Quantcast
Channel: Alain.R.Truong
Viewing all 36084 articles
Browse latest View live

A rare pair of goose tureens and covers, Qianlong period, circa 1760-1780

$
0
0

96155661_1_x

Lot 50. A rare pair of goose tureens and covers, Qianlong period, circa 1760-1780; 141⁄2 in. (36.8 cm.) long, each. Estimate USD 125,000 - USD 175,000Price Realised USD 150,000© Christie's Image Ltd 2021.

Naturalistically formed, swimming, their webbed feet tucked beneath them and their heads held forward, the curving necks forming handles for the tureen covers, the wings folded along their backs and picked out in blue, black and sepia, the neck feathers in sepia brushstrokes with pink crown above the iron-red ringed eyes, the breasts and stomachs with carved plumage detail.

Provenance: The Falk Collection; Christie's, New York, 23 January 2002, lot 125 (one).
The Mottahedeh Collection; Sotheby's, New York, 19 October 2000, lot 377 (one).

LiteratureW.R. Sargent, Chinese Porcelain in the Conde Collection, Madrid, 2014, p. 258.

ExhibitedLondon, The Arts Council Gallery, The Animal in Chinese Art, 19 June-19 July 1968.

NoteAnimal tureens such as the present lot were a very popular accompaniment to table services in wealthy households in the 18th and 19th centuries. They were almost certainly derived from European ceramic models, most likely the faience models produced by the Strasbourg factory in the mid-18th century. It has been suggested by scholars William Motley that the shorter neck and more naturalistic coloring of the present model pre-dates the more commonly-found long-neck goose tureens. See M. Cohen and W. Motley, Mandarin and Menagerie Volume I: The James E. Sowell Collection, Cohen & Cohen, London, 2008, p. 258 for a detailed description of the long-necked model.

The Tibor Collection was formed over decades, growing to encompass every category of Chinese export porcelain, from small, charming teawares to massive pairs of important jars. The collector had a deep appreciation for the magnificent porcelains made for New Spain as well as for the lifelike charm and elegance of Chinese porcelain figure and animal models.

Christie's. Chinese Export Art Featuring Property from the Tibor Collection, New York, 7 Jan - 20 Jan 2021


A rare ox-head tureen and cover, Qianlong period (1736-1795)

$
0
0

96155655_1_x

96155655_2_x

96155655_3_x

Lot 44. A rare ox-head tureen and cover, Qianlong period (1736-1795); 12 34 in. (32.2 cm.) longEstimate USD 125,000 - USD 175,000Price Realised USD 52,500. © Christie's Image Ltd 2021.

The turned-up head naturalistically modeled with wide-set, bulging eyes and flaring nostrils beneath long, curved, dark gray horns, his mouth open revealing teeth, pink tongue and flesh-toned interior, his hide picked out in soft, mottled tones of grisaille.

Provenance: With The Chinese Porcelain Co., New York.

LiteratureW.R. Sargent, Chinese Porcelain in the Conde Collection, Madrid, 2014, p. 266.

ExhibitedLondon, The Arts Council Gallery, The Animal in Chinese Art, 19 June-19 July 1968.

Note: While many other animal tureens for export mimicked European ceramic models, the ox-head seems to be a Chinese invention, as there are no known ox-head tureens made by European manufacturers. A romantic symbol of exoticism to Europeans, the ox is the second figure in the Chinese Zodiac, respected for its qualities of industriousness and patience and associated with water, agriculture and spring. Only a very small number of ox-head tureens are known in public collections or have appeared on the art market and are considered to be the most dramatic of the Chinese animal-form tureens with their highly sculptural horns and impressive snouts.
For similar examples from the Sowell and Mottahedeh Collections, see M. Cohen and W. MotleyMandarin and Menagerie Volume I: The James E. Sowell Collection, Cohen & Cohen, London, 2008, p. 178-179 (with stand); and from D. Howard and J. Ayers, China for the West, Vol. II, London and New York, 1978, p. 602.
The Tibor Collection was formed over decades, growing to encompass every category of Chinese export porcelain, from small, charming teawares to massive pairs of important jars. The collector had a deep appreciation for the magnificent porcelains made for New Spain as well as for the lifelike charm and elegance of Chinese porcelain figure and animal models.

Christie's. Chinese Export Art Featuring Property from the Tibor Collection, New York, 7 Jan - 20 Jan 2021

A Pair of Famille Rose Roosters, Qianlong period (1736-1795)

$
0
0

96155682_1_x

96155682_2_x

96155682_3_x

Lot 71. A Pair of Famille Rose Roosters, Qianlong period (1736-1795); 14 12 in. (36.8 cm.) highEstimate USD 20,000 - USD 30,000Price Realised USD 52,500. © Christie's Image Ltd 2021.

Each colorful bird modeled standing on a pierced rockwork base, its head turned to the side.

Literature: W.R. Sargent, Chinese Porcelain in the Conde Collection, Madrid, 2014, p. 83.

NoteAn auspicious bird in China, associated with good luck as well as faithfulness and perseverance, the rooster was also one of the most favored models in Chinese export porcelain. For a full discussion see W.R. Sargent, The Copeland Collection, pp. 141-5.
The Tibor Collection was formed over decades, growing to encompass every category of Chinese export porcelain, from small, charming teawares to massive pairs of important jars. The collector had a deep appreciation for the magnificent porcelains made for New Spain as well as for the lifelike charm and elegance of Chinese porcelain figure and animal models.

Christie's. Chinese Export Art Featuring Property from the Tibor Collection, New York, 7 Jan - 20 Jan 2021

A Massive Pair of Geese, Late 18th century-early 19th century

$
0
0

96155710_1_x

96155710_2_x

96155710_3_x

Lot 71. A Massive Pair of Geese, Late 18th century-early 19th century; 22 12 in. (57.2 cm.) high, the tallerEstimate USD 20,000 - USD 30,000Price Realised USD 50,000. © Christie's Image Ltd 2021.

One standing with head held high on his long, slender neck, the other turned back, preening a wing, the plumage with molded details and the pebbly skin of their broad webbed feet glazed orange.

ProvenanceAnonymous sale; Christie's, New York, 21 January 2009, lot 116.

NoteIn China geese are considered romantic, symbolizing loyalty and marital happiness. They are said to fly always in pairs and to mate for life, even remaining solitary if a mate dies. Flying geese are also believed to deliver good news, and mean the best of luck.
The heavy legs and feet and the horny knob on these birds' bills are characteristic of Chinese geese; geese are known in Chinese ceramics as early as the Han dynasty. The concept of very large porcelain models, however, may well have been inspired by the porcelain swans produced by Kändler at Meissen in the mid-18th century. On the underside are two circular unglazed patches where supports were applied; their open mouths were the only escape for air during the firing process.
For smaller examples see William R. Sargent, The Copeland Collection, 1991 p. 239; The Ionides Collection, Sotheby's, London, 18 February 1964, lot 273; and the Estate of Nelson A. Rockefeller, Sotheby's, New York, 30 April 1980, lot 538.
Another massive pair was sold Christie's, New York, 21 May 2003, lot 102.
The Tibor Collection was formed over decades, growing to encompass every category of Chinese export porcelain, from small, charming teawares to massive pairs of important jars. The collector had a deep appreciation for the magnificent porcelains made for New Spain as well as for the lifelike charm and elegance of Chinese porcelain figure and animal models.

Christie's. Chinese Export Art Featuring Property from the Tibor Collection, New York, 7 Jan - 20 Jan 2021

Three gilt-bronze and blue-glass-inlaid bear supports, Han dynasty (206 BC-220 AD)

$
0
0

H22141-L236911787_original

Lot 420. Three gilt-bronze and blue-glass-inlaid bear supports, Han dynasty (206 BC-220 AD); 1 7/16in (3.5 cm) high. Estimate US$ 1,200 - 1,500Sold for US$ 6,120 (€ 5,033). Courtesy Bonhams.

Each cast seated with left forepaw resting on the folded left hindleg and the right forepaw raised to the side of the head, some incised fur-markings around the heads, the eyes and umbilicus inset with blue glass.

Property from the Estate of Robert P. Youngman.

Note: Other Han dynasty gilt-bronze bears in differing sizes with provision for inlays, are illustrated by Helmut Brinker, Bronzen aus dem alten China, Zurich, 1975, p. 153, no. 125 in the Rietberg Museum and in Ancient Chinese Arts in the Idemitsu Collection, Tokyo, 1989, no. 256

See also a slightly larger example of differing configuration illustrated by J.J.Lally & Co., Ancient Chinese Bronzes, March-April 2011, no. 18.

Bonhams. Fine Chinese and Japanese Works of Art Part II, 14 Dec 2020, Los Angeles

Two small bronze lidded ding, Han dynasty (206 BC-220 AD)

$
0
0

H22141-L236912141_original

Lot 437. Two small bronze lidded ding, Han dynasty (206 BC-220 AD); 3 1/2in (8.8cm) high, each. Estimate US$ 2,000 - 3,000Sold for US$ 2,550 (€ 2,097). Courtesy Bonhams.

Each of similarly shape, the raised horizontal bands on the lid and body, with two rectangular-shaped handles on the side, and three loops on the lid.

Property from the Estate of Robert P. Youngman.

Note: Other Han dynasty gilt-bronze bears in differing sizes with provision for inlays, are illustrated by Helmut Brinker, Bronzen aus dem alten China, Zurich, 1975, p. 153, no. 125 in the Rietberg Museum and in Ancient Chinese Arts in the Idemitsu Collection, Tokyo, 1989, no. 256

See also a slightly larger example of differing configuration illustrated by J.J.Lally & Co., Ancient Chinese Bronzes, March-April 2011, no. 18.

Bonhams. Fine Chinese and Japanese Works of Art Part II, 14 Dec 2020, Los Angeles

 

Two teabowls Jizhou type, Song-Jin dynasties, 11th-12th century

$
0
0

Two teabowls Jizhou type, Song-Jin dynasties 11th-12th century

Lot 438. Two teabowls Jizhou type, Song-Jin dynasties, 11th-12th century; 4 1/2in (11.4cm), 4 3/8in (11cm) diam. Estimate US$ 2,000 - 3,000Sold for US$ 3,187 (€ 2,621). Courtesy Bonhams.

Each well potted with steeply sloping sides and covered in and out with a 'tortoise shell' glaze stopping at the buff foot.

Bonhams. Fine Chinese and Japanese Works of Art Part II, 14 Dec 2020, Los Angeles

A pair of hongmu spindle-back armchairs, 20th century

$
0
0

image

image (1)

image (2)

Lot 442. A pair of hongmu spindle-back armchairs, 20th century; 36 7/8 x 20 7/8 x 16 1/2in (93.8 x 53 x 42cm). Estimate US$ 2,000 - 3,000Sold for US$ 3,187 (€ 2,621). Courtesy Bonhams.

Each with humpback toprail, between slender rear post flanking eight gently curved vertical spindles, the stepped armrest supported by five straight spindles, all emerging from the frame of the hard cane seat, the squared legs joined by a humpback stretchers with two pairs of struts and a foot rest to the front and stretchers to the sides and rear.

Property from the collection of Florence and Herbert Irving.

Bonhams. Fine Chinese and Japanese Works of Art Part II, 14 Dec 2020, Los Angeles


A burlwood-inset hongmu stand, 19th century

$
0
0

H22141-L236912132_original

Lot 442. A burlwood-inset hongmu stand, 19th century; 25 7/8 x 8 1/2 x 8 1/2in (65.7 x 21x 21cm)Estimate US$ 800 - 1,200Sold for US$ 573 (€ 471). Courtesy Bonhams.

Of square section, the top inset with an attractively-patterned burlwood panel, surrounded by a beaded edge within the hongmu frame with rounded edges, tennoned into four tall rounded legs joined by humpback stretchers and supported on pad feet.

Property from the collection of Florence and Herbert Irving.

Bonhams. Fine Chinese and Japanese Works of Art Part II, 14 Dec 2020, Los Angeles

A huanghuali and mixed wood cabinet, 19th century

$
0
0

H22141-L236912199_original

Lot 444. A huanghuali and mixed wood cabinet, 19th century; 50 1/2 x 17 1/4 x 30in (128.7 x 45 x 76.2cm)Estimate US$ 10,000 - 15,000Sold for US$ 12,750 (€ 10,486). Courtesy Bonhams.

The two recessed door panels within beaded edges, with a continuous rounded dowel frame, brass fittings and door pulls, fitted with a shelf and two drawers to the interior.

Provenance: Private Collection, Connecticut.

Bonhams. Fine Chinese and Japanese Works of Art Part II, 14 Dec 2020, Los Angeles

A gilt-decorated blue-ground baluster vase, Kangxi period (1662-1722)

$
0
0

93521568_1_x

93521568_2_x

93521568_3_x

93521568_4_x

Lot 58. A gilt-decorated blue-ground baluster vase, Kangxi period (1662-1722); 18 in. (46 cm.) high. Estimate USD 800 - USD 1,200Price Realised USD 6,250© Christie's Image Ltd 2021.

The vase is decorated on the body with two four-clawed dragons, each chasing a flaming pearl, and on the interior of the mouth with chrysanthemums on a green gound below a key-fret border.

Provenance: Chait Galleries, Ltd., New York, 1982.
The Irving Collection, New York, no. 720.

Christie's. Art of China. Including Property from the Irving Collection, 18 Nov - 9 Dec 2020

Three civil official's rank badges, buzi, 19th-20th century

$
0
0

93521569_1_x

93521569_2_x

Lot 59. Three civil official's rank badges, buzi, 19th-20th century; Largest, 1278 in. (32.7 cm.) squareEstimate USD 2,000 - USD 3,000Price Realised USD 6,250. © Christie's Image Ltd 2021.

The embroidered badge made for a fifth rank civil official, 20th century, is decorated with a silver pheasant alights on a rock emerging from turbulent waves amidst auspicious emblems. The embroidered badge made for a seventh degree civil official, Daoguang period (1821-1850), is decorated with a mandarin duck alights on a rock emerging from rolling waves amidst auspicious emblems. The badge worked in Peking knot made for a sixth degree civil official, 19th century, is decorated with an egret alights on a rock emerging from waves amidst anbaxian and other auspicious motifs.

ProvenanceThe Irving Collection, New York.

Christie's. Art of China. Including Property from the Irving Collection, 18 Nov - 9 Dec 2020

A Dehua deep bowl, 17th century

$
0
0

A Dehua deep bowl, 17th century

93521570_2_x

93521570_3_x

Lot 60. A Dehua deep bowl, 17th century; 518 in. (13 cm.) diamEstimate USD 1,000 - USD 1,500Price Realised USD 3,750. © Christie's Image Ltd 2021.

The embroidered badge made for a fifth rank civil official, 20th century, is decorated with a silver pheasant alights on a rock emerging from turbulent waves amidst auspicious emblems. The embroidered badge made for a seventh degree civil official, Daoguang period (1821-1850), is decorated with a mandarin duck alights on a rock emerging from rolling waves amidst auspicious emblems. The badge worked in Peking knot made for a sixth degree civil official, 19th century, is decorated with an egret alights on a rock emerging from waves amidst anbaxian and other auspicious motifs.

Provenance: Alice Boney, New York, 1980.
The Irving Collection, New York.

Christie's. Art of China. Including Property from the Irving Collection, 18 Nov - 9 Dec 2020

A pair of painted baked mud figures of mythical beasts, Yuan-Ming dynasty (1279-1644)

$
0
0

A pair of painted baked mud figures of mythical beasts, Yuan-Ming dynasty (1279-1644)

93521642_2_x

93521642_3_x

Lot 130. A pair of painted baked mud figures of mythical beasts, Yuan-Ming dynasty (1279-1644); 51⁄8 in. (13 cm.) diam. Estimate USD 2,000 - USD 3,000Price Realised USD 1,250. © Christie's Image Ltd 2021.

Each crouching figure is modeled with a snarling expression, long snout and ridged backbone, with the details picked out in muted colors of yellow, red, brown, green and grey.

Property from the Collection of Frederick A. and Sharon L. Klingenstein

Christie's. Art of China. Including Property from the Irving Collection, 18 Nov - 9 Dec 2020

A Longquan celadon 'Twin fish' dish, Song dynasty (AD 960-1279)

$
0
0

Longquan celadon 'Twin fish' dish, Song dynasty (AD 960-1279)

93521643_2_x

93521643_3_x

Lot 131. A Longquan celadon 'Twin fish' dish, Song dynasty (AD 960-1279); 14 in.(13.2 cm.) diamEstimate USD 1,500 - USD 2,000Price Realised USD 4,750. © Christie's Image Ltd 2021.

The rounded sides rise from the tapering foot to the everted rim and are carved on the exterior with a band of upright petals. The center of the interior is relief-decorated with two small fish, all under a glaze of pale sea-green color.

ProvenanceKaikodo, New York, 20 January 2000.

Christie's. Art of China. Including Property from the Irving Collection, 18 Nov - 9 Dec 2020


A Longquan celadon bracket-lobed dish, Yuan–Ming dynasty (1279-1644)

$
0
0

Longquan celadon bracket-lobed dish, Yuan–Ming dynasty (1279-1644)

93521644_3_x

93521644_2_x

Lot 132. A Longquan celadon bracket-lobed dish, Yuan–Ming dynasty (1279-1644); 12 34 in. (33 cm.) diamEstimate USD 1,000 - USD 1,500Price Realised USD 2,250. © Christie's Image Ltd 2021.

The dish is potted with sides divided into bracket lobes on the interior and exterior below an everted rim of conforming shape. The center of the interior is molded with a stem of blossoming peony, and covered overall with a glaze of soft sea-green color with the exception of a wide ring on the recessed base.

Christie's. Art of China. Including Property from the Irving Collection, 18 Nov - 9 Dec 2020

A Jian tea bowl, Song dynasty (960-1279)

$
0
0

A Jian tea bowl, Song dynasty (960-1279)

93521645_3_x

93521645_2_x

Lot 133. A Jian tea bowl, Song dynasty (960-1279); 1516 in. (12.5 cm.) diamEstimate USD 2,000 - USD 3,000Price Realised USD 15,000. © Christie's Image Ltd 2021.

The bowl is covered inside and out with a lustrous brown glaze flowing from the russet band below the rim and stopping irregularly above the foot exposing the unglazed body. The center of the interior has a black glaze with light 'hare's fur' markings.

Provenance: The Cunliffe Collection, no. T30 (according to label).
Kaikodo, New York, 2005.

Christie's. Art of China. Including Property from the Irving Collection, 18 Nov - 9 Dec 2020

A Jian tea bowl, Song-Jin dynasty (AD 960-1234)

$
0
0

A Jian tea bowl, Song-Jin dynasty (AD 960-1234)

93521647_2_x

93521647_3_x

Lot 133. A Jian tea bowl, Song-Jin dynasty (AD 960-1234); 78 in. (12.7 cm.) diamEstimate USD 1,500 - USD 2,500Price Realised USD 2,125. © Christie's Image Ltd 2021.

The interior and exterior of the bowl are covered with black glaze streaked with brown ‘hare’s fur’ markings, thinning to a russet-brown tone at the rim and pooling irregularly above the foot.

Provenance: J.J. Lally & Co., New York, 2005.

Christie's. Art of China. Including Property from the Irving Collection, 18 Nov - 9 Dec 2020

An imitation realgar glazed mallet vase, Qing dynasty (1644-1911)

$
0
0

93521650_1_x

93521650_2_x

93521650_3_x

93521650_4_x

Lot 137. An imitation realgar glazed mallet vase, Qing dynasty (1644-1911); 10 34 in. (27.3 cm.) highEstimate USD 4,000 - USD 6,000Price Realised USD 5,625. © Christie's Image Ltd 2021.

The vase with a tapered body rising to a long slender neck that flares slightly at the mouth and is covered overall with an orange-yellow glaze mottled with red and brown speckles.

Christie's. Art of China. Including Property from the Irving Collection, 18 Nov - 9 Dec 2020

A teadust-glazed vase, fanghu, Guangxu incised six-character mark within a rectangle and of the period (1875-1908)

$
0
0

93521651_1_x

93521651_2_x

93521651_3_x

93521651_4_x

Lot 138. A teadust-glazed vase, fanghu, Guangxu incised six-character mark within a rectangle and of the period (1875-1908); 11 34 in. (30 cm.) highEstimate USD 6,000 - USD 8,000Price Realised USD 21,250. © Christie's Image Ltd 2021.

The rectangular body is molded on two sides with a slightly raised peach-shape panel, and the neck is flanked by two tubular handles. The vase is covered overall in an opaque glaze of mottled, yellowish-green color that continues into the interior and the base, surrounding the lighter yellowish-green-glazed rectangular mark.

ProvenancePrivate Collection, Wisconsin.

Christie's. Art of China. Including Property from the Irving Collection, 18 Nov - 9 Dec 2020

Viewing all 36084 articles
Browse latest View live


<script src="https://jsc.adskeeper.com/r/s/rssing.com.1596347.js" async> </script>