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Ad Reinhardt Abstract painting highlights Modern & Contemporary art at Heritage Auctions

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Ad Reinhardt (American, 1913-1967), Untitled (Blue-Purple Painting), 1952. Oil on canvas,36 x 24 inches (91.4 x 61.0 cm). Bears inscription. Includes artist's original painted strip frame. Estimate: $1,000,000 - $1,500,000.

DALLAS, TX.- Untitled (Blue-Purple Painting), 1952, Ad Reinhardt's minimalist masterwork, is expected to bring $1 million as part of a 370-lot Modern & Contemporary Art Signature Auction May 31 at Heritage . Works by giants ranging from Jasper Johns, Andy Warhol, and Robert Rauschenberg and sculpture by Fernando Botero, Joan Miró and François-Xavier Lalanne, among others, will be offered in Dallas and online at HA.com. 

The auction is the first for the venue in 2014 and comes on the heels of Heritage's April 23 $1.2 million 20th & 21st Century Design Auction and the firm's nearly $4 million sales of Modern & Contemporary Art in November 2013. 

"The Reinhardt has a wonderful provenance and represents the fresh-to-market character of this auction," said Frank Hettig, Director of Modern & Contemporary Art. "Like most works offered, the iconic work has remained with the same family of collectors for generations." 

Known for his geometric paintings, Reinhardt's Untitled (Blue-Purple Painting), 1952, is an excellent example from the artist's celebrated monochrome abstractions. The work is a model combination of varying hues and a masterwork by the pioneer of conceptual and minimal art. It was acquired by the late Ethel Epstein, an art collector and a founder of the New York Studio School and the Washington D.C. Gallery of Modern Art. Epstein's husband, Henry, served as a New York State Supreme Court Justice while Mrs. Epstein served as the labor secretary under New York mayor LaGuardia. 

Additional highlights include two paintings by Sam Francis, Untitled, 1988, an expressive use of color and a signature example of the artist's vibrant abstract work of his later years (est. $300,000+), and Bright Saddle, 1985, (est. $150,000+). The Umbrellas (Project for Japan and USA), 1987, by Christo and Jeanne-Claude (est. $120,000+) is one of six works by the American artist on offer. Andy Warhol is well represented with $ (9), 1982 (est. $80,000+), 25 Cats Name(d) Sam and One Blue Pussy, circa 1954 (est. $40,000+), Life Savers (from the Ads series), 1985 (est. $30,000+), and Flowers, 1964 (est. $10,000+). 

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Sam Francis (American, 1923-1994), Untitled, 1988. Acrylic on canvas,79-1/4 x 120 inches (201.3 x 304.8 cm). Estimate: $300,000 - $400,000

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Sam Francis (American, 1923-1994), Bright Saddle, 1985. Acrylic on canvas; 36 x 42 inches (91.4 x 106.7 cm). Signed and dated verso. Estimate: $150,000 - $200,000.

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Christo and Jeanne-Claude, The Umbrellas (Project for Japan and USA), 1987. Graphite, charcoal, pastel, wax crayon; map and acrylic on paper collage laid down on panel, in two parts. Together: 65 x 57 inches (165.1 x 144.8 cm). Left panel: Signed, titled and dated; inscribed with installation instructions and numbered 4A on the reverse. Right panel: Signed and dated and inscribed with installation instructions and numbered 4B on the reverse. Estimate: $120,000 - $180,000.

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Andy Warhol (American, 1928-1987), $ (9), 1982. Screenprint in colors, 40 x 32 inches (101.6 x 81.3 cm) sheet. Ed. 12/35 (each print is unique). Signed and numbered in pencil lower left. Published by Andy Warhol, New York. 

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Andy Warhol (American, 1928-1987), 25 Cats Name(d) Sam and One Blue Pussy, circa 1954. Complete set of eighteen offset lithographs on laid paper with hand-coloring (including cover), bound in white buckram boards as issued.  Each page 8-7/8 x 6-7/8 inches (22.5 x 17.5 cm); boards measuring 9-1/8 x 6-1/8 inches (23.2 x 15.6 cm); small quarto edition. Ed. 75/190; (only about 150 copies were actually produced, according to the printer, Seymour Berlin).  Signed on colophon: Andy Warhol. Additionally inscribed: "To Mr. lefferts" [sic] on the cover illustration. Published by the artist, New York. Printed by Seymour Berlin. Estimate: $40,000 - $60,000.

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Andy Warhol  (American, 1928-1987), Life Savers (from the Ads series), 1985. Screenprint in colors, 38 x 38 inches (96.5 x 96.5 cm) sheet. Ed. 182/190. Signed and numbered in pencil lower left. Published by Ronald Feldman Fine Arts, Inc., New York. Estimate: $30,000 - $50,000.

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Andy Warhol (American, 1928-1987), Flowers, 1964. Offset lithograph in colors, 23 x 23 inches (58.4 x 58.4 cm) sight. From the edition of approximately 300. Signed, dated and dedicated in ink lower right. Published by Leo Castelli, New York to announce an exhibition of Flower paintings. Estimate: $10,000 - $15,000.

The auction also features 17 works by Robert Rauschenberg, spanning 30 years of his career, including Rush I (from the Cloister series), 1980 (est. $200,000+) and Apple Run (Shiner), 1988 (est. $150,000+) from the peak of his rich body of work produced in the 1980s to his pop-culture-infused screenprints such as L.A. Uncovered #3, 1998 (est. 10,000+). 

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Robert Rauschenberg  (American, 1925-2008), Rush I (from the Cloister series), 1980. Solvent transfer on paper and collage laid on panel, 98-1/4 x 74 inches (249.7 x 188.0 cm) sight. Signed and dated lower right. Signed, titled and dated verso. Estimate: $200,000 - $300,000.

 

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Apple Run (Shiner), 1988
Silkscreen inks on mirrored steel
48 x 72 inches (121.9 x 182.9 cm)
Signed and dated lower right: Rauschenberg 88. Estimate: $150,000 - $200,000

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Robert Rauschenberg (American, 1925-2008), L.A. Uncovered #3, 1998. Screenprint in colors, 24-1/2 x 20-3/4 inches (62.2 x 52.7 cm) sheet. Ed. 5/57.. Signed and numbered in pencil lower left. Published by Gemini G.E.L., Los Angeles. Estimate: $10,000 - $15,000

Leading the selection of Latin American artists is Fernando Botero's Hand with Cigarette, 1981, (est. $180,000+) and three works from Gunther Gerzso to include Rojo-Azul-Naranja, 1973 (est. $25,000+); Calle de Tequisquipan, 1961 (est. $15,000+); and Untitled, bronze, (est. $8,000+). 

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Fernando Botero Columbian, b. 1932), Hand with Cigarette, 1981. Bronze with brown patina, 35 x 21 x 19-3/4 inches (88.9 x 53.3 x 50.2 cm). Ed. 2/6. Signed and stamped with foundry mark: Botero 2/6 Fonderia / M / Italy. Estimate: $180,000 - $220,000.

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Gunther Gerzso (Mexican, 1915-2000), Rojo-Azul-Naranja, 1973. Oil on paper, 18-1/4 x 25-1/4 inches (46.4 x 64.1 cm) sight. Signed and dated lower right: Gerzso 73. Titled lower left in pencil. Estimate: $25,000 - $35,000.

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Gunther Gerzso (Mexican, 1915-2000), Calle de Tequisquipan, 1961. Oil and paper on masonite, 11 x 18-1/2 inches (27.9 x 47.0 cm). Signed and dated lower right: GERZSO 61. Estimate: $15,000 - $20,000.

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Gunther Gerzso (Mexican, 1915-2000), Untitled. Bronze, 14 x 32 x 6 inches (35.6 x 81.3 x 15.2 cm). Ed. A/P. Incised signature and edition on base. Estimate: $8,000 - $12,000.

A selection of sculpture includes three works by François-Xavier Lalanne, Bélier (Ram) (from Les Nouveaux Moutons), 1994, (est. $50,000+) and editions of Mouton transhumant, 1987, (est. $50,000+ each) as well as Le Pèlerin (The Pilgrim), 1972, a bronze by Joan Miró (est. $70,000+) and Machine Guns, 1973, (est. $40,000+) by Arman. 

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François-Xavier Lalanne  (French, 1927-2008), Bélier (Ram) (from Les Nouveaux Moutons), 1994. Epoxystone and patinated bronze, 36-5/8 x 40-1/4 x 15 inches (93.0 x 102.1 x 38.1 cm). Ed. 169/250. Stamped with signature, initialed, numbered and with the foundry stamp: Landowski Fondeur. Estimate: $50,000 - $70,000.

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François-Xavier Lalanne (French, 1927-2008), Mouton transhumant, 1987. Epoxystone and patinated bronze, 33-1/8 x 37 x 14 inches (84.1 x 94.0 x 35.6 cm). Ed. 36/250. Stamped with signature, initialed and numbered. Estimate: $50,000 - $70,000.

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Joan Miró (Spanish, 1893-1983), Le Pèlerin (The Pilgrim), 1972. Bronze (lost wax casting), 22-1/2 x 9-1/8 x 8-3/4 inches (57.2 x 23.2 x 22.2 cm). Ed. 2/6. Incised and numbered Foundry Fundició Parellada, Barcelona. Estimate: $70,000 - $90,000.

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Arman (French/American, 1928-2005), Machine Guns, 1973. Accumulation of welded electric drills, 26 x 22 x 26-1/2 inches (66.0 x 55.9 x 67.3 cm).  Estimate: $40,000 - $60,000.

Highlights from the Estate of Ray Frost Fleming, a Cranbrook Academy of Art graduate, notable studio artist, and owner of the Robert Kidd Gallery in Birmingham, Michigan, include contemporary works from Larry Rivers, such as The Young Archer, 1995, (est. $25,000+) and Moses, 1978, a mud, reeds and steel sculpture by Deborah Butterfield (est. $25,000+). 

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Larry Rivers (American, 1925-2002), The Young Archer, 1995. Oil on canvas mounted on sculpted foamboard, 56-1/2 x 45 x 5 inches (143.5 x 114.3 x 12.7 cm). Estimate: $25,000 - $35,000.

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Deborah Butterfield (American, b. 1949), Moses, 1978. Mud, reeds and steel. 28 x 44 x 10 inches (71.1 x 111.8 x 25.4 cm). Estimate: $25,000 - $35,000.

Works on paper by Italian artist and composer Giacomo Balla range from Compenetrazione Bis, 1913, (est. $25,000+) to Study for the Line of Velocity No. 2 (double-sided), circa 1913 (est. $7,000+). 

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Giacomo Balla (Italian, 1871-1958), Compenetrazione Bis, 1913. Cut paper collage mounted on board, 8-1/2 x 8-1/2 inches (21.7 x 21.7 cm). Signed in paint lower center: FUTUR BALLA. Titled with collage insignia on verso. Estimate: $25,000 - $35,000.

Additional highlights include, but are not limited by:

Feed Folks, 1974, by David Hammons (est. $120,000+).

Savarin, 1977, by Jasper Johns (est. $100,000+).

Collage with Stick Figures-Journal au profil, 1964, by Pablo Picasso (est. $50,000+).

Parking Lots, (the complete set, group of 30), 1967/1999, by Ed Ruscha (est. $50,000+).

Easter Realness #1, 2003, by Kehinde Wiley (est. $40,000+). 


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