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A rare doucai bowl, Kangxi six-character mark in underglaze blue within a double circle and of the period (1662-1722)

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A rare doucai bowl, Kangxi six-character mark in underglaze blue within a double circle and of the period (1662-1722)

Lot 1710. A rare doucai bowl, Kangxi six-character mark in underglaze blue within a double circle and of the period (1662-1722); 7 9/16 in. (19.2 cm.) diam. Estimate USD 20,000 - USD 30,000. Price realised USD 52,500. © Christie's Images Ltd 2011

Of steep form rising to the slightly everted rim, well painted around the exterior with a large bird and butterflies in flight amidst bamboo and tree peony as a second bird watches from a rocky perch, all between underglaze blue double line borders.

ProvenanceChait Galleries, New York, 1930s-40s.

Note: A Chenghua-marked doucai bowl of similar shape and related decoration, retaining its original cover, is illustrated in The Complete Collection of Treasures of the Palace Museum - Porcelains of Polychrome and Contrasting Colours, Hong Kong, 1999, p. 151, no. 139, where it is dated to the Kangxi period. Similar decoration can also be seen on a Kangxi-marked, doucai bowl illustrated, ibid., p. 215, no. 196

Christie's. Fine Chinese Ceramics and Works of Art Part I and Part II Including Property from the Arthur M. Sackler Collections, New York, 24 March 2011


A doucai conical bowl, Yongzheng six-character mark in underglaze blue within a double circle and of the period (1723-1735)

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A doucai conical bowl, Yongzheng six-character mark in underglaze blue within a double circle and of the period (1723-1735)

Lot 1712. A doucai conical bowl, Yongzheng six-character mark in underglaze blue within a double circle and of the period (1723-1735); 7 5/8 in. (19.3 cm.) diam. Estimate USD 15,000 - USD 20,000. Price realised USD 92,500. © Christie's Images Ltd 2011

The widely flared sides painted on the exterior in a doucai palette with two lively dragons above turbulent waves, the mouth rim with six notches.

Provenance: Christie's, London, 19 June 2001, lot 103.

NoteOne of a pair of bowls with similar decoration is illustrated in Qing Imperial Porcelain of the Kangxi, Yongzheng, and Qianlong Reigns, Hong Kong, 1995, pl. 52.

Christie's. Fine Chinese Ceramics and Works of Art Part I and Part II Including Property from the Arthur M. Sackler Collections, New York, 24 March 2011

A very large doucai pear-shaped vase, 18th-19th century

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A very large doucai pear-shaped vase, 18th-19th century

Lot 1713. A very large doucai pear-shaped vase, 18th-19th century; 25 3/8 in. (64.5 cm.) high. Estimate USD 30,000 - USD 50,000. Price realised USD 80,500. © Christie's Images Ltd 2011

Painted on two sides of the bulbous body with a dragon leaping amidst clouds in pursuit of a flaming pearl, one in iron red, the other green, above a band of frothing waves which break in explosions of spray against rocks, the neck with a band of phoenixes in flight amidst ruyi-shaped clouds and a band of four shou characters separated by lingzhisprays and clouds, all within borders of archaistic dragon scroll, with a pair of blue and yellow mask handles suspending fixed rings on the shoulder, raised on a tall foot encircled by a further wave and rocks band interrupted by an apocryphal Jiajing mark within a rectangle.

Provenance: Cleveland Museum of Art.

Note: One of a pair of bowls with similar decoration is illustrated in Qing Imperial Porcelain of the Kangxi, Yongzheng, and Qianlong Reigns, Hong Kong, 1995, pl. 52.

Christie's. Fine Chinese Ceramics and Works of Art Part I and Part II Including Property from the Arthur M. Sackler Collections, New York, 24 March 2011

A doucai bowl, Daoguang seal mark in underglaze blue and of the period (1821-1850)

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A doucai bowl, Daoguang seal mark in underglaze blue and of the period (1821-1850)

Lot 1714. A doucai bowl, Daoguang seal mark in underglaze blue and of the period (1821-1850); 5¾ in. (14.5 cm.) diam. Estimate USD 4,000 - USD 6,000. Price realised USD 10,000. © Christie's Images Ltd 2011

The deep rounded sides painted on the exterior with a frieze of leafy meander bearing six different flowers framed by the scrolling stems, above a border of ruyi heads.

ProvenanceChristie's, South Kensington, 1 December 1994, lot 436.

Property from the Silas Friedlander Collection. 

Note: One of a pair of bowls with similar decoration is illustrated in Qing Imperial Porcelain of the Kangxi, Yongzheng, and Qianlong Reigns, Hong Kong, 1995, pl. 52.

Christie's. Fine Chinese Ceramics and Works of Art Part I and Part II Including Property from the Arthur M. Sackler Collections, New York, 24 March 2011

A pair of doucai shallow dishes, 18th century

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A pair of doucai shallow dishes, 18th century

Lot 1715. A pair of doucai shallow dishes, 18th century; 7 11/16 in. (19.5 cm.) diam. Estimate USD 4,000 - USD 6,000. Price realised USD 6,875. © Christie's Images Ltd 2011

Each painted in the interior with a single leafy lotus roundel encircled by alternating lotus flowers in doucai enamels and shou characters in gilding borne on iron-red lotus blossoms, beneath a border of demi-florets at the rim, the exterior with three lingzhisprays, with an aprocryphal Chenghua mark on the base.

Christie's. Fine Chinese Ceramics and Works of Art Part I and Part II Including Property from the Arthur M. Sackler Collections, New York, 24 March 2011

A rare pair of doucai conical bowls, Daoguang seal marks in underglaze blue and of the period (1821-1850)

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A rare pair of doucai conical bowls, Daoguang seal marks in underglaze blue and of the period (1821-1850)

Lot 1716. A rare pair of doucai conical bowls, Daoguang seal marks in underglaze blue and of the period (1821-1850); 6 in. (15.2 cm.) diam. Estimate USD 45,000 - USD 55,000. Price realised USD 86,500. © Christie's Images Ltd 2011

Each with step sides rising to the flared rims, painted around the exterior with roundels of fruiting trees interspersed with sprays of pomegranates, all above a border of leaf-shaped lappets at the base, box.

Provenance: The Yip Family collection.

Note: Bowls with this decoration appear to be based on Kangxi prototypes, such as the example found in the Qing Court collection, illustrated in The Complete Collection of Treasures of the Palace Museum - Porcelains in Polychrome and Contrasting Colours, Hong Kong, 1999, p. 216, no. 197. It is interesting to note, however, that the Kangxi examples tend to have more rounded sides when compared to their Daoguang counterparts, which tend to have steep, flared sides. For a Daoguang-marked example of the same size, shape and decoration, see G. Avitabile, From the Dragon's Treasure, London, 1987, p. 52, no. 56.

Christie's. Fine Chinese Ceramics and Works of Art Part I and Part II Including Property from the Arthur M. Sackler Collections, New York, 24 March 2011

A German parcel-gilt silver sweetmeat dish, Andreas Forster, Augsburg, 1637-39

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A German parcel-gilt silver sweetmeat dish, Andreas Forster, Augsburg, 1637-39

Lot 46. A German parcel-gilt silver sweetmeat dish, Andreas Forster, Augsburg, 1637-39; 17cm, 6 3/4in long; 162gr, 5oz 4dwtEstimate 3,000 — 4,000 GBP. Lot sold 10,000 GBP© Sotheby's 2017.

of elongated oval lobed form, centred by a stippled bird, matted scroll handles, also with an early 19th century Austrian control mark.

Property from the Rutter Collection, Vienna.

Sotheby's. From Earth to Fire, London, 4 May 2017.

A continental parcel-gilt mounted coconut cup and cover, late 16th century

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A continental parcel-gilt mounted coconut cup and cover, late 16th century

Lot 47. A continental parcel-gilt mounted coconut cup and cover, maker's mark DH conjoined in a circular surround, town mark a lion rampant to left in a circular surround., late 16th century; 28cm, 11in. highEstimate 5,000 — 7,000 GBP. Lot sold 15,000 GBP. © Sotheby's 2017.

the body and cover rims engraved with hatched foliage in strapwork reserves,  mask and helmeted figure forming the straps, on a bracketed vase stem and domed foot cast and chased with fruit and strapwork, warrior figure finial  marked on body, cover and foot.

Property from the Rutter Collection, Vienna.

Note: Several Continental European towns used a lion rampant as their silver hallmark, although those with a left-looking animal in a circular surround were fewer. One possibility for the marks on this cup is Luneburg where a maker fitting the initials, Hans Drösemann is recorded before 1591. See: Wolfgang Scheffler, Goldschmiede Niedersachsens, Berlin 1965, no. 109. 

Sotheby's. From Earth to Fire, London, 4 May 2017. 


A German silver-gilt beaker, maker's mark lacking, Nuremberg, circa 1540

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A German silver-gilt beaker, maker's mark lacking, Nuremberg, circa 1540

Lot 48. A German silver-gilt beaker, maker's mark lacking, Nuremberg, circa 1540; with cover 22.2cm., 8 3/4 in. high; 383gr., 12oz. 6dwtEstimate 5,000 — 7,000 GBP. Lot sold 15,000 GBP. © Sotheby's 2017.

applied and engraved with profile medallions in the manner of Virgil Solis interrupted by  scrolling foliage, embossed lobes, detachable vase stem and foot, underside initialled AH AR, also struck twice with early 19th century Prussian control marks, the associated cover of conforming style with St Andrew finial and incorporating accollee armorials dated 1619, maker’s mark FN, probably Fabian Nitsch, Breslau, circa 1619.

Property from the Rutter Collection, Vienna.

Note: It is possible that this beaker never had a maker’s mark. This is evidenced by other Nuremberg examples from the 1530/40 period with town marks only. See: Heinrich Kohlhaussen, Nürnberger Goldschmiedekunst des Mittelalters und der Dürerzeit 1240-1540, Berlin, 1968 pp386-479 for a few examples. The town mark on the beaker appears to tally most closely with the example reproduced for the period 1525/1533-1547/1549 by Karin Tebbe et al., Nürnberger Goldschmiedekunst 1541-1868, Nuremberg, 2007,  BZ 03. P. 500. 

Sotheby's. From Earth to Fire, London, 4 May 2017

A German parcel-gilt silver coin beaker, Gottfried Schmidt, Leipzig, circa 1680

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A German parcel-gilt silver coin beaker, Gottfried Schmidt, Leipzig, circa 1680

Lot 52. A German parcel-gilt silver coin beaker, Gottfried Schmidt, Leipzig, circa 168014.1cm., 5 1/2 in. high; 378.7gr., 12oz. 2dwt. Estimate 5,000 — 7,000 GBP. Lot sold 11,875 GBP. © Sotheby's 2017.

cylindrical tapering form with raised rim, the body inset with twenty-two German Thaler's dated 1651, each surrounded by embossed scrolling foliage  .

Provennce: Ex collection of Theodor Müller, court jewellers of Weimar, active until circa 1918;
thence by descent through the Müller family until mid-1960;
private collection of a Berlin Goldsmith;
acquired by the present owner in 1972.

Sotheby's. From Earth to Fire, London, 4 May 2017

Aronson of Amsterdam presents one of the earliest and unique pair of tulip vases at The Winter Show

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ARB5820_b

Pair of Blue and White Early Flower Vases, Delft, circa 1680. Each marked LC in blue for Lambertus Cleffius, the owner of De Metaale Pot (The Metal Pot) factory from 1679 to 1691© Aronson Antiquairs

 NEW YORK, NY.- A very early pair of so called tulip vases will be presented at the recently renamed Winter Show. Previously known as the Winter Antiques Show, the show is the leading art, antiques, and design fair in America, featuring 70 of the world’s top experts in the fine and decorative arts boasts. Aronson of Amsterdam, who celebrate their 25th anniversary at the show will present the audience with a newly discovered pair of flower vases. 

The pair of blue and white flower vases were produced in the city of Delft around 1680. Each is marked LC in blue for Lambertus Cleffius, the owner of De Metaale Pot (The Metal Pot) factory from 1679 to 1691. The vases are 20.1 cm. (7.9 in.) high and each have eight spouts surrounding the large central spout. Although several types of vases with spouts are known, this model seems to be unique. Besides the present pair, only two other flower vases marked for Lambertus Cleffius are known to date. A large baluster-shaped flower holder decorated with a continuous chinoiserie scene is illustrated in Van Aken-Fehmers 2007, p. 158, no. 4.03. Another flower holder, marked for Lambertus Cleffius and modeled in a more Western style as a baluster-shaped vase with handles and chinoiserie decoration, in the Princessehof Museum in Leeuwarden (inv. no. BP 1999-0006) is illustrated in Van Aken-Fehmers 2007, p. 163, no. 4.07. 

It was in the late seventeenth century, under the patronage of Queen Mary II, who was as passionate about Chinese blue and white porcelain and its local counterpart, Dutch Delftware, as she was about her gardens, that the Delft factories developed their technical skills and virtuosity in the production of all sorts of ’vases with spouts’ to display flowers. Inspired by Queen Mary, it also became fashionable in aristocratic circles to decorate their residences with vases full of flowers. For instance, large vases were used to decorate the fireplace in the summer, and smaller vases were placed on the table during a festive meal. Although the vases in the seventeenth and eighteenth centuries were filled with all varieties of cut flowers, there has been much misunderstanding about this. In the mid-nineteenth century, when collectors and art historians rediscovered Delft earthenware, they must have thought that the vases were intended to be filled with hyacinth bulbs or flowers, as they came to be known as ‘bouquetiers à Jacinthes’. Not long thereafter, however, a more familiar name came into fashion, which is still used today: ‘tulip vase’ or ‘tulipière’, ascribed to these vases on the revised supposition that they were intended specifically to hold the precious and popular tulips. 

Flower vases both for Queen Mary and the aristocratic clientele in both Holland and Great Britain were made in the city of Delft. Around the year 1700 there were over thirty potteries in operation in Delft, of which at least five produced vases with holes and spouts, as their makers’ marks indicate. Among them, De Metaale Pot (The Metal Pot) together with De Grieksche A (The Greek A) factory, created the largest output of flower vases. Over a period of sixty years, from 1680 to 1740, they sold a multitude of different types of vases with spouts and holes. Besides the present pair, only two other flower vases marked for Lambertus Cleffius are known. However, the inventory drawn up upon Lambertus Cleffius’ death in 1691, shows that his product range included a particularly varied assortment of bloemflessen (flower bottles) and bloempotten met oren en tuiten (flower pots with handles and spouts). 

Lambertus Cleffius was a prominent figure in the Delftware world. He started working with his father Willem, who on January 6, 1670, had purchased De Metaale Pot (The Metal Pot) factory from the directors of the Dutch East India Company, the maritime company that transformed the former brewery into their chamber. The factory was located on the Lange Geer and included a house, a courtyard, a warehouse and sheds. After Lambertus’ marriage in 1672, he became a shareholder of the company. Lambertus may have handled the day to day operations of the factory, while his father oversaw the business. Lambertus was registered as a plateelbakker (pottery master) at the Guild of Saint Luke since 1667. According to Havard, the ceramic he created in order to obtain the title of master only took three days to complete. When his father died in 1679, he became the sole owner of the company. 

Since both Lambertus and his father Willem had shares in several Delftware factories, they had built a veritable empire and had considerable influence in the industry. Their strong alliance likely discouraged competition, thus furthering their control in the Delftware industry. In fact, the Cleffius family may have purchased supply jointly amongst their factories to lower their cost. Quickly, father and son developed an international and prominent clientele. In the 1680s, the Cleffius’ were commissioned to create a large dinner service for Wenzel Ferdinand, Prince Lobkowicz of Bilina (1656-1697). 

Lambertus Cleffius became such an unavoidable figure that in 1684, he was asked to represent a delegation sent to England to negotiate the end of the embargo on Dutch ceramics. Since the third Anglo-Dutch war (1672-1674), the importation of Dutch pottery to the English territory was forbidden. He also unconsciously revolutionized a change in the Delftware industry; the appearance of the maker’s mark on the reverse of ceramic objects. The mark of Lambertus Cleffius is composed of his interlaced initials, L.C. Unlike his contemporaries, whose production is characterized by horror vacui, Lambertus Cleffius preferred spare decoration, as can be seen on this pair of flower vases. Cleffius is also known for his use of a fine line known as a trek. 

Delftware has been a national symbol of Holland for almost 400 years. Initiated by the demand for the waning importation of Oriental porcelain from the 1640s, Delftware quickly became an iconic national product and one of the greatest Dutch achievements. From the 1680s the Delftware industry has constantly innovated with new shapes, decorations and functions. Their products were coveted by European nobility and royalty for their quality and diversity. The city of Delft rapidly became an inspiration to many European and even Oriental potters. Since 1881, over five generations of the Aronson family have brought to market the highest quality Delftware. They confidently ensure that private collectors and museum and corporate curators will discover fully researched authentic Delftware.

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Aronson Antiquairs at The Winter Show © Aronson Antiquairs

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Aronson Antiquairs at The Winter Show © Aronson Antiquairs

1939 Mercedes-Benz 540 K Cabriolet A

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Lot 240. Formerly the property of His Majesty King Hussein bin Talal, former King of Jordan, 1939 Mercedes-Benz 540 K Cabriolet A. Coachwork by Sindelfingen. Chassis no. 408386. Estimate € 1,700,000 - 2,300,000 (£ 1,500,000 - 2,000,000). © Bonhams

•Excellent continuous provenance
•Rare five-speed gearbox and attractive Cabriolet A coachwork
•Beautiful colour combination and fresh to the market

Note: Together with its predecessor the 500 K, the magnificent Mercedes-Benz 540 K was arguably the most noteworthy production model offered by the Stuttgart firm during the 1930s, representing the pinnacle of its pre-war achievements. A development of the 500 K, whose independently suspended chassis it shared, the 540 K was powered by a 5.4-litre supercharged straight-eight engine. The 540 K was one of the first models developed under Mercedes' new chief engineer, ex-racing driver Max Sailer, successor to Hans Nibel, who had died in November 1934 aged only 54. Mercedes-Benz's flagship model, it featured the company's famous Roots-type supercharger system in which pressing the accelerator pedal to the end of its travel would simultaneously engage the compressor and close off the alternative atmospheric intake to the carburettor. This system had been thoroughly proven on the preceding series of Dr Ferdinand Porsche-conceived S-Type cars that had dominated racing during the 1920s, and in effect the 540 K was the last supercharged production Mercedes until relatively recent times.

Launched at the Paris Salon in October 1936, the 540 K was hailed by Mercedes-Benz as conjuring up 'visions of breath-taking exploits of racing cars and drivers of international fame, but also of superlative comfort and coachwork of exquisite beauty, fine paintwork, brightly polished metal, the finest hardwoods and leather - massive and yet outstandingly attractive bodies - in short: the car for the connoisseur.' It had an engine that developed 115PS un-supercharged or 180PS (178bhp) with the compressor engaged, while the gearbox was a four-speeder but with a direct top gear rather than the overdrive ratio used on the earlier 500K. With the supercharger engaged, the 540 K's blown straight eight gave it a top speed approaching 110mph (177km/h) which was matched by servo-assisted hydraulic braking. Its performance potential was such that Mercedes-Benz in the UK retained racing driver Goffredo 'Freddy' Zehender as technical adviser and demonstration driver, since the super¬charged Mercedes was one of the few genuine 100mph road cars available in the 1930s.

Tested by Britain's Motor magazine, the 540 K was judged to have less heavy steering and handling than its predecessor, the 500 K, plus an even more comfortable ride, even though the same all-round independent suspension layout with parallel links and coil springs at the front and swing axles at the rear was retained. The Motor's test car returned 102mph over the timed quarter-mile with the supercharger engaged and 85mph with it disengaged. The servo-assisted brakes came in for fulsome praise, the blower was found to be relatively quiet and the springing more comfortable than that of the 500 K, while the steering and handling also compared favourably with that model. 

In May 1938, the 540 K was tested by Motor's rival magazine Autocar and achieved the highest maximum speed of any road-test car up to that date: carrying three passengers, the car reached 104.65mph (168.5km/h) on the race circuit at Brooklands, Surrey. 'One's foot goes hard down, and an almost demonical howl comes in,' reported test driver H S Linfield. 'The rev counter and speedometer needles leap round their dials: there is perhaps no other car noise in the world so distinctive as that produced by the Mercedes supercharger.'

Late in 1938, a revised 540 K made its appearance, with oval-section chassis tubes instead of channel frame members, while the adoption of sodium-cooled valves followed the company's highly successful racing practice. The manufacturing record of the 540 K reveals its exclusive nature: 97 being produced in 1936, 145 in 1937, 95 in 1938, and 69 in 1939 before the war ended series production (though three more were built up to July 1942). A late model, the example offered here, '408386', has the exceptionally rare five-speed gearbox introduced in 1939. In recent years, the rarity, style and performance of these big supercharged Mercedes have made them one of the most sought-after of all classic cars on the few occasions they have come to the open market. 

Delivered in Germany in April 1939, chassis number '408386' was first owned by Henry Ford Cooper, Liberia's Consul-General to Hamburg. Cooper was appointed in 1936; he left Germany in 1943 and with it, his Mercedes. It remained in continual use during this time as evidenced by the replacement of the original block, a frequent commonality among late cars during this period.

In 1954 it was purchased in Hamburg by a US soldier, Lieutenant Peter Rose. By this point, the car had been cosmetically modernized with parts from the contemporary Mercedes-Benz 300 series. After returning home to New York with his Mercedes, Lt Rose sold the car to Grant Kingore, a New York City art dealer. Kingore owned Windermere, one of the greatest of the fabulous estates located at Southampton, Long Island.

The Mercedes remained in Kingore's family, passing to his grand-niece Susan Andrews. In 1976 it was purchased from Andrews by Leland Gohlike of St Paul, Minnesota. In October 1978 Dr Harald Alfers of Düsseldorf, Germany purchased the car and shipped it back to Germany. In 1985, Dr Alfers sold the Mercedes to His Majesty King Hussein bin Talal, the governing monarch of Jordan who reigned from 11 August 1953 till 7 February 1999. 

A world-class car collector with a passion for the products of Mercedes-Benz, King Hussein is the only head of state ever to visit the Mercedes-Benz Classic Centre in Stuttgart. In 1987, the King's 540 K was invited by Lord Montagu of Beaulieu to display at the 'Ten Important Motor Cars' event, held at The Royal Albert Hall in London, which famously featured the sale of a Bugatti Royale. Subsequently, rather than being kept in The Royal Auto Museum in Amman, the 540 K was clearly the favourite of his large automobile collection as it travelled extensively with King Hussein rather than idle in his museum.

A full restoration was carried out in 1990-1991 by marque and model specialist Reifen Wagner in Landshut outside of Munich, Germany. At this time the car was converted to right-hand drive as King Hussein intended to keep the Mercedes in the UK at Buckhurst Park, his Windsor residence, a conversion that is easily reversible. The livery was changed to its present lovely red and burgundy and an interior re-trim in tan leather to match the new convertible hood. This imposing and immaculate interior retains its original inlaid mother-of-pearl detailing. 

Offering elegant two-seater accommodation allied to breathtaking performance, this rare and stylish 540 K cabriolet represents the very best that money could buy in the late 1930s and is a fine example of this classic German model. As its maker said: 'a car for the connoisseur'. 

In the ownership by the late monarch's family for the past 34 years it is offered for sale directly by them and represents what may be a once in a lifetime opportunity for the serious collector.

 

Autrefois propriété de Sa Majesté le Roi Hussein ben Talal de Jordanie
Mercedes-Benz 540 K Cabriolet A 1939
Carrosserie Sindelfingen
Châssis n° 408386

•Excellentes origines de bout en bout
•Boîte cinq vitesses, une rareté ; séduisante carrosserie de Cabriolet A
•Magnifique harmonie de teintes ; première mise en vente

Dans la lignée de sa devancière la 500 K, la magnifique Mercedes 540 K était sans conteste le modèle le plus remarquable proposé par Stuttgart pendant les années 1930 ; elle représentait le summum de la production d'avant-guerre. Extrapolée de la 500 K dont elle reprenait le châssis à roues indépendantes, le 540 K était équipée d'un huit-cylindres en ligne suralimenté de 5,4 litres. C'était l'un des premiers modèles développés sous la supervision du nouvel ingénieur en chef de Mercedes, l'ancien pilote Max Sailer, qui avait succédéà Hans Nibel, décédé en novembre 1934 alors qu'il n'avait que 54 ans. Ce vaisseau amiral de Mercedes était équipé du célèbre système de compresseur Roots propre au constructeur, pour lequel il suffisait d'appuyer à fond sur l'accélérateur pour enclencher le compresseur et couper l'alimentation atmosphérique du carburateur. Ce dispositif avait été complètement mis au point sur la précédente génération de voitures, les Type S conçues par le Dr Ferdinand Porsche, qui avaient été les reines des circuits dans les années 1920. La 540 K fut la dernière Mercedes suralimentée de série jusque dans un passé récent.

La 540 K avait été lancée au Salon de Paris 1936. Mercedes l'avait présentée comme la voiture qui mariait "les prouesses spectaculaires des voitures de course et de leurs célèbres pilotes, mais aussi le confort à son summum, une carrosserie d'une beauté exquise, une peinture parfaite, des chromes étincelants, les boiseries et les cuirs les plus raffinés, des dimensions imposantes mais agréables à l'œil, en somme : la voiture des connaisseurs." Son moteur développait 115 PS en version atmosphérique et 180 PS (178 ch) lorsque le compresseur était enclenché. Sa boîte à quatre rapports était dotée d'une quatrième en prise directe et non plus de l'overdrive des premières 500 K. Compresseur enclenché, le huit-cylindres en ligne suralimenté de la 540 K l'emmenait à 177 km/h, une vitesse qui restait maîtrisée grâce à des freins hydrauliques assistés. C'était l'une des rares routières des années 1930 capables d'un véritable 160 km/h et son potentiel de performances était tel que Mercedes-UK avait engagé le pilote Goffredo 'Freddy' Zehender en tant que conseiller technique et pilote de démonstration.

Lors d'un essai de la 540 K, le magazine britannique Motor avait trouvé sa direction et son comportement moins lourds que ceux de sa devancière, la 500 K, et il l'avait jugée plus confortable, alors qu'elle était équipée de la même suspension à roues indépendantes, avec doubles triangles et ressorts hélicoïdaux à l'avant et essieu oscillant à l'arrière. Lors du passage aux 400 mètres, Motor avait relevé une vitesse de 164 km/h avec compresseur et de 137 km/h sans. Ses freins assistés n'avaient remporté que des éloges, son compresseur avait été jugé assez silencieux et sa suspension plus confortable que celle de la 500 K ; sa direction et sa tenue de route avaient également été mieux perçues que celles de cette dernière.

En mai 1938, un essai effectué par Autocar, le concurrent de Motor, avait permis d'atteindre la vitesse la plus élevée jamais obtenue sur une routière : chargée de trois passagers, la voiture avait atteint sur le circuit de Brooklands (Surrey) la vitesse de 168,5 km/h. "On écrase l'accélérateur et l'on entend un hurlement quasi-démoniaque," rapportait H. S. Linfield, l'essayeur. "Les aiguilles du compte-tours et du tachymètre balayent leur cadran. Il ne doit pas exister au monde un bruit automobile aussi caractéristique que celui du compresseur Mercedes."

Fin 1938 apparaît une 540 K modifiée : son châssis fait appel à des tubes ovales et non plus à des profilés en U et son moteur reçoit des soupapes refroidies au sodium, dans la droite ligne des définitions utilisées avec succès par Mercedes en compétition. Les archives de fabrication de la 540 K soulignent son caractère exclusif ; elles font état de 97 voitures produites en 1936, de 145 en 1937, de 95 en 1938 et de 69 en 1939, avant que la guerre ne vienne mettre fin à leur production ; il y en aura toutefois trois autres de fabriquées jusqu'en juillet 1942. La 408386 mise en vente est l'un des derniers exemplaires produits ; elle est équipée de la boîte cinq vitesses lancée en 1939, très peu diffusée. Ces dernières années, la rareté, le style et les performances de ces grosses Mercedes suralimentées ont fait qu'elles figurent parmi les voitures de collection le plus recherchées, les rares fois où il y en a une mise sur le marché.

Le châssis n° 408386 fut livré en Allemagne en avril 1939 à Henry Ford Cooper, consul général du Libéria à Hambourg, où il avait été nommé en 1936. Celui-ci quitta l'Allemagne en 1943, en y laissant sa Mercedes. Elle est restée utilisée en permanence pendant ces années, ainsi qu'en témoigne le remplacement de son bloc d'origine, une opération courante sur les voitures de cette époque.

Elle fut achetée en 1954 à Hambourg par un militaire américain, le lieutenant Peter Rose. Son aspect avait alors été modernisé par le montage de pièces de la Mercedes 300, le modèle du moment. Après son retour à New York avec sa Mercedes, le lieutenant Rose la vendit à un ami, Grant Kingore, un marchand d'art de New York qui était le propriétaire de Windermere, l'une des plus belles de ces merveilleuses propriétés de Southampton, dans l'Etat de Long Island.

La Mercedes resta dans la famille de M. Kingore ; elle fut transmise à sa petite-nièce, Susan Andrews. Celle-ci la revendit en 1976 à Leland Gohlike, de St Paul, dans le Minnesota. Puis en octobre 1978, le Dr Harald Alfers, de Düsseldorf, l'acheta et la ramena en Allemagne. Et enfin, il la vendit en 1985 à Sa Majesté le roi Hussein ben Talal de Jordanie, qui régna du 11 août 1953 au 7 février 1999.

Le roi Hussein était un collectionneur de voiture de niveau mondial, passionné de Mercedes ; il est le seul chef d'Etat à avoir jamais visité le Mercedes-Benz Classic Centre de Stuttgart. La 540 K du roi fut invitée en 1987 par Lord Montagu of Beaulieu à participer à l'évènement "Les dix plus importantes automobiles", qui se tenait à Londres au Royal Albert Hall et qui fut le cadre de la vente d'une Bugatti Royale. Par la suite, la 540 K n'est pas restée recluse au Musée automobile royal d'Amman (Jordanie), mais elle a au contraire beaucoup accompagné le roi Hussein dans ses déplacements. C'était clairement sa préférée parmi toutes celles de son immense collection. 

Une restauration complète fut effectuée en 1990-1991 par Reifen Wagner, un spécialiste de la marque et de ce modèle, baséà Landshut, près de Munich. Et puisque le roi Hussein souhaitait la conserver au Royaume-Uni, à Buckhurst Park, sa résidence de Windsor, elle fut à cette occasion transformée en direction à droite, transformation qui est facilement réversible. Elle fut par ailleurs repeinte dans sa merveilleuse couleur actuelle, rouge/bordeaux, et son intérieur fut refait en cuir brun assorti à sa nouvelle capote. Cet intérieur imposant et immaculé a encore ses finitions incrustées de nacre.

Ce cabriolet 540 K rare et racé, ses deux élégantes places et ses performances à couper le souffle représentent ce que l'argent pouvait acheter de mieux à la fin des années 1930. C'est un témoin raffiné du classicisme allemand et, ainsi que le disait son constructeur, "une voiture de connaisseur".

Cette voiture est depuis ces 34 dernières années la propriété de la famille du défunt roi, et c'est directement elle qui la met en vente. Elle constitue ce qui pourrait bien être pour tout collectionneur sérieux l'occasion de sa vie.

BonhamsLes Grandes Marques du Monde au Grand Palais, Paris, The Grand Palais, 7 Feb 2019  

1928 Bugatti Type 43 Grand Sport Tourer

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Lot 255. First owned by Crown Prince Leopold of Belgium. 1928 Bugatti Type 43 Grand Sport Tourer. Chassis no. 43258 (43291). Engine no. 132. Estimate € 1,250,000 - 1,450,000 (£ 1,100,000 - 1,300,000). © Bonhams

 •One of 160 examples
•Continuous ownership history
•Long-term ownership in Sweden 1942-2013
•Present ownership since 2013
•Mille Miglia eligible

Built in September 1928, chassis number '43258' is the second of three Type 43 Bugattis owned in succession by Bugatti enthusiast Crown Prince Leopold of Belgium. His first, in May 1930, was a Type 43 Roadster with chassis number '43291' and engine number '143'; his second, the car offered here, collected in May 1931, was a Type 43 Grand Sport with engine '132'; and his third, in July 1932, was another Grand Sport, with engine '158'.

Thanks to his royal status and close friendship with the Bugatti family, the Crown Prince was treated as a VIP at Molsheim and granted certain privileges. One such privilege was the factory's willingness to identify the Crown Prince's next Bugatti by means of fitting the chassis plate removed from his previous one, which the factory took in part exchange, thereby allowing him to retain the same Belgian registration documents and so avoid the need for a new Customs declaration and duty payment when his new Bugatti first entered Belgium. The factory would then sell his previous Bugatti with a changed chassis number. 

Accordingly, on 20th May 1931, the Crown Prince was able to collect his second Type 43 from Molsheim newly fitted with the chassis plate '43291' taken from his first Type 43. The crankcase was stamped with the engine number '132' but there was still no chassis number stamping. Being married to the Swedish Princess Astrid, Leopold naturally took his Type 43 to Sweden while staying with the Swedish royal family. In September 1931 he left the car for sale with the Lindblads Bugatti agency in Stockholm, which sent it back to Molsheim for a service and check-up, after which it was returned to them by rail on 24th December 1931 newly identified by the factory as chassis number '43258', although that same number had already been used on a car despatched to Bucar in Switzerland in December 1930 (see final paragraph). 

This Type 43's subsequent history in Sweden has been comprehensively researched and documented elsewhere, notably in a report by a previous owners Göthe and Per-Olof Håkanson, but also independently by Pierre-Yves Laugier and lastly by the renowned independent Bugatti consultant, David Sewell (copies on file). The Håkanson and Sewell detailed reports, the latter dated 9th October 2009, have been used in writing this description. 

The Håkansons' report traces the Bugatti's ownership from its sale by Linblads in January 1932 to an engineer, Nils Looström, the final delivery being undertaken by no less a person than Bugatti works driver Louis Chiron. The original Type 43 brochure with Chiron's written instructions is in the history file. Within little more than a couple of weeks Looström had sold the car to Einar Lindberg, who competed with it in the Swedish Winter Grand Prix at Lake Rämen on 28th February 1932, finishing 5th (see photographs in report). Lindberg also entered his Bugatti in the Grand Prix of Finland on 8th May 1932 but was forced to retire. On 3rd November 1932 the Bugatti was sold to Axel Johnson of Skyttmon near Östersund. 

Johnson entered '43258' in the Swedish Summer Grand Prix at Vram in 1933 but had to retire with an engine problem after six laps. Following the Vram race, the car was shortened by 39cm, lowered by 6cm, and made into a two-seater. In its modified form, the Bugatti was raced by Johnson in an ice race on Lake Vallentunasjön 18th February 1934, finishing 2nd behind Paul Pietsch's Alfa Romeo. Following a testing accident caused by a burst tyre, in which Johnson's brother-in-law was killed and Johnson lucky to escape with his life, the Bugatti returned to active competition in 1936 at the Swedish Winter GP at Lake Rämen, Johnson finishing 3rd. In 1938 the Bugatti was advertised for sale at Philipssons in Stockholm and purchased by Göthe Håkanson, father of Per-Olof Håkanson, who became its owner in the spring of 1942 aged 25 (photograph in report). There being no petrol available for private consumption in wartime Sweden, the car was not used for several years.

In 1952 Göthe Håkanson decided to restore the Type 43 to its original specification and wrote to Jack Lemon Burton, Spares Controller of the Bugatti Owners' Club in England. A replacement chassis frame was obtained from JLB, and various engine and other spares sourced from the Bugatti factory, though it would be 1975 before a suitable 'Grand Sport' body was acquired and fitted. On 23rd November 1985, '43258' was test run for the first at a meeting at Hässelby. Following its completion, '43258' was used by the Håkansons in many International Bugatti Rallies and other events. 

When inspected by David Sewell in 2009, this Type 43 Bugatti was found to retain almost all of its original major components except for those that were modified when the car was shortened in the autumn of 1933 and the beginning of 1934. The necessarily replaced parts were its chassis frame, prop-shaft, torque arm, and coachwork. Each of the first three components was replaced in 1952 by correct originals sourced from another Type 43 (see below) while in 1975 its coachwork was replaced in its entirety, except for retaining the original lid on the tail, by a replica Grand Sport body. 

The car's chassis frame numbered '74', torque arm numbered '78' and prop-shaft, almost certainly sourced from the same Type 43, were obtained in 1952 by previous owner Göthe Håkanson from Jack Lemon Burton (see original letter and invoice on file). Burton's surviving pre-war stock book leaves little doubt that this Type 43 was chassis number '43259' with engine '78', the same as this car's torque arm and close enough to its frame number. Of seven Type 43s listed in Burton's records, six were sold pre-war and the seventh, '43259', was broken up for spares in either late 1938 or 1939. It should be noted that Göthe Håkanson used the shortened Type 43 chassis frame and its body to build another car using the parts and registration documents of the Type 44 '441119', as stated in the accompanying extracts from the Netherlands and Nordic Bugatti Registries. 

This Bugatti's only other missing original major part is its gearbox casing, which was changed many years ago, before Göthe Håkanson acquired the car in 1942, although its original lid remains with the car. David Sewell concluded his report thus: 'Accordingly it is my professional opinion that, despite its changed chassis frame, this historic Bugatti should be identified in all future documentation as Chassis No 43258 on the widely accepted basis of its indisputable continuous history.' He also found that the car was in excellent overall condition and performed well on the road. 

With regard to this car's identity, Kees Jansen states in his Netherlands Bugatti Registry (Volume IV, 2015): 'Although we have decided to use the frame of the car as (its) distinguishing feature, in this case we deviate from that general rule as this car is generally denominated as 43258. In order to distinguish from the other car with the same chassis number we call it 43258-132.' The Nordic Registry confirms these facts. 

 

Ayant appartenu au Prince Léopold de Belgique
Bugatti Type 43 Grand Sport tourer 1928
Châssis n° 43258 (43291 - voir texte)
Moteur n° 132 

•Un des 160 exemplaires
•Historique des propriétaires continu
•Longtemps aux mêmes mains en Suède 1942-2013
•Même propriétaire depuis 2013
•Éligible aux Mille Miglia

Construit en septembre 1928, le châssis numéro 43258 est le second de trois Bugatti Type 43 détenues successivement par le prince Léopold de Belgique, passionné de Bugatti. Sa première, en mai 1930, était un roadster Type 43 châssis numéro 43291 et numéro de moteur 143 ; la seconde, la voiture proposée ici, réceptionné en mai 1931, était une Type 43 Grand Sport avec le moteur numéro 132 ; la troisième, en juillet 1932, était une autre Grand Sport, avec le moteur numéro 158.

Du fait son statut royal et de sa proximité avec la famille Bugatti, le prince était traité en VIP à Molsheim et bénéficiait de certains privilèges. L'un de ces privilèges était l'accord de l'usine pour identifier les Bugatti du prince en fixant au nouveau châssis la plaque récupérée sur le précédent que l'usine reprenait en échange, lui permettant ainsi de conserver les mêmes papiers d'immatriculation belge et d'éviter la déclaration en douane et les taxes attenantes, lorsqu'il rentrait en Belgique avec sa nouvelle Bugatti. L'usine revendait ensuite sa précédente Bugatti avec un nouveau numéro de châssis. 

C'est ainsi que le 20 mai 1931, le prince put prendre possession de sa seconde Type 43 à Molsheim, dotée de la plaque de châssis 43291 reprise sur sa précédente Type 43. Le vilebrequin était estampillé du numéro du moteur, 132, mais sans numéro de châssis. Mariéà la princesse de Suède Astrid, Léopold emmenait naturellement sa Type 43 en Suède lorsqu'il résidait avec la famille royale suédoise. En septembre 1931, il laissa la voiture à vendre chez Lindblads, l'agent Bugatti de Stockholm, qui la renvoya à Molsheim pour un entretien et une révision, après quoi elle lui fut retournée par l'usine par chemin de fer le 24 décembre 1931 sous une nouvelle identité, comme étant le châssis numéro 43258, bien que ce numéro ait déjàété attribuéà une voiture livrée à Bucar en Suisse en décembre 1930 (voir dernier paragraphe). 

La suite de l'histoire de cette Type 43 en Suède a été entièrement recherchée et documentée par ailleurs, et notamment dans un rapport des précédents propriétaires Göthe et Per-Olof Håkanson, mais aussi indépendamment par Pierre-Yves Laugier et plus récemment par le consultant indépendant Bugatti, David Sewell (copies au dossier). Les rapports détaillés d'Håkanson et Sewell, ce dernier en date du 9 octobre 2009, ont été utilisés pour écrire ce descriptif. 

Le rapport d'Håkansons fait remonter l'histoire de la Bugatti à sa vente par Linblads en janvier 1932 à un ingénieur, Nils Looström, la livraison ayant été effectuée par nul autre que le pilote d'usine Bugatti, Louis Chiron. La brochure originale du Type 43 avec les instructions écrites de Chiron figure dans le dossier historique. À peine plus de deux semaines plus tard, Looström avait vendu la voiture à Einar Lindberg qui l'engagea dans le Grand Prix d'hiver de Suède au lac Rämen le 28 février 1932, terminant 5e (voir photographies dans le rapport). Lindberg engagea également sa Bugatti dans le Grand Prix de Finlande le 8 mai 1932, mais fut contraint à l'abandon. Le 3 novembre 1932 la Bugatti fut vendue à Axel Johnson de Skyttmon près d'Östersund. 

Johnson engagea 43258 dans le Grand Prix d'été de Suède à Vram en 1933, mais dut se retirer sur problème moteur au bout de six tours. Après la course de Vram, la voiture fut raccourcie de 39 cm, abaissée de 6 cm et transformée en deux places. Sous cette forme modifiée, la Bugatti fut pilotée par Johnson dans une course sur glace sur le lac Vallentunasjön le 18 février 1934, finissant 2e derrière l'Alfa Romeo de Paul Pietsch. Suite à un accident causé par l'éclatement d'un pneu au cours d'un essai dans lequel le beau-frère de Johnson fut tué, Johnson s'en tirant miraculeusement indemne, la Bugatti retourna en compétition en 1936 au GP d'hiver suédois du lac Rämen, Johnson finissant 3e. En 1938, la Bugatti était mise en vente chez Philipssons à Stockholm et achetée par Göthe Håkanson, le père de Per-Olof Håkanson, qui en devint propriétaire au printemps 1942 à l'âge de 25 ans (photographie dans le rapport). L'essence étant indisponible pour un usage privé en temps de guerre en Suède, la voiture ne fut pas utilisée pendant plusieurs années.

En 1952, Göthe Håkanson décida de restaurer la Type 43 à ces spécifications d'origine et écrivit à Jack Lemon Burton, responsable des pièces détachées au Bugatti Owners' Club en Angleterre. Un châssis de remplacement fut déniché chez JLB et divers moteur et pièces trouvés à l'usine Bugatti, mais il fallut attendre 1975 pour qu'une carrosserie Grand Sport conforme soit achetée et installée. Le 23 novembre 1985, 43258 était essayée pour la première fois lors d'un rassemblement à Hässelby. Une fois achevée, 43258 fut utilisée par les Håkansons dans de nombreux rallies et autres événements internationaux Bugatti. 

Lorsqu'elle fut inspectée par David Sewell en 2009, on constata que cette Bugatti Type 43 conservait une grande partie de ses composants d'origine, à l'exception de ceux qui avaient été modifiés lorsque la voiture avait été raccourcie à l'automne 1933 et au début de 1934. Les pièces obligatoirement remplacées étaient le châssis, l'arbre de transmission, la barre de torsion et la carrosserie. Chacun des trois premiers éléments fut remplacé en 1952 par des éléments conformes d'origine, récupérés sur une autre Type 43 (voir ci-dessous), tandis qu'en 1975 sa carrosserie était remplacée, à l'exception du couvercle de coffre d'origine, par une réplique de carrosserie Grand Sport. 

Le châssis de la voiture numéroté 74, la barre de torsion numérotée 78 et l'arbre de transmission presque certainement celui de la même Type 43, furent obtenus de Jack Lemon Burton en 1952 par le précédent propriétaire Göthe Håkanson (voir lettre originale et facture au dossier). Le livet d'usine d'avant-guerre conservé par Burton laisse peu de doute sur le fait que cette Type 43 était le châssis numéro 43259 doté du moteur 78, le même numéro que la barre de torsion de notre voiture, assez proche de son numéro de châssis. Des sept Type 43 enregistrées sur les registres de Burton, six furent vendues avant-guerre et la septième, 43259, fut démantelée pour pièces fin 1938 ou 1939. On notera que Göthe Håkanson a utilisé le châssis raccourci de la Type 43 et sa carrosserie pour construire une autre voiture, utilisant les pièces et les papiers d'immatriculation de la Type 44 441119, comme en attestent les extraits des Netherlands et Nordic Bugatti Registres fournis. 

La seule autre pièce majeure manquante de cette Bugatti est son carter de boîte de vitesses, changé il y a de nombreuses années, avant que Göthe Håkanson n'acquiert la voiture en 1942, bien que son couvercle d'origine soit encore présent sur la voiture. David Sewell conclut son rapport de cette façon : « Ainsi, c'est donc mon opinion de professionnel que, malgré son numéro de châssis changé, cette Bugatti historique soit identifiée dans toute future documentation comme le châssis No 43258 sur la base largement admise de son indiscutable historique continu ». Il a également trouvé que la voiture était en excellent état général et se comportait parfaitement bien sur route. 

En raison de l'identité particulière de cette voiture, Kees Jansen décide dans son Netherlands Bugatti Registry (Volume IV, 2015) : « Bien que nous ayons décidé d'utiliser le numéro de châssis de la voiture comme étant (sa) caractéristique propre, dans le cas présent nous dévions de cette règle générale admise, cette voiture étant habituellement identifiée comme 43258. De façon à la distinguer de l'autre voiture au numéro de châssis identique, nous la désignerons donc sous le numéro 43258-132 ». Le Nordic Registry confirme ce fait.

 

BonhamsLes Grandes Marques du Monde au Grand Palais, Paris, The Grand Palais, 7 Feb 2019 

A massive pair of French royal armorial dishes, Yongzheng period, circa 1730

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2019_NYR_16779_0389_000(a_massive_pair_of_french_royal_armorial_dishes_yongzheng_period_circa)

Lot 389. A massive pair of French royal armorial dishes, Yongzheng period, circa 1730; 18 ½ in. (47 cm.) diameter, each. Estimate: US$30,000 - US$50,000© Christie's Images Ltd 2019.

Each enameled with the Royal arms of Louis XV within the orders of Saint-Michel and Saint-Esprit, a band of gilt and iron-red scrolling lotus at the well punctuated by cartouches of addorned L's, the rim with Kakiemon style panels of fans and lotus alternate with bowls of finger citrus and other fruit on elaborate daises. 

ProvenanceLouis XV, King of France and Navarre, circa 1725-1730. 
Presented to the Orleans family. 
Presented to a French noble family by Charles X. 

Property from Antoine Lebel.

Christie's. Chinese Export Art Featuring the Hodroff Collection, Part IV, New York, 17 January 2019

A set of three graduated French royal armorial écuelles and covers, Yongzheng period, circa 1733

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Lot 390. A set of three graduated French royal armorial écuelles and covers, Yongzheng period, circa 1733; 5 3/8 in. (13.6 cm.) diameter, the largest. Estimate: US$25,000 - US$40,000. © Christie's Images Ltd 2019.

Each enameled with the Royal arms of Louis XV within the orders of Saint-Michel and Saint-Esprit

Provenance: Louis XV, King of France and Navarre, circa 1725-1730. 
Presented to the Orleans family. 
Presented to a French noble family by Charles X. 

Property from Antoine Lebel.

Christie's. Chinese Export Art Featuring the Hodroff Collection, Part IV, New York, 17 January 2019


A coconut cup with continental silver-gilt mounts, marked with a crowned rampant lion to left, circa 1550

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A coconut cup with continental silver-gilt mounts, marked with a crowned rampant lion to left, circa 1550

H0046-L118049752

Lot 58. A coconut cup with continental silver-gilt mounts, marked with a crowned rampant lion to left, circa 1550; 24.4cm., 9 1/2 in. high. Estimate 15,000 — 20,000 GBP. Lot sold 40,000 GBP. © Sotheby's 2017.

circular base chased with broad oval foliate strapwork reserves interrupted by gothic leaves and hatched V-shapes, repeated below the glased finial painted with amorials, etched rim, on double vase stem, original mark on foot only, also with early 19th century Vienna control marks on body and foot.

Provenance: Sotheby's Geneva, May 1997 lot 186.

Note: The distinctive broad oval shaped onrnament on the foot can be found, amounst other pieces of silver from the 1530-50 period, on a Nuremberg cup of 1542 in the Berlin Kunstgewerbermuseum and another Nuremberg cup of 1535 in the National museum Copenhagen, See: Heinrich Kohlhausen, Nürnberger Goldschmiedekunst des Mittelalters und der Dürerzeit 1240-1540, nos. 474 and 475, illus. 689 and 691

Sotheby's. From Earth to Fire, London, 4 May 2017

A French-Swiss silver-gilt wine cup, maker's mark IGH (Rosenberg 6275), Mulhouse, circa 1660

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H0046-L118049749

Lot 59. A French-Swiss silver-gilt wine cup, maker's mark IGH (Rosenberg 6275), Mulhouse, circa 1660; 17.2cm., 7in. high. Estimate 4,000 — 6,000 GBP. Lot sold 7,500 GBP. © Sotheby's 2017.

tulip shaped bowl embossed and chased with flowers above baluster stem and domed foot matching the body, marked on bowl, bowl and foot also with post 1838 French smallwork control marks.

Sotheby's. From Earth to Fire, London, 4 May 2017

A massive blue and white soldier vase and cover, Qianlong period, circa 1775

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2019_NYR_16779_0301_002(a_massive_blue_and_white_soldier_vase_and_cover_qianlong_period_circa)

Lot 301. A massive blue and white soldier vase and cover, Qianlong period, circa 1775; 56 ½ in. (143.5 cm.) high, overall. Estimate: US$20,000 - US$30,000. © Christie's Images Ltd 2019.

Vividly enameled with enormous blossoms amongst flowering branches and rockwork, the finial modeled as a buddhist lion, with later gilt wood stand.

The Property of a Rhode Island Collector.

Christie's. Chinese Export Art Featuring the Hodroff Collection, Part IV, New York, 17 January 2019

A large pair of blue and white jars and covers, Kangxi period (1662-1722)

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A large pair of blue and white jars and covers, Kangxi period (1662-1722)

Lot 374. A large pair of blue and white jars and covers, Kangxi period (1662-1722); 16 ½ in. (41.9 cm.) high, each. Estimate: US$15,000 - US$25,000. © Christie's Images Ltd 2019.

Decorated with rows of shaped panels enclosing vignettes and blossoming branches.

Property from Antoine Lebel.

Christie's. Chinese Export Art Featuring the Hodroff Collection, Part IV, New York, 17 January 2019

A five-piece blue and white garniture, Kangxi period (1662-1722)

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A five-piece blue and white garniture, Kangxi period (1662-1722)

Lot 302. A five-piece blue and white garniture, Kangxi period (1662-1722); 12 in. (30.5 cm.) high, the jars and covers. Estimate: US$3,000 - US$5,000Price realised USD 6,875© Christie's Images Ltd 2019.

Decorated with panels enclosing various prunus blossoms, comprising three jars and covers and a pair of beaker vases.

Christie's. Chinese Export Art Featuring the Hodroff Collection, Part IV, New York, 17 January 2019

 

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