Quantcast
Channel: Alain.R.Truong
Viewing all 36084 articles
Browse latest View live

Two carved jadeite snuff bottles, 1800-1900

$
0
0

2

Lot 356. Two carved jadeite snuff bottles, 1800-1900. Estimate USD 7,500 - USD 9,500 © Christie's Images Ltd 2017

The first, 1820-1880, is undecorated on both sides showing the translucent red strata on one side, and white and deep green mottling on the reverse, and the narrow sides are carved with mask-and-ring handles. The second, 1800-1900, is carved in shallow relief on each side with flowering lotus, the stone is of a reddish color on one side and the neck, and pale olive-green on the reverse. 2 1/8 in. (5.4 cm.) high, jadeite and shell stoppers

ProvenanceFirst bottle: Peter and Marion Bozzo Collection, Alexandria, Virginia, 2007.
Hugh Moss (HK) Ltd., Hong Kong, 2008.
Ruth and Carl Barron Collection, Belmont, Massachusetts, no. 4835.
Second bottle: Robert Hall, London, 2012.
Ruth and Carl Barron Collection, Belmont, Massachusetts, no. 5350.

Christie's. The Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles: Part IV, 15 March 2017, New York, Rockefeller Center


A large mother-of-pearl-inset wood snuff bottle, The Yaji Master, Japan, 1860-1920

$
0
0

3

Lot 359. A large mother-of-pearl-inset wood snuff bottle, The Yaji Master, Japan, 1860-1920. Estimate USD  6,000 - USD 8,000 © Christie's Images Ltd 2017

The wood bottle is inset on each side with a mother-of-pearl panel finely carved with figures in pavilions in a mountainous retreat, and the narrow sides are carved with butterflies and blue vapor interrupted by ring handles on the shoulders. 3 3/8 in. (8.6 cm.) high, original wood cover with mother-of-pearl shou medallion

ProvenanceJin Hing & Co., Los Angeles, California.
Linda Riddell Hoffman Collection; Bonham's New York, 22 March 2011, lot 148.
Ruth and Carl Barron Collection, Belmont, Massachusetts, no. 5187.

NoteA bottle, also by the Yaji Master, with inset shell panels carved with similar landscapes and buildings, but of only white color, is illustrated in Moss, Graham, Tsang, A Treasury of Chinese Snuff Bottles, the Mary and George Bloch Collection, Vol. 7, Part 2, Hong Kong, 2009, pp. 604-606.

Christie's. The Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles: Part IV, 15 March 2017, New York, Rockefeller Center

Funerary bust: Palmyrene priest, "Mariôn," Palmyrene, anonymous maker, 230–250 CE

$
0
0

14

Funerary bust: Palmyrene priest, "Mariôn," Palmyrene, anonymous maker, 230–250 CE. Limestone. 21.6 x 16.1 in. (55 x 41 cm). Ny Carlsberg Glyptotek, Copenhagen, 1033. Photo: Ole Haupt.

Identified by the Palmyrene inscription on the upper left of the limestone slab, this figure, holding a sprig of laurel, represents the priest Mariôn, whose priestly status is indicated by his modius (official flat-topped hat). In contrast to usual depictions of oval faces on male funerary busts from Palmyra, Mariôn's distinctive narrow face and square jaw suggest that the sculptor took great care to capture his individual character.

Relief dedicated by Ba'alay to Bel, Baalshamin, Yarhibôl, and Aglibôl, Palmyrene, anonymous maker, dated January 121 CE

$
0
0

15

Relief dedicated by Ba'alay to Bel, Baalshamin, Yarhibôl, and Aglibôl, Palmyrene, anonymous maker, dated January 121 CE. Limestone. 45 x 54 x 9.5 cm. Musée des Beaux-Arts, Lyon, 1992–13. Photo: Gérard Blot. © RMN-Grand Palais / Art Resource, NY

An inscription in the lower register of this relief names four gods, but it is through iconographic analysis that the figures can be identified. On the far left is a bearded and seated Baalshamin, with a bull by his side and holding in his left hand a staff topped by stalks of wheat. Bel, on the far right, mirrors Baalshamin's pose and status, but instead is accompanied by a griffin, holds a scepter in his right hand and a sphere in his left, and wears an armored shirt. Between these two supreme divine figures stand the armor-clad celestial divinities, Aglibôl (center left) and Yarhibôl (center right).

Funerary bust with inscription, "Maqî son of M'anî," Palmyrene, anonymous maker, ca. 200 CE

$
0
0

16

Funerary bust with inscription, "Maqî son of M'anî," Palmyrene, anonymous maker, ca. 200 CE. Limestone. 20.5 x 14.6 x 7.1 in. (52.1 x 36.7 x 17.9 cm).The J. Paul Getty Museum at the Getty Villa88.AA.50

2

A five-color overlay white glass snuff bottle, 1760-1820

$
0
0

3

Lot 324. A five-color overlay white glass snuff bottle, 1760-1820Estimate USD  6,000 - USD 8,000 © Christie's Images Ltd 2017

The bottle is carved with a continuous design in translucent overlays; yellow for the finger citron, red for the pomegranate, pink for the peach, and blue for the chrysanthemum blossoms and sash-tied ruyi, all joined by a single leafy branch carved in dark-green overlay against the opaque white ground. 2 ¾ in. (7 cm.) high, quartz stopper

ProvenanceJames Hall, 1996.
Ruth and Carl Barron Collection, Belmont, Massachusetts, no. 2317.

ExhibitedBoston, International Chinese Snuff Bottle Convention, The Barron Collection, 23-26 September 2008.

NoteThe unusual combination of colors on this bottle is enhanced by the impeccable carving and well-composed design. It belongs to a group of overlay bottles that exhibit a variety of colors of overlay spread around the bottle, linked by a common color, as seen here in the green overlay branch and foliage. Another rare bottle from this group, from the Ruth and Carl Barron Collection Part II, decorated with a green basket containing four differently-colored blooms on a pink glass ground, was sold at Christie’s New York, 16 March 2016, lot 471. Two others from this group are illustrated by M. Hughes in The Blair Bequest, Chinese Snuff Bottles from the Princeton University Art Museum, Baltimore, 2002, pp. 151-152, nos. 189-91.

Christie's. The Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles: Part IV, 15 March 2017, New York, Rockefeller Center

A rare cloisonné enamel snuff bottle, probably imperial, 1760-1830

$
0
0

3

Lot 314. A rare cloisonné enamel snuff bottle, probably imperial, 1760-1830. Estimate USD  6,000 - USD 8,000 © Christie's Images Ltd 2017

The bottle is decorated on both sides with an orange carp on top of a brightly colored lotus pad and beneath the sun. The narrow sides are decorated with a repetitive cash pattern. 2 3/8 in. (6 cm.) high, shell stopper

ProvenanceRobert Hall, London, 2009.
Ruth and Carl Barron Collection, Belmont, Massachusetts, no. 4932.

NoteThis type of cloisonné enamel snuff bottle has thin strips of wire soldered onto the copper or bronze body, creating separate channels called cloisons, which are then filled with different-colored enamels and fired in a kiln at low temperatures for a short period of time. In the case of this example, however, only some areas were infilled, providing a design in relief against the gilded ground. A magnificent double vase decorated in this technique, dated to 1786, is in the Uldry Collection (see H. Brinker and A. Lutz, Chinese Cloisonné. The Pierre Uldry Collection, no. 304). Another snuff bottle of the group, from the Meriem Collection, was sold in these rooms, 19 September 2007, lot 645. See, also, one illustrated in Chinese Snuff Bottles in the Seattle Art Museum, pl. 55, lower left; one in the collection of the Marquess of Exeter with its original stopper, illustrated by H. Moss, Chinese Snuff Bottles No. 6, E. 30; one with original stopper illustrated by L. Perry, Chinese Snuff Bottles. The Adventures & Studies of a Collector, no. 162; one in the Denis Low Collection, illustrated by R. Kleiner, Treasures from the Sanctum of Enlightened Respect, p. 212, no. 229; and another by M. Hughes, The Blair Bequest. Chinese Snuff Bottles from the Princeton University Art Museum, no. 339. One more extremely rare version of this design is illustrated by L. Souksi in the exhibition catalogue Merveilles de la Miniature Chinoise. Flacons-Tabatières de Chine de la Collection du Commandeur, Paris, 2000, no. 2.

Christie's. The Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles: Part IV, 15 March 2017, New York, Rockefeller Center

A very rare enameled green overlay white glass snuff bottle, Imperial, Yangzhou, Qianlong mark and of the period (1770-1799)

$
0
0

3

Lot 317. A very rare enameled green overlay white glass snuff bottle, Imperial, Yangzhou, Qianlong four-character seal mark in iron red and of the period (1770-1799). Estimate USD  6,000 - USD 8,000 © Christie's Images Ltd 2017

The bottle is decorated on one side with a fisherman on his boat and on the other with a scholar contemplating a rocky landscape, all enclosed by a green overlay border enameled with stylized flowers and scrolls. 2 ¼ in. (5.7 cm.) high, glass stopper

ProvenanceRobert Kleiner, London, 2007.
Ruth and Carl Barron Collection, Belmont, Massachusetts, no. 4627.

Exhibited:Boston, International Chinese Snuff Bottle Convention, The Barron Collection, 23-26 September 2008.

NoteThe combination of the overlay border with the enameled scene found on this Yangzhou bottle is extremely unusual. The design of the bottle, with floral-embellished, solid-ground border, could possibly be in imitation of imperial porcelain versions, which feature a central enameled panel set within a related border. For porcelain examples see The Complete Collection of Treasures of the Palace Museum - Snuff Bottles, Hong Kong, 2003, pp. 204-205, nos. 214 and 315, and p. 207, no. 317.

Christie's. The Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles: Part IV, 15 March 2017, New York, Rockefeller Center


Funerary bust: unidentified Palmyrene woman, Palmyrene, anonymous maker, 190–210 CE

$
0
0

3

Funerary bust: unidentified Palmyrene woman, Palmyrene, anonymous maker, 190–210 CE. Limestone. 15.7 x 19 in. (48.5 x 40 cm). Ny Carlsberg Glyptotek, Copenhagen, 1068. Photo: Ole Haupt

With the left hand grasping her veil and the right hand holding a loop of the veil, this unknown Palmyrene woman is eloquently depicted in three-quarter view. Her abundant jewelry and elegant turban underscore her privileged status.

Funerary bust with bilingual inscription, "Marcus Julius Maximus Aristeides, colonist of Berytus," Palmyrene, anonymous maker, 1

$
0
0

3

Funerary bust with bilingual inscription, "Marcus Julius Maximus Aristeides, colonist of Berytus," Palmyrene, anonymous maker, 150–250 CE. Limestone. 56 x 47 x 27 cm. Musée du Louvre, Paris, AO 1556. Photo: Hervé Lewandowski. © RMN-Grand Palais / Art Resource, NY

Typical of funerary busts from Palmyra, this figure exhibits a hybrid style with realistically carved features influenced by Roman portraiture, although the incised eyebrows arching above distinctive, off-center eyes held in a fixed gaze probably originated from the East. The bilingual Palmyrene and Greek inscriptions chiseled above his shoulders identify the figure as "Marcus Julius Maximus Aristeides" and connect him to Berytus (modern-day Beirut).

Funerary bust: the so-called Beauty of Palmyra, Palmyrene, anonymous maker, 190–210 CE

$
0
0

3

Funerary bust: the so-called Beauty of Palmyra, Palmyrene, anonymous maker, 190–210 CE. Limestone. 21.6 x 16.1 in. (55 x 41 cm). Ny Carlsberg Glyptotek, Copenhagen, 2795. Photo: Ole Haupt

Representing an unnamed woman referred to as "The Beauty of Palmyra," this female is exceptional for her physiognomy and the abundance and detailed rendering of her jewels. The distinctive eyes, along with the full cheeks and lips, suggest that she represents a foreigner who originated from India. Traces of ochre and red on the limestone indicate that the jewels were painted to simulate gold and precious stones; there may have been inlays in the pupils of the eyes and cabochons and colored glass inserts in the recessed central ovals of the turban, pin, necklaces, and ring that would have heightened her appearance. Indeed, "The Beauty of Palmyra" was a woman of means who stood apart, even in the afterlife, among the wealthy of this city.

Four agate snuff bottles, 1740-1860

$
0
0

2

Lot 409. Four agate snuff bottles, 1740-1860Estimate USD  5,500 - USD 7,500 © Christie's Images Ltd 2017

The first, 1750-1840, is well-hollowed and of light brown color with dark brown branch-like patterns in the stone, and has mask-and-ring handles carved on the narrow sides. The second, 1740-1860, is of diminutive size with dark brown markings. The third, 1750-1860, is centered on one side with a red formation in the stone resembling cascading foliage surrounded by white and grey bands. The fourth, 1760-1850, is well-hollowed and has vertical cream-colored bands on one side and circular russet patterning on the reverse. 2 1/8, 1 ¾, 1 ½ and 2 ½ in. (5.4, 4.5, 4.1 and 6.3 cm.) high, glass, glass, aquamarine and tourmaline stoppers

ProvenanceFirst bottle: Hugh Moss (HK) Ltd., Hong Kong, 1996.
Ruth and Carl Barron Collection, Belmont, Massachusetts, no. 2254.
Second bottle: Robert Kleiner, London, 2003.
Ruth and Carl Barron Collection, Belmont, Massachusetts, no. 3784.
Third and fourth bottles: Robert Hall, London, 2012.
Ruth and Carl Barron Collection, Belmont, Massachusetts, nos. 5368 and 5365.

Christie's. The Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles: Part IV, 15 March 2017, New York, Rockefeller Center

A carved greenish-yellow jade snuff bottle, Master of the Rocks school, 1740-1860

$
0
0

2

Lot 412. A carved greenish-yellow jade snuff bottle, Master of the Rocks school, 1740-1860. Estimate USD  5,000 - USD 7,000 © Christie's Images Ltd 2017

The bottle is carved on one side through the opaque buff and russet 'skin' with the immortal Ma Gu steering a pine tree boat containing a crane, a basket of peaches, and hung with a double gourd. The reverse is undecorated except for a small carving of rocks through a brown patch in the stone above the foot. The narrow sides have mask-and-ring handles. 2 ½ in. (6.3 cm.) high, shell stopper 

ProvenanceRobert Kleiner, London, 2004.
Ruth and Carl Barron Collection, Belmont, Massachusetts, no. 3959.

NoteThe Master of the Rocks School appears to have specialized in jade carvings from this distinctive material. The School's main output was bottles carved with landscape designs, but many other subjects are recorded. For a discussion of the Master of the Rocks School of carving, see H. Moss, V. Graham, K.B. Tsang, A Treasury of Chinese Snuff Bottles: The Mary and George Bloch Collection, Hong Kong, 1995, Vol. 1, pp. 340-373, nos. 133-43.

Christie's. The Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles: Part IV, 15 March 2017, New York, Rockefeller Center

A carved jasper snuff bottle, 1780-1850

$
0
0

3

Lot 429. A carved jasper snuff bottle, 1780-1850. Estimate USD  5,000 - USD 7,000 © Christie's Images Ltd 2017

One side is carved in a dark green area of the dark reddish-brown stone with a katydid standing on leaves, the reverse is left plain.
2 1/8 in. (5.4 cm.) high, jadeite stopper 

ProvenanceAlice Klein Collection, California.
Asian Art Studio, Los Angeles, California, 2011.
Ruth and Carl Barron Collection, Belmont, Massachusetts, no. 5220.

Christie's. The Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles: Part IV, 15 March 2017, New York, Rockefeller Center

Harry Winston High Jewelry

$
0
0

2

A 10.89-carat ruby and 12 sparkling diamonds adorn this exquisite highjewelry piece. Harry Winston.

3

An Emerald Diamond Ring featuring a breathtaking 17.59-carat center stone will do the trick. Harry Winston High Jewelry.

4

A dazzling 25.11-carat Yellow Diamond Ring. Harry Winston High Jewelry.

5

Crafted from blue mother-of-pearl and 18k white gold, the Premier Pearly Lace Automatic 36mm timepiece is a design of unrivaled beauty. Harry Winston.

6

Midnight Date Moon Phase Automatic 36mm timepiece from the House of Harry Winston. 

7

Harry Winston’s Premier Moon Phase 36mm timepiece in 18k white gold.


Green glazed porcelain cup, Yongzheng mark and period (1723-1735)

$
0
0

Green glazed porcelain cup, Yongzheng mark and period (1723-1735)

Green glazed porcelain cup, Yongzheng mark and period (1723-1735). Height: 2 inches. Bequeathed by Marjorie K Coldwell, 1943,0215.23© The Trustees of the British Museum

Incised and green glazed porcelain bowl, Yongzheng mark and period (1723-1735)

$
0
0

Incised and green glazed porcelain bowl, Yongzheng mark and period (1723-1735)

Incised and green glazed porcelain bowl, Yongzheng mark and period (1723-1735). Diameter: 10.3 inches. Donated by Harvey Hadden, 1930,0719.17© The Trustees of the British Museum

Bowl with a flower scroll, design and border of chrysanthemum petals, Yongzheng mark and period (1723-1735)

$
0
0

Bowl with a flower scroll, design and border of chrysanthemum petals, Yongzheng underglaze-blue six-character marks within double circle and of the period (1723-1735)

Bowl with a flower scroll, design and border of chrysanthemum petals, Yongzheng underglaze-blue six-character marks within double circle and of the period (1723-1735)

Bowl with a flower scroll, design and border of chrysanthemum petals, Yongzheng underglaze-blue six-character marks within double circle and of the period (1723-1735). Diameter: 4.5 inches. Height: 1.8 inches. Donated by Sir Augustus Wollaston Franks, Franks.32.+ © The Trustees of the British Museum

Guan type censer, Yongzheng period (1723-1735)

$
0
0

Guan type censer, Yongzheng period (1723-1735)

Guan type censer, Yongzheng period (1723-1735), glazed, crackled porcelain. Height: 4.4 inches. Diameter: 8 inches. Donated by Sir Augustus Wollaston Franks, Franks.736© The Trustees of the British Museum

Cup with green glaze, Qing dynasty, Yongzheng mark and period, AD 1723–1735

$
0
0

Cup with green glaze, Qing dynasty, Yongzheng mark and period, AD 1723–1735

2

Cup with green glaze, Qing dynasty, Yongzheng mark and period, AD 1723–1735. Porcelain with underglaze cobalt-blue mark, transparent and green glazes, Jingdezhen, Jiangxi province. Height: 6,4 cm. Diameter: 9,5 cm. On loan from Sir Percival David Foundation of Chinese Art, PDF,B.511.© The Trustees of the British Museum

The Yongzheng emperor sent officials to closely supervise production of porcelains at Jingdezhen. From official Qing dynasty palace records we know that he encouraged experimentation with single coloured glazes there. Green derived from copper was used as a single colour glaze from the Xuande period (AD 1425–35), applied over a transparent high-fired glaze. The base has a six-character underglaze blue reign mark of the Yongzheng period.

Previous owner/ex-collection Hon Mountstuart William Elphinstone

Bibliography: Medley 1973 p.46, no.B511
Scott 1989 p.46, no.B511

 

Viewing all 36084 articles
Browse latest View live




Latest Images