner

LiteratureHubertus Butin, ed., Gerhard Richter: Editions 1965 - 2004 Catalogue Raisonné, Ostfildern, 2004, no. 111 (illustrated)

Phillips. 20TH CENTURY & CONTEMPORARY ART DAY SALE, NEW YORK AUCTION, 17 NOVEMBER 2016 

A rare guan-type mallet vase, Yongzheng seal mark and period (1723-1735)

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A rare guan-type mallet vase, Yongzheng seal mark and period (1723-1735)

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Lot 156. A rare guan-type mallet vase, Yongzheng seal mark and period (1723-1735). Estimate 20,000 — 25,000 GBP. Photo: Sotheby's. 

the finely potted tapering body rising to a wide sloping shoulder and tall cylindrical neck and flared mouth, covered in an even pale celadon crackled glaze, the base with a seal mark in underglaze blue - 16.5 cm, 6 1/2  in.

ProvenanceSotheby's New York, 19th September 2002, lot 137.

Sotheby's. Important Chinese Art, Londres, 09 nov. 2016, 11:30 AM

A yellow-glazed ‘chrysanthemum’ dish, Yongzheng seal mark and period (1723-1735)

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A yellow-glazed ‘chrysanthemum’ dish, Yongzheng seal mark and period (1723-1735)

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Lot 168. A yellow-glazed ‘chrysanthemum’ dish, Yongzheng mark and period (1723-1735). Estimate 40,000 — 60,000 GBP. Photo: Sotheby's. 

the rounded sides divided into forty-four narrow flutes and pointed tips resembling the petals of a chrysanthemum flower, radiating around a slightly recessed centre and continuing on the exterior across the short straight foot, applied overall with a rich yellow glaze, save for the footring and a six-character reign mark inscribed in underglaze blue and reserved in white within a double ring - 17.9 cm, 7 in..

Notes: Exceptional for its crisp potting and luminous yellow glaze, dishes of this type were first created during the Yongzheng reign, when monochrome porcelains saw an expansion of forms and colours. A set of twelve dishes of this type, including one covered with a yellow glaze, in the Palace Museum, Beijing, is illustrated in Qingdai yuyao ciqi [Qing porcelains from the imperial kilns preserved in the Palace Museum], Beijing, 2002, vol. 2, pl. 194; and another dish was sold at Christie’s London, 3rd/4th June 1973, lot 212.

According to Palace records, in 1733 the Yongzheng Emperor ordered Nian Xiayo, then superintendent of the imperial kilns at Jingdezhen, to make twelve differently coloured chrysanthemum-shaped dishes. Records show that Nian delivered forty pieces of each colour (see the catalogue to the exhibition China. The Three Emperors, Royal Academy of Arts, London, 2005, p. 431)..

Sotheby's. Important Chinese Art, Londres, 09 nov. 2016, 11:30 AM

A copper-red glazed bowl, Yongzheng mark and period (1723-1735)

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A copper-red glazed bowl, Yongzheng mark and period (1723-1735)

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Lot 163. A copper-red glazed bowl, Yongzheng mark and period (1723-1735). Estimate 5,000 — 7,000 GBP. Photo: Sotheby's. 

the deep rounded sides rising from a short tapered foot, applied to the exterior with a rich copper-red glaze, the white base inscribed with a six-character reign mark within a double-circle - 14.5 cm, 5 3/4  in..

Sotheby's. Important Chinese Art, Londres, 09 nov. 2016, 11:30 AM

A small Ru-type foliate dish, Yongzheng period (1723-1735)

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A small Ru-type foliate dish, Yongzheng period (1723-1735)

Lot 30. A small Ru-type foliate dish, Yongzheng period (1723-1735). Estimate GBP 10,000 - GBP 15,000 (USD 12,180 - USD 18,270). Photo Christie's Images Ltd 2016.

The shallow dish is of flaring form with six lobes and is supported by a short tapering foot. The crackled glaze is of a rich greyish-blue tone. 5 5/8 in. (14.3 cm.) diam.

Christie's. Fine Chinese Ceramics and Works of Art, 8 November 2016, London, King Street

A very large Guan-Type archaistic vase, hu, Yongzheng six-character seal mark in underglaze blue and of the period (1723-1735)

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A very large Guan-Type archaistic vase, hu, Yongzheng six-character seal mark in underglaze blue and of the period (1723-1735)

Lot 47. A very large Guan-Type archaistic vase, hu, Yongzheng six-character seal mark in underglaze blue and of the period (1723-1735). Estimate GBP 180,000 - GBP 220,000 (USD 219,240 - USD 267,960). Photo Christie's Images Ltd 2016.

The vase has a pair of stylised dragon handles and is decorated with raised archaistic straps and bosses, covered overall in a celadon glaze with a network of dark grey crackles. 19 5/8 in. (50 cm.) high.

Christie's. Fine Chinese Ceramics and Works of Art, 8 November 2016, London, King Street

A flambé-glazed vase, meiping, Yongzheng four-character seal mark and of the period (1723-1735)

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A flambé-glazed vase, meiping, Yongzheng four-character seal mark and of the period (1723-1735)

Lot 49. A flambé-glazed vase, meiping, Yongzheng four-character seal mark and of the period (1723-1735)Estimate GBP 20,000 - GBP 30,000 (USD 24,360 - USD 36,540). Photo Christie's Images Ltd 2016.

The vase is decorated with a thick pale blue glaze with lavender, darker blue and olive green streaks. 10 ¾ in. (27.3 cm.) high.

Christie's. Fine Chinese Ceramics and Works of Art, 8 November 2016, London, King Street


A rare coral-glazed faceted vase, Yongzheng period (1723-1735)

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A rare coral-glazed faceted vase, Yongzheng period (1723-1735)

Lot 57. A rare coral-glazed faceted vase, Yongzheng period (1723-1735). Estimate GBP 20,000 - GBP 40,000 (USD 24,360 - USD 48,720). Photo Christie's Images Ltd 2016.

The faceted body rises to a long neck with a square-form mouth, covered overall in a coral glaze. 8 ½ in. (21.6 cm.) high.

Christie's. Fine Chinese Ceramics and Works of Art, 8 November 2016, London, King Street

Xteriors by Desiree Dolron

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Xteriors: Photos by Desiree Dolron

A rare phosphatic-splashed tazza, Tang dynasty (618-907)

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A rare phosphatic-splashed tazza, Tang dynasty (618-907)

Lot 285. A rare phosphatic-splashed tazza, Tang dynasty (618-907). Estimate 3,000 — 5,000 GBP. Photo: Sotheby's. 

the shallow rounded sizes rising from a high spreading foot to a lipped rim, decorated with irregular bluish-white splashes on a dark chocolate ground: 34.5 cm, 13 5/8  in.

Provenance: Wannieck, Paris (according to paper label)..

The dating of this lot is consistent with Oxford Authentication Thermoluminescence test no. P116d20. 

Sotheby's. Important Chinese Art, Londres, 09 nov. 2016, 11:30 AM

A straw-glazed pottery model of an ox, Tang Dynasty (618-907)

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A straw-glazed pottery model of an ox, Tang Dynasty (618-907)

Lot 286. A straw-glazed pottery model of an ox, Tang Dynasty (618-907). Estimate 5,000 — 7,000 GBP. Photo: Sotheby's. 

standing foursquare with head raised, the harness and trappings lightly moulded in relief, covered overall in a pale straw glaze; 24.1 cm, 9 1/2  in.

Provenance: Sotheby's London, 12th December 1989, lot 194..

NotesThe dating of this lot is consistent with Oxford Thermoluminescence Test no. 566b78.

Similar pottery figures of oxen are illustrated in Qin Tingyu, Zhongguo Gudai Taosu Yishu [Ancient Chinese pottery], Shanghai, 1955, pl. 50; C. Hentze, Chinese Tomb Figures, London, 1928, pl. 95B, in the Musée Cernuschi, Paris; and in M. Prodan, The Art of the T'ang Potter, London, 1960, pl. 61, from the Eumorfopoulos collection, now in the British Museum, London.

Sotheby's. Important Chinese Art, Londres, 09 nov. 2016, 11:30 AM

A sancai-glazed pottery horse, Tang Dynasty (618-907)

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A sancai-glazed pottery horse, Tang Dynasty (618-907)

Lot 287. A sancai-glazed pottery horse, Tang Dynasty (618-907). Estimate 10,000 — 15,000 GBP. Photo: Sotheby's. 

standing foursquare on a rectangular base with the head raised, ears pricked and held slightly to the left, the body with streaky ochre and cream glazes, the breast, crupper and halter straps in ochre hung with green foliate-shaped plaques, the saddle, saddle blanket, hooves and base unglazed, wood stand. Quantité: 2 - 49.5 cm, 19 1/2  in..

ProvenanceAsahi Art Co., Tokyo, 1980.

Sotheby's. Important Chinese Art, Londres, 09 nov. 2016, 11:30 AM
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