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A black-glazed jar, Northern Song-Jin Dynasty

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A black-glazed jar, Northern Song-Jin Dynasty

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Lot 627. A black-glazed jar, Northern Song-Jin Dynasty. Estimate 7,000 — 9,000 USDPhoto: Sotheby's.

of broad-shouldered ovoid form rising to a short neck with lipped rim, the body set to either side with a pair of ridged strap handles, all resting on a short, flared foot, covered overall in a lustrous dark-brown glaze thinning to varying russet tones at the rim, handles and lower sections of the body and stopping unevenly in thick droplets above the unglazed base. Height 9 1/4  in., 24.2 cm

ProvenanceSotheby's London, 17th November 1999, lot 861.

Sotheby's. Important Chinese Art, New York, 14 Mar 2017, 10:30 AM


A black-glazed meiping, Song-Jin Dynasty, 11th-12th century

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A black-glazed meiping, Song-Jin Dynasty, 11th-12th century

Lot 609. A black-glazed meiping, Song-Jin Dynasty, 11th-12th century. Estimate $8,000-12,000 © Christie's Images Ltd 2017

The attenuated, fnger-ribbed body tapers from the high rounded shoulder to the foot and is covered in a thick black glaze. 16Ω in. (41.9 cm.) high

Provenance: Christie’s New York, 2 December 1982, lot 440.
The Marie Theresa L. Virata (1923-2015) Collection

Christie'sThe Marie Theresa L. Virata Collection of Asian Art: A Family Legacy, 16 March 2017, New York, Rockefeller Center 

A Pair of Burmese Ruby and Diamond Flower Ear Clips, by Cartier, circa 1935

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A Pair of Burmese Ruby and Diamond Flower Ear Clips, by Cartier, circa 1935© FD Gallery.

Carved Bloodstone Scarab and Gold Pillbox, by Cartier, circa 1930

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Carved Bloodstone Scarab and Gold Pillbox, by Cartier, circa 1930 © FD Gallery.

A Pair of Citrine and Gold Cufflinks, by Cartier, circa 1935

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A Pair of Citrine and Gold Cufflinks, by Cartier, circa 1935© FD Gallery.

A Retro Citrine and Diamond Necklace, by Cartier, circa 1935

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A Retro Citrine and Diamond Necklace, by Cartier, circa 1935 © FD Gallery.

An Art Deco Turquoise and Diamond Bangle Bracelet, by Cartier, circa 1935

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An Art Deco Turquoise and Diamond Bangle Bracelet, by Cartier, circa 1935© FD Gallery.

A Sapphire and Diamond Bracelet, by Cartier, circa 1935

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A Sapphire and Diamond Bracelet, by Cartier, circa 1935 © FD Gallery.


A Pair of Retro Gold and Diamond Feather Ear Clips, by Cartier, circa 1935

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A Pair of Retro Gold and Diamond Feather Ear Clips, by Cartier, circa 1935 © FD Gallery.

Amir Mohtashemi Ltd at TEFAF Maastricht 217, Stand 239

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A cast ewer, Deccan, India, early 16th century. Bronze. Height 38 cm © Amir Mohtashemi Ltd

ProvenancePrivate collection, Europe 

LiteratureM. Zebrowski, Gold, Silver & Bronze from Mughal India, London 1997

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Iznik dish, Turkey, 16th century. Pottery. Diameter 36 cm © Amir Mohtashemi Ltd

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Iznik tile, Turkey, second half of the 16th century. Pottery. 25 x 21.5 cm © Amir Mohtashemi Ltd

ProvenancePrivate collection, UK

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Aquamanile with bird-shaped Terminal, Deccan, India, probably 15th century. Bronze. Height 19 cm © Amir Mohtashemi Ltd

LiteratureNajat Haidar and M. Sardar, N. Sultans of Deccan India 1500 – 1700: Opulence and Fantasy, London 2015; M. Zebrowski, Gold, Silver and Bronze from Mughal India, London 1997

Amir Mohtashemi Ltd. Indian and Islamic works of art. TEFAF Maastricht 217Stand 239

Dresden, Europe, World: Three exhibitions at three locations in the Residenzschloss

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DRESDEN.- The Staatliche Kunstsammlungen Dresden is showing three exhibitions under the heading “Dresden • Europe • World” in the Residenzschloss from 3 March to 5 June 2017. They are the result of intensive research which has been realised in recent years, thanks to the significant support provided by the Museum & Research Foundation. 

With the title “Stories in miniatures”, the “Collection of Indian Paintings in the Dresden Kupferstich-Kabinett” is being shown to the public for the first time. Both of these extensive collections offer insights into the world of Indian miniature paintings from the late 17th and 18th centuries. The collections are presented in the context of the European reception to Indian culture and testify to the curiosity of foreign cultures in Dresden. 

In addition to this main exhibition, there are two more presentations. “Women Cross Media. Photography, porcelain and prints from Japan and China” is dedicated to the visual construction of femininity in Japanese and Chinese art. Using a cross-media approach, the relationship between traditional iconography and western influence is explored on both porcelain and early photographs. 

The “Global Player” presentation sketches out the interconnection of Dresden with the world from the 16th to the 18th century. The exhibits are examined as indicators and actors of trans-cultural movements under the main heading “Transfer”. Using individual objects as examples, it is possible to shed light upon different aspects of the complex transfer processes which occur – in the past as well as today – when different cultures encounter one another. 

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Jahangir (reg. 1605–27) Deccan (Golconda) late 17th / early 18th Century. Watercolours and gold, Image: 21.1 x 14.1 cm, Kupferstich-Kabinett, © SKD. Photo: Andreas Diesend.

STORIES IN MINIATURES. THE COLLECTION OF INDIAN PAINTING IN THE KUPFERSTICH-KABINETT 
Dresden Royal Palace, Kupferstich-Kabinett, 3 March to 5 June 2017
 
The starting point for this comprehensive research and exhibition project on the cultural exchange between Germany and India are two virtually unknown collections of Indian miniatures in the KupferstichKabinett, which are now being put into the spotlight in cooperation with the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, the former Prince of Wales Museum in Mumbai. The miniatures provide colourful insights into courtly imagery, workshop practice and traditional forms of depiction on the Indian subcontinent. 

The Heucher Inventory of 1738 displays many collections of Indian prince portraits and other works, later consolidated as “Indika”. Even in India, comparable volumes have mostly been broken up and the miniatures separated into individual items, meaning that the six surviving Dresden albums are exceptionally rare. Originally mostly from India’s Deccan Plateau at the end of the 17th and early 18th Century, part of the collection came to the Baroque Court of Saxon ruler Augustus the Strong. The albums are evidence of the early reception of Indian art at the Dresden Court, where they have been awarded a special place in the context of the collection of Asian and Chinese artworks. 

A second group of 78 miniatures comes from the estate of philosopher August Wilhelm Schlegel (1767-1845), who was a figure of great importance in Dresden Romanticism and the first German Indologist. In 1848, August von Buttlar, Schlegel’s heir, presented the KupferstichKabinett with eight engraved boxes of these works. In contrast to the “Indika” purchased during the 18th century, this inventory shows a greater variety of motifs with many scenic representations. 

The exhibition brings together around 200 objects, including valuable loans from the British Museum in London, the Rijksmuseum Amsterdam, the Albertina in Vienna, the Bibliothèque Nationale in Paris and the Museum of Asian Art in Berlin. 

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Abd al-Jabbar, Wesir des Abdullah Qutb Shah (reg. 1626–1672), Deccan (Golconda), ca 1668-1689, Watercolours and gold 244 x 119 mm, Kupferstich-Kabinett© SKD. Photo: Andreas Diesend

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Ali Adil Shah II (reg. 1656–72) Deccan (Golconda), ca 1668-1689. Watercolours and gold, 32.2 x 18.8 cm (paper), Kupferstich-Kabinett, © SKD. Photo: Andreas Diesend

WOMAN CROSS MEDIA. PHOTOGRAPHY, PORCELAIN AND PRINTED GRAPHICS FROM JAPAN AND CHINA 
Dresden Royal Palace, Sponsel-Raum, 3 March to 5 June 2017
 
“Women Cross Media” is an interdisciplinary approach to the question of how femininity was constructed and staged in East Asian art from the early 18th to the late 19th century. Selected objects of the Porcelain Collection, the Photography Collection of the Museum of Ethnology and the Kupferstich-Kabinett enter into a dialogue. Representations of beautiful women are among the central themes of both Chinese and Japanese art. In the early development of Chinese painting, the teaching of moral didactic values played an important role. With the growing interest in everyday life during the Tang Dynasty (618-907), women became a decorative motif. In contrast, Japanese porcelain from the Genroku Dynasty (1688-1704) or souvenir photographs from the Meiji Dynasty (1868-1912) put a strong emphasis on women from the entertainment milieu. In Japan, the Geisha attained almost iconic status towards the end of the 19th century. By no later than 1900, traditional East Asian iconography and the fantasies of Western recipients as potential collectors of these objects merged into a visual language on its own. Japanese fashion and the growing ethnographic interest in Asia at the end of the 19th century increased the production of images. Aspects such as commercialisation, ideals of beauty and the formation of stereotypes resulting from these are explored critically in media comparison.  

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Unknown photograph, Portrait of a Chinese woman in left profile, from album photo "China III", 1880-1900, albumen paper, mounted on a box, 27,2 x 21,3 cm, page: 54 x 37,5 cm, Album: 55,5 x 40,5 x 5 cm, Museum für Völkerkunde, © SKD

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Vase, Jingdezhen, Qing dynasty (1644-1911), Kangxi period (1662-1722), ca. 1700-1720. Porcelain, underglaze cobalt blue, enamelled and goldheight: 71,2 x Ø 24,3 x Ø foot: 19,3 cm. Porzellansammlung, © SKD. Photo: Adrian Sauer

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Large plate, Japan, Arita, 1690-1700, porcelain, painted in underglaze cobalt blue, iron red and gold, Porzellansammlung© SKD. Photo: Adrian Saue

GLOBAL PLAYER 
Dresden Royal Palace, Studiolo in Georgenbau, 3 March to 5 June 2017
 
The “Global Player” exhibition in the Studiolo is dedicated to Saxony’s interconnections with the world. Selected objects are deployed to explore the trans-cultural interrelations that are found even as early as in the art of the 16th century. 

The central object of the presentation – a globe from the 17th century – not only represents the the transfer of geographical knowledge; it is also the entry point to the objects presented in the space. 

Starting from the central object of the presentation, a 17th century globe, it is possible to reveal the most diverse transfer processes; these offer the visitor surprising discoveries. Exotic materials such as ostrich eggs were successfully worked into artistic vessels at the Saxon Court. Not only do they represent a material transfer; a transformation of iconography can also be identified. The sketch for a costume for “August the Strong as Chief of the Africans” is, in turn, not only an example of the festive culture at the prince-electoral court of the early modern period, but also an indicator for the perception and acquisition of foreign items. The fact that this interplay was never a one-sided process is made clear from the example of the export of linen from Saxony: it was used as a trade commodity in the transatlantic slave trade as far as West Africa and the Caribbean. Overall, the presentation opens up a wide panorama of transfer processes that demonstrate the interconnection of Dresden with the world during the early modern period.

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Unknown artist, August the Strong as the head of the Africans1709, pen and brush in water and colors, gold over graphite, 464x277 mm (leaf), Kupferstich-Kabinett, © SKD

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Pieter Schenk the Elder after Romeyn de Hooghe, Chinese en Vremden Nasie (Chinese and foreign nations)Amsterdam, 1710/11, Inventiones Chinoises, etching 241 x 166 mm (sheet), Kupferstich-Kabinett, © SKD. Photo: Dirk Gedlich

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Kris tangguh Mataram dapur Singa Barong Java, Mataram, late 17th / early 18th century, steel, nickels (pamor), gold, wood, lacquer, length: 46 cm, Museum of Ethnology Dresden, © SKD. Photo: Eva Winkler

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Unknown artist, The tributable peoples of the Qing DynastyDetail: A Jurche from the land of Dahan, Suzhou / China, around 1670-1700 (Kangxi-era), color woodcut, 376 x 611 mm, Kupferstich-Kabinett, © SKD. Photo: Herbert Boswank

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Elias Geyer, Ostrich egg pokal in the form of an ostrich, Leipzig, c.1589-1595. Ostrich egg, silver, gold plated, height 47cm, Green vault, © SKD. Photo: Michael Wagner

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Willem Jansz. Blaeu / Joan Blaeu, Erdglobus, Amsterdam, circa 1645-48. Colored copper engraving segments; Cardboard box, wooden frame; Brass meridian ring, Mathematisch-Physikalischer Salon, Copyright: SKD, Foto: Michael Lange

Pot, Vietnam, période Annam, 6–7° siècle

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Pot, Vietnam, période Annam, 6–7° siècle

 Lot 16. Pot, Vietnam, période Annam, 6°– 7° siècle. Estimation: 100 € / 200 €Photo Cornette de Saint-Cyr

Grès à couverte crème, H. 20,5 cm.

Arts d’Asie – Art Tribal – Documentation chez Cornette de Saint Cyr Paris, 75008 Paris, le 24 Mars 2017 à 14h00Expert : Cabinet Daffos-Estournel. Tel. : +33 6 09 22 55 13. Consultant pour le Vietnam : Monsieur Philippe Truong. Tel. : +33 6 31 34 40 59

Carlo Orsi at TEFAF Maastrich 2014, Stand 344

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Maerten De Vos (1532-Antwerp-1603), The Annunciation and The Adoration of the Magi, circa 1572. Oil on panel, 86 x 43.5 cm (each). On the reverse of the Annunciation the arms of Frederick II, King of Denmark; on the reverse of the Adoration of the Magi the arms of Sophie Mecklenburg-Güstrow, his wife© Carlo Orsi

Provenance: Frederick II, King of Denmark (1534-1588); collection Taccone, Marquess di Sitizano

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Giovanni Battista Benvenuti, called L'Ortolano (Ferrara around 1485-after 1527), Christ Supported by Two Angels. Oil on panel 19.5 x 39.2 cm© Carlo Orsi

Provenance: Malvasia collection, Bologna; private collection, Bologna

Literature: G. Frabetti, The Ortolano , Milan 1966, p. 21, cat. No. 6, p. 44, reproduced ill. 25

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Alessandro Magnasco called The Lissandrino (1667-Genoa-1749), The concert. Oil on canvas, 64.5 x 50.5 cm© Carlo Orsi

Provenance: With Lorenzelli Gallery, Bergamo

Literature: B. Geiger, Magnasco , Bergamo 1949, p. 70; A. Morassi Show Magnasco , exh. cat., Genoa and Bergamo 1949, p. 25, cat. n. I, f. THE; F. Franchini Guelfi, Alessandro Magnasco , Genoa 1977, p. 108; F. Franchini Guelfi, Alessandro Magnasco , Soncino 1991, p. 50, cat. 20, f. 20; Muti L. and D. de Sardo Prignano, Alessandro Magnasco , Faenza, 1994, p. 202, cat. No. 19, reproduced ill 171

Exhibition: Genoa, Palazzo Bianco Gallery, Show Magnasco , June - October 1949, cat. No. I, p. 25

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Andrea Meldolla called Schiavone (Zadar 1510 / 15-1563 Venice), Ecce Homo. Oil on canvas, 121 x 147 cm© Carlo Orsi

Literature: FL Richardson, Andrea Schiavone , Oxford 1980, cat. No. 250, pp. 66, 155, reproduced as Fig. 198; GA Dell'Acqua, 'Mannerism in Venice', in Arte Veneta , XXXV, 1981, p. 294; R. Pallucchini, 'For the history of mannerism in Venice', in From Titian to El Greek, for the history of Mannerism in Venice; 1540-1590 , exh. cat. Venice and Milan 1981, p. 25; 
P. Rossi, From Titian to El Greek, for the history of Mannerism in Venice; 1540-1590 , exh. cat. Venice and Milan 1981, p. 136; CB Tiozzo, 'An unpublished "Jesus before Pilate' Schiavone 'in News from Palazzo Albani , XII, 1983, p. 160, note no. 2; E. Rama, under the entry for Meldolla, said Andrea Schiavone, in G. Briganti (ed.), Painting in Italy: The Sixteenth Century , vol. II, Milan, 1988, p. 768, republished in Lucco M. (ed.), The painting in the Veneto. The sixteenth century , vol. 3, 199, p. 1321; V. Romans, in A. Ballarin, Banzato D. (ed.), From Bellini to Tintoretto: the paintings of the Civic Museums of Padua from the mid-fifteenth century to the early seventeenth century , exh. cat. Padua and Milan 1991-2, p. 179, no. 100; L. Borolotti, under the entry for Andrea Meldolla, said Schiavone, in Biographical Dictionary of Italian , vol. 73 (2009), p. 270; L. Puppi, 'Andrea Schiavone in the workshop of Titian. In the margins of an unpublished Ecce Homo ', in Cuadernos de arte de la Universidad de Granada , no. 40, 2009, p. 49; L. Puppi, in N. Barbone Pugliese, A. Donati, L. Puppi (ed.), Titian, Bordon and Acquaviva d'Aragona, exh. cat. Bitonto and Foggia 2012-13, p. 284 cat. no. 16; EM Dal Pozzolo, in EM Dal Pozzolo, Puppi L. (ed.), Splendors of Renaissance Venice: Schiavone between Parmigianino, Tintoretto and Titian , exh. cat, Venice and Milan 2015-16, cat. No. XII.3, pp. 99, 375-376, reproduced on p. 261

Exhibition: Venice, Palazzo Ducale, From Titian to El Greek, for the history of Mannerism in Venice; 1540-1590 , September 1981 - February 1982 cat. n. 34; Venice, Museo Correr, Splendors of Renaissance Venice: Schiavone between Parmigianino, Tintoretto and Titian , November 2015 - April 2016, cat. n. XII. 3

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Gaetano Gandolfi (San Matteo della Decima 1734-1802 Bologna), Hercules and Omphale. Oil on canvas, 53.5 x 37.2 cm© Carlo Orsi

Provenance: With Piero Corsini, New York, 1982; Sotheby's, New York, 5 June 1980, lot 61

Literature: C. Judges, I Gandolfi Ubaldo, Gaetano and Mauro. Paintings , exh. cat., Venice 1987, cat. No. 84; P. Baths, I Gandolfi: frescoes, paintings, sketches, draw it Bolognese painting of the '700 , Milan 1994, no. 19

Exhibition: Venice, Cini Foundation, The Gandolfi Ubaldo, Gaetano and Mauro. Paintings , September - November 1987; Bologna, Palazzo Pepoli Campogrande, I Gandolfi Ubaldo, Gaetano and Mauro. Paintings , cat. No. 84, November - December 1987

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The Master of the Unruly Children probably Sandro Lorenzo Emerald, Bacchus, Florence, around 1523. Terracotta, 25 x 29 x 20 cm© Carlo Orsi

Provenance: Heirs of the family Zalum, Florence, probably Villa Gamberaia

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Giuseppe Piamontini (1663-Florence-1744), Milo of Croton, 1740. Marble, 173 x 60 x 65 cm. Signed and dated 'G.P./F./1740'© Carlo Orsi

Provenance: Marquesses Gerini, Florence

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Giovanni Battista Piamontini (1664-Florence-1742), Faun with a kid (after the Antique). Marble. Height 150 cm© Carlo Orsi

Provenance: Marquess Gerini, Florence

Carlo Orsi. Old master paintings and sculpture. TEFAF Maastrich 2014. Stand 344

Jarre à deux anses boucles, Vietnam, Dynastie des Lý (1010–1225 )

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jarre-c3a0-deux-anses-boucles-vietnam-dynastie-des-lc3bd-1010e280931225

Lot 17. Jarre à deux anses boucles, Vietnam, Dynastie des Lý (1010–1225 ). Estimation: 150 € / 250 €Photo Cornette de Saint-Cyr

Terre cuite à couverte beige, H. 20 cm.

Arts d’Asie – Art Tribal – Documentation chez Cornette de Saint Cyr Paris, 75008 Paris, le 24 Mars 2017 à 14h00Expert : Cabinet Daffos-Estournel. Tel. : +33 6 09 22 55 13. Consultant pour le Vietnam : Monsieur Philippe Truong. Tel. : +33 6 31 34 40 59

Pot, Vietnam, Dynastie des Lý (1010–1225)

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Pot, Vietnam, Dynastie des Lý (1010–1225 )

Lot 18. Pot, Vietnam, Dynastie des Lý (1010–1225). Estimation: 150 € / 250 €Photo Cornette de Saint-Cyr

Terre cuite, H. 18 cm – A décor de pétales de lotus en relief et des traits incisés.

Arts d’Asie – Art Tribal – Documentation chez Cornette de Saint Cyr Paris, 75008 Paris, le 24 Mars 2017 à 14h00Expert : Cabinet Daffos-Estournel. Tel. : +33 6 09 22 55 13. Consultant pour le Vietnam : Monsieur Philippe Truong. Tel. : +33 6 31 34 40 59


Jarre, Vietnam, Dynastie des Lý (1010–1225)

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Jarre, Vietnam, Dynastie des Lý (1010–1225)

Lot 19. Jarre, Vietnam, Dynastie des Lý (1010–1225). Estimation: 100 € / 200 €Photo Cornette de Saint-Cyr

Grès à couverte crème, H. 15,5 cm

Arts d’Asie – Art Tribal – Documentation chez Cornette de Saint Cyr Paris, 75008 Paris, le 24 Mars 2017 à 14h00Expert : Cabinet Daffos-Estournel. Tel. : +33 6 09 22 55 13. Consultant pour le Vietnam : Monsieur Philippe Truong. Tel. : +33 6 31 34 40 59

Jarre, Vietnam, Dynastie des Lý (1010–1225)

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Jarre, Vietnam, Dynastie des Lý (1010–1225 )

Lot 20. Jarre, Vietnam, Dynastie des Lý (1010–1225 ). Estimation: 100 € / 200 €Photo Cornette de Saint-Cyr

Grès à couverte crème, H. 16,5 cm

Arts d’Asie – Art Tribal – Documentation chez Cornette de Saint Cyr Paris, 75008 Paris, le 24 Mars 2017 à 14h00Expert : Cabinet Daffos-Estournel. Tel. : +33 6 09 22 55 13. Consultant pour le Vietnam : Monsieur Philippe Truong. Tel. : +33 6 31 34 40 59

Lot de quatre pots, Vietnam, Dynastie des Lý–Trần, 13°-14° siècle

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Lot de quatre pots, Vietnam, Dynastie des Lý–Trần, 13°-14° siècle

Lot 21. Lot de quatre pots, Vietnam, Dynastie des Lý–Trần, 13°-14° siècle. Estimation: 100 € / 150 €Photo Cornette de Saint-Cyr

Grès et terre cuite à couverte, H. 5 – 6 – 10 cm

Arts d’Asie – Art Tribal – Documentation chez Cornette de Saint Cyr Paris, 75008 Paris, le 24 Mars 2017 à 14h00Expert : Cabinet Daffos-Estournel. Tel. : +33 6 09 22 55 13. Consultant pour le Vietnam : Monsieur Philippe Truong. Tel. : +33 6 31 34 40 59

Lot de quatre pots, Vietnam, Dynastie des Lý–Trần, 13°-14° siècle

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Lot de quatre pots, Vietnam, Dynastie des Lý–Trần, 13°-14° siècle

Lot 21. Lot de quatre pots, Vietnam, Dynastie des Lý–Trần, 13°-14° siècle. Estimation: 100 € / 150 €Photo Cornette de Saint-Cyr

Grès et terre cuite, H. 5 – 6 – 8 – 10 cm

Arts d’Asie – Art Tribal – Documentation chez Cornette de Saint Cyr Paris, 75008 Paris, le 24 Mars 2017 à 14h00Expert : Cabinet Daffos-Estournel. Tel. : +33 6 09 22 55 13. Consultant pour le Vietnam : Monsieur Philippe Truong. Tel. : +33 6 31 34 40 59

Pipe à eau, Vietnam, dynastie des Nguyễn, 19°siècle

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Pipe à eau, Vietnam, dynastie des Nguyễn, 19° siècle

Lot 38. Pipe à eau, Vietnam, dynastie des Nguyễn, 19° siècleEstimation: 250 € / 350 €Photo Cornette de Saint-Cyr

Porcelaine chinoise à décor peint en cobalt sous couverte, de chrysathèmes et papillons. H. 12,5 cm

Arts d’Asie – Art Tribal – Documentation chez Cornette de Saint Cyr Paris, 75008 Paris, le 24 Mars 2017 à 14h00Expert : Cabinet Daffos-Estournel. Tel. : +33 6 09 22 55 13. Consultant pour le Vietnam : Monsieur Philippe Truong. Tel. : +33 6 31 34 40 59

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