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A gilt-bronze ear cup, Han dynasty

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Lot 307. A gilt-bronze ear cup, Han dynasty; 4 1/8in (10.5cm) long; 1in (2.5 cm) high. Estimate US$ 6,000 - 9,000 (€ 5,100 - 7,600).© Bonhams 2001-2020

 

The concave oval dish raised on a shallow foot and worked with two small flanges on opposing long edges, the surface richly gilt.

 

Note: For a spectacular jade version of this type of vessel, see the Western Han example sold in our Hong Kong rooms,5 April 2016, lot 36. This shape (also called yushang), popular during the Western and Eastern Han dynasties, can be traced back to the Warring States period. Han examples in lacquer, rock crystal, and bronze have also appeared at auction.

 

See also a Liao example from the Songzhutang Collection, sold in our same room on 30 May 2017, lot 59 .

 

Bonhams. Featuring the RenLu Collection, 21 Sep 2020, 10:00 EDT, New York


An inlaid gilt-bronze garment hook, Warring States-Western Han dynasty

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Lot 308. An inlaid gilt-bronze garment hook, Warring States-Western Han dynasty; 8 3/8in (21.3cm) long. Estimate US$ 20,000 - 30,000 (€ 17,000 - 25,000). © Bonhams 2001-2020

 

Imaginatively cast on the crest with a mythical winged bixie, its long tail and open mouth joined to a curved shaft finely inlaid with silver and turquoise and terminating in gilt bronze hooks, one end in the form of a fantastic bear, the precocious animal standing on hind legs in a dynamic pose with front paws resting on powerful thighs and mouth agape, the opposing hook modeled as a dragon head with ears laid back flanking deep-set eyes, the whole with patches of green encrustation and supported by a knop for attachment.

 

Note: There are two turquoise inlaid belt hooks of thin elongated shape published in Julia White et al Adornment for the Body and Soul: Ancient Chinese Ornaments from the Mengdiexuan Collection (Hong Kong: The Univ. Museum and Art Gallery, 1999, pp. 109 and 111; the former dated to the Warring States period and the latter as Han.

 

See the gold harness fitting with a bear design published in Simon Kwan and Sun Ji Zhongguo Gudai Jinshi [Chinese Gold Ornaments] (Hong Kong: Muwen Tang Meishu Chubanshe, 2003), pp. 232-233. Sun there notes that this artifact is likely related to recent archaeological finds excavated from the area of the modern city of Guangzhou.

 

Bonhams. Featuring the RenLu Collection, 21 Sep 2020, 10:00 EDT, New York

A gilt-bronze belt hook, Warring States-Western Han dynasty

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Lot 309. A gilt-bronze belt hook, Warring States-Western Han dynasty; 5 3/4 in (14.6cm) long. Estimate US$ 2,500 - 3,500 (€ 2,100 - 3,000). © Bonhams 2001-2020

 

The curved shaft designed as the body of a long-tailed bird and elegantly cast with broad raised spirals tapering to a narrow beaked head set off by opposing c-shaped tail feathers.

 

Bonhams. Featuring the RenLu Collection, 21 Sep 2020, 10:00 EDT, New York.

A gold inlaid bronze belt hook, Han dynasty

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Lot 310. A gold inlaid bronze belt hook, Han dynasty; 4 1/2in (11.5cm) long. Estimate US$ 2,000 - 3,000 (1,700 - 2,500).© Bonhams 2001-2020

 

The tapered shaft finely inlaid in gold and silver in a geometric pattern of interlocking spirals and banded lozenges extending the length of the crest to the dragon-head hook, the underside showing traces of inlay on the large button for attachment.

 

Note: Belt hooks with this elegant and fluid geometric design can be found on Warring States and Western Han lacquer and painting. For a discussion of this, see a related example published in Julia M. White and Emma C. Bunker, Adornment for Eternity (Denver, Denver Art Museum, 1994), catalog no. 27, page 108. Compare also a similar example from the Kempe collection, sold at Sotheby's London, 14 May 2008, lot 24, and published in Bo Gyllensvard, Chinese Gold and Silver in the Carl Kempe Collection (Stockholm, 1953), cat. no 78, and another published and exhibited in Ancient Chinese and Ordos Bronzes (Hong Kong Museum of Art, Hong Kong 1990), cat. no 134.

 

Bonhams. Featuring the RenLu Collection, 21 Sep 2020, 10:00 EDT, New York.

A gilt-bronze garment hook, Warring States period

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Lot 311. A gilt-bronze garment hook, Warring States period; 3in (7.7cm) long. Estimate US$ 3,000 - 5,000 (€ 2,500 - 4,200). © Bonhams 2001-2020

 

The curved panel cast as a powerful dragon head, the bulging eyes and curved horns forming the center of the crest under a narrow neck extending to a bird-head hook with open beak.

 

Note: See a comparable hook published in Simon Kwan and Sun Ji Zhongguo Gudai Jinshi [Chinese Gold Ornaments] (Hong Kong: Muwen Tang Meishu Chubanshe, 2003), pp. 224-225, no. 85.

 

Bonhams. Featuring the RenLu Collection, 21 Sep 2020, 10:00 EDT, New York

A gilt bronze axe-head garment hook, Han dynasty

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Lot 313. A gilt bronze axe-head garment hook, Han dynasty; 3 1/2in (8.8cm) long.Estimate US$ 3,000 - 5,000 (€ 2,500 - 4,200). © Bonhams 2001-2020

 

Cast in the form of a flattened axe-head inlaid with fine gold in a geometric pattern of whorls and c-commas, and joined to the hook by a taotie mask carefully inlaid in gold along with the narrow shaft terminating in a dragon head hook, the details further accented in gold inlay, the reverse boss once inlaid and now covered with a malachite patina.

 

Note: Several hooks from the Warring States period through the Han with repeating geometric inlay patterns reminiscent of the present lot are illustrated in Julia White et al Adornment for the Body and Soul: Ancient Chinese Ornaments from the Mengdiexuan Collection (Hong Kong: The Univ. Museum and Art Gallery, 1999), pp. 107-114. See notably the example described as a 'garment hook' on p. 113 with the wide body like that of the present lot.

 

Compare a related example from the Sze Yuan Tang collection, sold at Christie's New York, 16 Sept 2010, lot 862, and in the British Museum (acquisition number 1936,1118.113) dated Warring States to Han.

 

Bonhams. Featuring the RenLu Collection, 21 Sep 2020, 10:00 EDT, New York.

Gerhard Richter, 12 Dec 99 [Florence]

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Gerhard Richter, 12 Dec 99 [Florence], 1999, 12 cm x 12 cm. Oil on colour photograph. Estimate: USD 30,000 – 40,000. Sold For: USD 137,500 (incl. buyer’s premium) at Sotheby's, New York, USA: 06 March 2020. © 2020 GERHARD RICHTER

Gerhard Richter, 13 Dec 99 [Florence], 1999

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Gerhard Richter, 13 Dec 99 [Florence], 1999, 12 cm x 12 cm. Oil on colour photograph. © 2020 GERHARD RICHTER

 

 


Gerhard Richter, 14 Dec 99 [Florence], 1999

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Gerhard Richter, 14 Dec 99 [Florence], 1999, 12 cm x 12 cm. Oil on colour photograph. © 2020 GERHARD RICHTER

Gerhard Richter, 15 Dec 99 [Florence], 1999

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Gerhard Richter, 15 Dec 99 [Florence], 1999, 12 cm x 12 cm. Oil on colour photograph. © 2020 GERHARD RICHTER

Gerhard Richter, 16 Dec 99 [Florence], 1999

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Gerhard Richter, 16 Dec 99 [Florence], 1999, 12 cm x 12 cm. Oil on colour photograph. © 2020 GERHARD RICHTER

A gold inlaid bronze garment hook, Han dynasty

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Lot 314. A gold inlaid bronze garment hook, Han dynasty; 6in (15.3cm) long. Estimate US$ 3,000 - 5,000 (€ 2,500 - 4,200). © Bonhams 2001-2020

Elegantly inlaid with a cut gold geometric pattern of continuous c-commas and volutes extending toward a well-modeled bird head, the design accented by silver wire inlays repeated on the sides and the raised boss.

Note: For a Han example of an elongated hook with geometric pattern and turquoise inlay,see Julia White et al Adornment for the Body and Soul: Ancient Chinese Ornaments from the Mengdiexuan Collection (Hong Kong: The Univ. Museum and Art Gallery, 1999), p. 111. For a Warring states version, see ibid p. 107.

Compare also a related Warring States example with elaborate gold geometric pattern inlay published in Simon Kwan and Sun Ji Zhongguo Gudai Jinshi [Chinese Gold Ornaments] (Hong Kong: Muwen Tang Meishu Chubanshe, 2003), pp. 220-221.

Bonhams. Featuring the RenLu Collection, 21 Sep 2020, 10:00 EDT, New York.

Two bronze animal-shaped ornamens, Han dynasty

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Lot 315. Two bronze animal-shaped ornamens, Han dynasty; finial 41/4in (10.8cm) long, 3 1/8in (7.9cm) high; tiger vessel 4in (10.1cm) long; 2in (5.1cm) high. Estimate US$ 3,000 - 6,000 (€ 2,500 - 5,100).© Bonhams 2001-2020

 

The first a bird-form finial dingshi cast with a broad tail and crescent-shaped body supported by a circular socket; the second a miniature vessel modeled as a crouching tiger resting on folded legs, its mouth open forming a spout and tail curled back joining a narrow curved handle, the body with incised details.

 

Note: See an elaborately cast and inlaid bronze dingshi finial sold in these rooms on 16 March 2015 as lot 2001, and a finely detailed bronze example as 2002. The tiger-form vessel has its larger comparable in animal-form vessels. See a fine example of a larger type in J.J. Lally. Archaic Chinese Bronzes, Jades and Works of Art (June 1 to 25, 1994), no 59.

 

Bonhams. Featuring the RenLu Collection, 21 Sep 2020, 10:00 EDT, New York.

Gerhard Richter, 17 Dec 1999 [Florence], 1999

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Gerhard Richter, 17 Dec 1999 [Florence], 1999, 12 cm x 12 cm. Oil on colour photograph.© 2020 GERHARD RICHTER

Gerhard Richter, 18 Dec 1999 [Florence], 1999

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Gerhard Richter, 18 Dec 1999 [Florence], 1999, 12 cm x 12 cm. Oil on colour photograph. Estimate: EUR 35,000 – 40,000 (USD 39,000 – 45,000). Sold For: EUR 79,360 (USD 90,153).© 2020 GERHARD RICHTER


Gerhard Richter, 19 Dec 1999 [Florence], 1999

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Gerhard Richter, 19 Dec 1999 [Florence], 1999, 12 cm x 12 cm. Oil on colour photograph. © 2020 GERHARD RICHTER

 

 

Gerhard Richter, 20 Dec 1999 [Florence

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Gerhard Richter, 20 Dec 1999 [Florence], 1999, 12 cm x 12 cm. Oil on colour photograph. © 2020 GERHARD RICHTER

Gerhard Richter, 21 Dec 1999 [Florence],

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Gerhard Richter, 21 Dec 1999 [Florence], 1999, 12 cm x 12 cm. Oil on colour photograph.© 2020 GERHARD RICHTER

A fine incised yellow-glazed 'dragon' handled cup, Kangxi mark and period (1662-1722);

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Lot 101. A fine incised yellow-glazed 'dragon' handled cup, Kangxi mark and period (1662-1722); Width across handles 2¾ in., 7 cm. Estimate: 20,000 - 30,000 USD. (C) 2020 Sotheby's

 

delicately potted, resting on a straight foot, rising to a gently everted rim, applied with a pair of flat archaistic 'elephant tusk' handles to either side, the exterior finely incised with two animated striding dragons amidst flame wisps, each chasing a 'Flaming Pearl', all under a translucent egg-yolk yellow glaze, the recessed base glazed white and inscribed with a six-character mark in underglaze blue within a double circle.

 

Provenance: Collection of Henry M. Knight (d. 1971).

Sotheby's Hong Kong, 28th November 1979, lot 328.

Collection of T. Y. Chao (1911-1999).

Sotheby's Hong Kong, 18th November 1986, lot 102.

 

Exhibited: Zhongguo mingtao riben xunhui zhan. Gangtai mingjia shoucang taoci jingpin [Exhibition of Famous Chinese Ceramics Touring Japan. Fine Ceramics from Private Hong Kong and Taiwanese Collections], Nihonbashi Takashimaya, Tokyo, 1992, p. 174.

 

Note: Compare a similar cup in the Sir Percival David Collection, now in the British Museum, London, published in Margaret Medley, Illustrated Catalogue of Ming and Ch’ing Monochrome in the Percival David Foundation of Chinese Art, section 6, London, 1973, no. A593. A cup of the same form and glaze, but incised with a narrow band of archaistic dragons, is illustrated in John Ayers, Chinese Ceramics: The Koger Collection, London, 1985, pl. 141. See also one presented with its cupstand, illustrated in Kangxi Porcelain Wares from the Shanghai Museum Collection, Shanghai, 1998, pl. 240. For a similar example to the Shanghai Museum set, but glazed in translucent green, see one illustrated in The Complete Collection of Treasures of the Palace Museum: Monochrome Porcelaine, Vol. 37, Hong Kong, 1999, pl. 154.

 

This cup boasts illustrious provenance, having previously been in the hands of two highly important collectors of Chinese art, H.M. Knight and T.Y. Chao. The pair to this cup in the Knight Collection was also purchased by Chao in our Hong Kong rooms, 28th November 1979, lot 327, and subsequently sold in the same rooms, 18th November 1986, lot 101.

 

Sotheby's. Kangxi Porcelain - A Private Collection. Live Auction: 22 September 2020 • 3:00 PM CEST •New York.

A peachbloom-glazed seal paste box and cover Kangxi mark and period (1662-1722)

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Lot 102. A peachbloom-glazed seal paste box and cover Kangxi mark and period (1662-1722); Diameter 2⅞ in., 7.2 cm. Estimate: 80,000 - 120,000 USD. (C) 2020 Sotheby's

 

of compressed globular form, the domed cover glazed in variegated tones of copper-red ranging from pale pink to mushroom, transmuting to an 'unripe peach' green at one side, mottled with patches of strawberry-red including an area encircling the rim, the box with a similar pinkish glaze and strawberry-red encircling the foot, the interior and recessed base glazed white, the latter with a six-character mark in underglaze blue in three columns, wood stand (3).

 

Provenance: Collection of Edward T. Chow (1910–1980).

Sotheby's Hong Kong, 25th November 1980, lot 69.

 

Literature: Cécile and Michel Beurdeley, La Céramique Chinoise, Fribourg, 1974, pl. 98.

 

Exhibited: Exhibition of Ancient Chinese Ceramics from the Collection of the Kau Chi Society of Chinese Art, Art Gallery, The Chinese University of Hong Kong, Hong Kong, 1981, cat. no. 129.

 

Note: This exquisite box, with its thinly potted body and brilliant peachbloom glaze suffused with watery-green, is testament to the aesthetic refinement of the early Qing court. Small boxes for storing seal paste were often made in the preceding Ming dynasty from organic materials; standing as symbols of simplicity and a life lived in tune with nature, concepts at the center of Daoist and Neo-Confucian philosophy. The peachbloom glaze, especially cherished because of its deceptive simplicity and unpredictability, provided scholar-officials with an attractive porcelain alternative.

 

Similar peachbloom-glazed boxes can be found in the Palace Museum, Beijing, illustrated in Kangxi, Yongzheng, Qianlong. Qing Porcelain from the Palace Museum Collection, Hong Kong, 1989, p. 141, pl. 124; in the National Palace Museum, Taipei, included in the Special Exhibition of K’ang-hsi, Yung-cheng and Ch’ien-lung Porcelain Ware from the Ch’ing Dynasty, National Palace Museum, Taipei, 1986, cat. no. 11; and in the Metropolitan Museum of Art, New York, illustrated in Suzanne Valenstein, A Handbook of Chinese Ceramics, New York, 1989, p. 141. See also eight boxes from the collection of Peter A.B. Widener, in the National Gallery of Art, Washington D.C., published in Virginia Bower et al., The Collections of the National Gallery of Art. Systematic Catalogue: Decorative Arts, Part I, Washington, 1998, pp 58-60.

 

The inclusion of a similar box on the famous handscroll Guwantu (‘Pictures of Antiques’) that depicts contemporary and antique works of art in the imperial collection of the Yongzheng Emperor (1723-1735) attests to the high value and prestige placed on peachbloom-glazed boxes by members of the imperial family; see Regina Krahl, “Peachbloom”, Chinese Porcelain from the 15th to the 18th Century, Eskenazi, London, 2006, fig. 3.

 

Sotheby's. Kangxi Porcelain - A Private Collection. Live Auction: 22 September 2020 • 3:00 PM CEST • New York.

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