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A small rhinoceros horn wine cup, 18th-19th century

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A small rhinoceros horn wine cup, 18th-19th century 

Lot 1696. A small rhinoceros horn wine cup, 18th-19th century, 2 3/16 in. (5.5 cm.) high. Estimate USD 5,000 - USD 7,000Price realised USD 27,500. © Christie's Images Ltd 2012

The thinly carved body flaring in a curved line from the circular foot to the everted rim, the undecorated material shading from a rich reddish-brown tone on one side to a dark brown tone on the other.

ProvenanceAcquired in the 1960s.

Christie's. Fine Chinese Ceramics and Works of Art (Part I), 22 - 23 March 2012, New York


A green-glazed ewer, Tang dynasty

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A green-glazed ewer, Tang dynasty

Lot 203. A green-glazed ewer, Tang dynasty (618-907), 14.5cm., 5 3/4 in. Estimate 400 — 600 GBP. Lot sold 1,250 GBP. Photo: Sotheby's.

the robustly-potted ovoid body rising from a short spreading foot to a tall narrow neck with flaring cup-shaped rim, set to one side with a strap handle and to the other with a short cylindrical spout and divided by a pair of loop handes at the shoulder, covered overall with an olive-green glaze falling neatly above the foot to reveal the reddish-brown body.

Provenance: Collection of F. Low-Beer (paper label to the base).

Literature: Bo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 52.

Thomas Dexel, Fruhe Keramik in China, Baunschweig, 1973, pl. 80a

The World's Great Collections. Oriental Ceramics, vol. 8, Tokyo, 1982, pl. 88.

Chinese Ceramics in the Carl Kempe Collection, The Museum of Art and Far Eastern Antiquities in Ulricehamn, Ulricehamn, 2002, pl. 274.

Sotheby's. Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares, London, 14 May 2008

A white-glazed ewer, Tang dynasty

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A white-glazed ewer, Tang dynasty

Lot 204. A white-glazed ewer, Tang dynasty (618-907), 14.5cm., 5 3/4 in. Estimate 400 — 600 GBP. Lot sold 1,500 GBP. Photo: Sotheby's.

the robustly-potted pear-shaped body rising from a short spreading foot to a narrow waisted neck with widely flaring rim, set to one side with a strap handle and to the other with a short cylindrical spout, covered overall with a creamy-white glaze falling short of the foot in a neat line to reveal the pinkish-white body .

Provenance: Bluett & Sons, London.

LiteratureBo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 229.

The World's Great Collections. Oriental Ceramics, vol. 8, Tokyo, 1982, pl. 50.

Sotheby's. Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares, London, 14 May 2008

A white stoneware kundika, Tang dynasty

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A white stoneware kundika, Tang dynasty

Lot 206. A white stoneware kundika, Tang dynasty (618-907), 20.4cm., 8in. Estimate 600 — 800 GBP. Lot sold 1,375 GBP. Photo: Sotheby's.

the globular body rising from a high spreading foot to a tall slender collared neck and ribbed mouth, set to one side with a cup-shaped spout and covered overall with an ivory-white glaze suffused with a matrix of crackles.

Exhibited: Helsinki, FInland, 1956, cat. no.120.

Literature: Bo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 236.

Chinese Ceramics in the Carl Kempe Collection, The Museum of Art and Far Eastern Antiquities in Ulricehamn, Ulricehamn, 2002, pl. 452.

Sotheby's. Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares, London, 14 May 2008

A phosphatic-splashed brown-glazed ewer, Tang dynasty

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A phosphatic-splashed brown-glazed ewer, Tang dynasty

Lot 208. A phosphatic-splashed brown-glazed ewer, Tang dynasty (618-907), 25cm., 9 7/8 in. Estimate 8,000 — 12,000 GBP. Lot sold 12,500 GBP. Photo: Sotheby's.

the robustly-potted ovoid body rising from a short spreading foot to a short tapering neck with everted flaring rim, set to one side with a strap handle and to the other with a short conical spout, divided at the shoulder with a pair of small lug handles, covered overall with a lustrous dark chocolate-brown glaze with irregular silvery-blue splashes falling short of the foot to reveal the pinkish-buff body.

LiteratureChinese Ceramics in the Carl Kempe Collection, The Museum of Art and Far Eastern Antiquities in Ulricehamn, Ulricehamn, 2002, pl. 217.

Note: The present ewer is a good example of the pleasing rounded profile shapes characteristic of Tang vessels, with well-proportioned spouts, lugs and handles. A closely related example is illustrated in Guwong Bowuyuan cang ci xuanji, Beijing, 1962, pl. 10; one is published in Regina Krahl, Yuegutang: A Collection of Chinese Ceramics in Berlin, Berlin, 2000, cat. no. 99; another was sold at Christie's New York, 29th March 2006, lot 393; and a fourth, slightly smaller example, from the collection of Dr. Ip Yee, was sold in our Hong Kong rooms, 19th November 1984, lot 134.

The splashes, often described as 'phosphatic', were probably created by the application of pure wood ash. Such wares were made in kilns around Baofeng in Henan province, which are considered to be the predecessors of the nearby Ru and Jun kilns of the Song dynasty. Two kilns in particular have so far been identified, the Duandian kilns in Lushan county, south of Baofeng, and the Huangdao kilns in Jia county to its north.

Sotheby's. Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares, London, 14 May 2008

A white stoneware ewer, Tang dynasty

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A white stoneware ewer, Tang dynasty

Lot 209. A white stoneware ewer, Tang dynasty (618-907), 10.5cm., 4 1/8 inEstimate 400 — 600 GBP. Lot sold 1,250 GBP. Photo: Sotheby's.

the robustly-potted swelling pear-shaped body rising from a short spreading foot to a narrow waisted neck with flaring rim, set to one side with a double-stranded strap handle with two bands of clay and to the other with a short cylindrical spout, covered overall with a creamy-white glaze suffused with a matrix of crackles and falling short of the solid foot to reveal the pinkish-white body .

Provenance: Sydney L. Moss, London (paper label to the base)

LiteratureBo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 230

Sotheby's. Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares, London, 14 May 2008

A rare white stoneware jar and cover, Tang dynasty

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A rare white stoneware jar and cover, Tang dynasty

Lot 214. A rare white stoneware jar and cover, Tang dynasty (618-907), 15.2cm., 6inEstimate 400 — 600 GBP. Lot sold 4,375 GBP. Photo: Sotheby's.

the elegant pear-shaped body rising from a short spreading foot to a narrow waisted neck and flaring cup-shaped mouth, the conical flaring cover surmounted by a lotus-bud finial, covered overall in an ivory-white glaze suffused with a fine crackle and falling in a neat line above the foot to reveal the granular white body. Quantity: 2 .

LiteratureBo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 240

Chinese Ceramics in the Carl Kempe Collection, The Museum of Art and Far Eastern Antiquities in Ulricehamn, Ulricehamn, 2002, pl. 454

Sotheby's. Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares, London, 14 May 2008

A white stoneware ewer, Tang dynasty

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A white stoneware ewer, Tang dynasty

Lot 215. A white stoneware ewer, Tang dynasty (618-907), 19cm., 7 1/2 inEstimate 600 — 800 GBP. Lot sold 1,500 GBP. Photo: Sotheby's.

the ovoid body rising from a short tapering foot to a narrow trumpet neck, set to one side with a triple-stranded strap handle tied with a band of clay at the top, and to the other with a short spout, covered overall in a white slip and a creamy-white glaze suffused with a fine crackle, the flat base unglazed to reveal the greyish body.

LiteratureBo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 232 

Sotheby's. Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares, London, 14 May 2008


A white stoneware ewer, Tang dynasty

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A white stoneware ewer, Tang dynasty

Lot 216. A white stoneware ewer, Tang dynasty (618-907), 14.6cm., 5 3/4 inEstimate 600 -- 800 GBP. Lot sold 1,500 GBP. Photo: Sotheby's.

the robustly-potted ovoid body rising from a short tapering foot to a narrow trumpet neck with widely flaring rim, set to one side with a simple strap handle and to the other with a short spout, covered overall in a white slip and an ivory-white glaze suffused with a fine crackle, the flat base unglazed to reveal the greyish-white body.

ProvenanceSydney L. Moss, London (paper label to the base).

Literature: Bo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 235

Sotheby's. Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares, London, 14 May 2008 

A large white stoneware bowl, Tang dynasty

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A large white stonexare bowl, Tang dynasty

Lot 217. A large white stoneware bowl, Tang dynasty (618-907), 17.8cm., 7in.Estimate 800 - 1,200 GBP. Lot sold 6,250 GBP. Photo: Sotheby's.

of metal shape, the gently waisted sides rising from a curved base and short spreading foot to an everted flaring rim, covered overall in an ivory-white glaze falling short of the foot to reveal the white slip.

ExhibitedThe Arts of the T'ang Dynasty, The Oriental Ceramic Society, London, 1955, cat. no.199.

Literature'Hsing-Yao and Ting-Yao', The Bulletin of Far Eastern Antiquities, no. 25, 1953, Stockholm, 1953, pl. 51, fig. 46.

Bo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 316.

Thomas Dexel, Fruhe Keramik in China, Baunschweig, 1973, pl. 58a

Margaret Medley, T'ang Pottery and Porcelain, London, 1981, pl. 72

Chinese Ceramics in the Carl Kempe Collection, The Museum of Art and Far Eastern Antiquities in Ulricehamn, Ulricehamn, 2002, pl. 523.

Sotheby's. Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares, London, 14 May 2008 

 

A rare white stoneware lobed oval bowl, Tang dynasty

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A rare white stoneware lobed oval bowl, Tang dynasty

Lot 218. A rare white stoneware lobed oval bowl, Tang dynasty (618-907), 12.5cm., 4 7/8 in. Estimate 600 - 800 GBP. Lot sold 2,000 GBP. Photo: Sotheby's.

of Persian metal shape, each of the six gently curved lobes rising from a quatrefoil-shaped short straight foot, covered overall in a white slip and an ivory-white glaze save for the unglazed base showing the fine white body.

Literature'Hsing-Yao and Ting-Yao', The Bulletin of Far Eastern Antiquities, no. 25, 1953, Stockholm, 1953, pl. 23, 50, fig. 45.

Bo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 325.

The World's Great Collections. Oriental Ceramics, vol. 8, Tokyo, 1982, pl. 65.

Chinese Ceramics in the Carl Kempe Collection, The Museum of Art and Far Eastern Antiquities in Ulricehamn, Ulricehamn, 2002, pl. 532.

Sotheby's. Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares, London, 14 May 2008

A rare white stoneware alms bowl, Tang dynasty

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A rare white stoneware alms bowl, Tang dynasty

Lot 219. A rare white stoneware alms bowl, Tang dynasty (618-907), 16cm., 6 1/4 inEstimate 600 - 800 GBP. Lot sold 4,375 GBP. Photo: Sotheby's.

robustly potted with rounded sides rising from a slightly concave base, covered overall with a clear ivory glaze save for the base.

Exhibited: Kunst Industri Museet, Copenhagen, 1950, n. cat. no.

Literature'Hsing-Yao and Ting-Yao', The Bulletin of Far Eastern Antiquities, no. 25, 1953, Stockholm, 1953, pl. 56, fig. 53.

Bo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 317.

The World's Great Collections. Oriental Ceramics, vol. 8, Tokyo, 1982, pl. 57.

Sotheby's. Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares, London, 14 May 2008

A rare large white stoneware box and cover, Tang dynasty

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A rare large white stoneware box and cover, Tang dynasty

Lot 221. A rare large white stoneware box and cover, Tang dynasty (618-907), 18.5cm., 7 1/4 inEstimate 800 - 1,200 GBP. Lot sold 1,500 GBP. Photo: Sotheby's.

the circular straight sided body rising from an angled flat base, the cover stepped and slightly domed, covered overall in an ivory-white glaze save for the rims and base revealing the fine white bodyQuantity: 2.

Exhibited: Kunst Industri Museet, Copenhagen, 1950, n. cat. no.

LiteratureBo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 342.

Sotheby's. Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares, London, 14 May 2008

A white stoneware cup stand, Tang-Five Dynasties

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A white stone ware cup stand, Tang-Five Dynasties

Lot 223. A white stoneware cup stand, Tang-Five Dynasties, 9.5cm., 3 3/4 inEstimate 300 - 500 GBP. Lot sold 1,188 GBP. Photo: Sotheby's.

the curved sides rising from a short spreading foot to a broad flaring collar and incurved rim, covered overall with an ivory-white glaze.

ExhibitedThe Arts of the T'ang Dynasty, The Oriental Ceramic Society, London, 1955, cat. no. 195.

Literature'Hsing-Yao and Ting-Yao', The Bulletin of Far Eastern Antiquities, no. 25, 1953, Stockholm, 1953, pl. 47, fig. 42.

Bo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 315.

Sotheby's. Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares, London, 14 May 2008

A rare red gauze lady's informal summer court robe, mid-19th century

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Lot 1380. A rare red gauze lady's informal summer court robe, mid-19th century. Estimate USD 8,000 - USD 12,000Price realised USD 10,625. © Christie's Images Ltd 2016 

The gauze robe is finely woven with medallions of crane, butterfly, and peony in shades of white, blue, red, pink, purple and green, above a wide lishui stripe tossed with auspicious emblems. The sleeves are decorated with similar motifs, 54 in. (137.1 cm.) long x 76 in. (193 cm.) wide. 

ProvenanceCollection of Mrs. J. O. Saul given by Mr. and Mrs. William Frey.
Gifted by the above to the High Museum of Art, Atlanta, Georgia, 1968.

Christie's. Fine Chinese Ceramics & Works of Art part I, 17 - 18 March 2016, New York


A very rare imperial midnight-blue dragon vest, chaogua, 19th century

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Lot 1381. A very rare imperial midnight-blue dragon vest, chaogua, 19th century. Estimate USD 30,000 - USD 50,000Price realised USD 87,500. © Christie's Images Ltd 2016 

The vest is finely embroidered with five-clawed dragons clutching flaming pearls amidst ruyi-form clouds and auspicious symbols, all above the lishui stripe and terrestrial diagram, and all in couched gold thread, satin stitch, and Peking knot in shades of blue, peach, and yellow on a midnight-blue ground. The detachable sleeves and collar,piling, are similarly decorated, 53 ¾ in. (136.5 cm.) long

ProvenanceCollection of Mrs. J.O. Saul given by Mr. and Mrs. William Frey.
Gifted by the above to the High Museum of Art, Atlanta, Georgia, 1968.

Note: Chaofu, or ritual wear, was the most formal category of clothing at the Qing dynasty court. For imperial women a chaofu ensemble included a petticoat, a full-length robe with long sleeves, front overlap and shoulder projections (chaopao), an over vest (chaogua), a cape-like collar (piling) and an appropriate hat and accessories.

The Qing dynasty chaogua was adapted from the dragon-patterned sleeveless coats worn unofficially at the Ming dynasty court. The mid-eighteenth century court dress edicts assigned three styles of this garment to the upper ranking court women. All were made of dark navy blue silk and featured a center front opening held with five toggle and loop fastenings, angled shoulder seams and deeply cut armholes. The first and second styles were tailored as multi-sectioned constructions with horizontal bands of dragons, clouds and waves. The third style was full length without sections. For the empress dowager, empress and three highest ranking imperial consorts the decoration of this style of vest featured a pair of large profile long, or five-clawed dragons amid clouds above waves, on the front and back of the garment. For lower-ranking women of the imperial clan, the decoration decreased the size and increased the number of profile dragons to four on the front and two on the back, with a frontal dragon above. A third style, which could be worn by all ranks of women including the wives of nobles not related to the imperial clan and the wives of other high officials featured mang, or four-clawed dragons. 

A very similar chaogua is illustrated in G. Dickinson and L. Wrigglesworth, Imperial Wardrobe, Berkeley and Toronto, rev. ed., 2000, p. 181, pl. 163. Compare, also, two chaogua of this type in the collection of the University of Oregon Museum of Art, illustrated by J. Vollmer, Decoding Dragons: Status Garments in Ch'ing Dynasty China, University of Oregon, 1983, pls. 18 and 93.

Christie's. Fine Chinese Ceramics & Works of Art part I, 17 - 18 March 2016, New York

An imperial yellow satin brocade robe, chuba, the brocade, 18th century

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Lot 1382. An imperial yellow satin brocade robe, chuba, the brocade, 18th century. Estimate USD 20,000 - USD 30,000Price realised USD 22,500. © Christie's Images Ltd 2016 

The side-closing chuba was tailored in Tibet from Chinese 18th century imperial yellow silk brocade, woven in gold and multi-colored threads with five-clawed dragons grasping flaming pearls and superimposed against a background of cloud clusters picked out in various shades of pink, blue, green and ochre, all above the terrestrial diagram at the hem. The collar and facing are fashioned from waves and dragons, 53 ¼ in. (135.2 cm.) long x 68 ½ in. (173.9 cm.) wide

ProvenanceAcquired in New York, April 2005.

Note: Interaction with Tibet, which began in the 10th century, underscores the complexities of China's diplomacy and trade. After the collapse of the Tang dynasty, Tibetans established a rival dynasty, the Xia, which controlled the Gansu corridor and trade with Central Asia and the West. Although Tibetan imperial ambitions were crushed by the Yuan dynasty in the 13th century, its leaders continued to enjoy special prominence, due to the strong attachment of the Mongol court to Tantric Buddhism. In the Ming dynasty, the court renewed the Yuan practice of bestowing gifts and titles on Tibetan religious leaders and of sanctioning trade in luxury goods. Religious power politics involving Tibet and Mongolia lasted into the 17th century and imperial patronage of Tibetan Buddhism continued throughout the Qing dynasty.

Tibet, which had no indigenous silk industry, looked to China to supply these luxuries for its aristocracy and high-ranking clergy. Although some silks were manufactured specifically for the Tibetan market, many of the textiles sent to Tibet had originally been produced for the Chinese court, such as the present robe. They were often drawn from textiles amassed by the imperial household and held in reserve for such purposes. Although highly prized, garments and furnishing fabrics were often re-cut to fit Tibetan costume styles or to serve new functions, which were often at variance with their original decorative schemes and symbolic meanings. 

The interest in Chinese silk luxuries also traveled beyond Tibet to India. In the painting by Nainsukh titled Balwant Singh Smoking, Wearing a Chinese Robe, c. 1745-50, illustrated by B.N. Goswamy, Nainsukh of Guler, Zurich, 1997, pp. 132-33, Balwant Singh is shown seated on a throne wearing a Chinese yellow-ground dragon robe. In the painting, the robe appears to be re-cut to adhere to the common Hindu attire, which included trousers. The author suggests that this costume was given to Balwant Singh by a trader. The depiction of a member of the Hindu aristocracy wearing a yellow-ground Chinese robe shows how highly-prized such robes were outside of China.

Christie's. Fine Chinese Ceramics & Works of Art part I, 17 - 18 March 2016, New York

An embroidered blue-ground dragon robe, mangpao, 19th century

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Lot 1383. An embroidered blue-ground dragon robe, mangpao, 19th century. Estimate USD 7,000 - USD 9,000Price realised USD 11,250. © Christie's Images Ltd 2016 

The blue ground is worked in couched gold thread and satin stitch on the front and back with five-clawed dragons confronting flaming pearls amidst shou characters and bats suspending wan emblems and double-peaches woven in shades of red, all amidst Daoist emblems. The terrestrial diagram and lishui stripe at the hem are tossed with thebajixiang (Eight Buddhist Emblems), 54 ¾ in. (139 cm.) long

Provenance: Property from the Bass Museum of Art, sold to benefit the acquisitions fund.

Christie's. Fine Chinese Ceramics & Works of Art part I, 17 - 18 March 2016, New York

 

An embroidered blue gauze summer dragon robe, jifu, 19th century

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Lot 1630. An embroidered blue gauze summer dragon robe, jifu, 19th century. Estimate USD 6,000 - USD 8,000Price realised USD 13,750. © Christie's Images Ltd 2012 

The blue gauze worked in couched gold thread and counted stitch with the prescribed nine five-clawed dragons, two shown full-face leaping around a flaming pearl on the front and the back while six others on the front, back and shoulders are shown reaching for the pearl, as is the ninth on the underflap, all amidst lingzhi-shaped clouds interspersed with 'precious objects' and bats, above a terrestrial diagram and lishui stripe separated by further clouds, with similar decoration repeated on the border, collar and horsehoof cuffs, 74 in. (187.9 cm.) cuff to cuff 

Note: A similar 19th century blue-ground silk gauze jifu was sold in these rooms, 17 September 2008, lot 171. .

Christie'sFine Chinese Ceramics and Works of Art (Part I)22-23 March 2012, New York

Met Museum Hands Over Two Ancient Objects to Authorities

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Terra-cotta bell-krater (mixing bowl). Attributed to Python. Late Classical, ca. 360–350 B.C. Greek, South Italian, Paestan. Terra-cotta; red-figure. Diameter 14 1/2 in. (36.8cm). Image © The Metropolitan Museum of Art.

NEW YORK - Last week, the Metropolitan Museum of Art gave up a large painted terracotta vase that had been illegally excavated from an ancient burial ground in Italy to the district attorney. The ancient Greek vessel, a krater, shows Dionysus, god of the grape harvest, riding in a cart.

In a second bombshell, another object has been sent over to the DA this week.

A museum curator discovered that a 2,300-year-old marble sculpture on loan was possibly looted from Lebanon in the 1880s. "Upon a Met curator's discovery that this item on loan may have been stolen from government storage during the Lebanese civil war, the Museum took immediate action. We contacted the Lebanese government and the lender, we took the item off display, and we have been working with federal and state authorities, which recently involved delivering the Head of the Bull to the Manhattan DA upon its request," said the museum's spokesperson, Kenneth Waith, in a statement.

The sculpture's owners are suing for its return.

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Marble Head of a Bull, ca. 500–460 B.C. Greek. H. 13 in. (33 cm). Image © The Metropolitan Museum of Art.
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