Rare 5.24 carats Fancy Intense Pink Diamond and Diamond Ring. Estimate 25,500,000 — 30,000,000 HKD (2,988,527 - 3,515,915 EUR). Photo Sotheby's

Centring on a cut-cornered rectangular modified brilliant-cut fancy intense pink diamond weighing 5.24 carats, flanked by two trapeze-shaped diamonds, mounted in 18 karat white gold. Ring size: 5½

Accompanied by GIA report numbered 2173049775, dated 4 March 2015, stating that the 5.24 carat diamond is natural, Fancy Intense Pink colour, VS2 clarity. 

Sotheby's. Magnificent Jewels & Jadeite, Hong Kong, 07 Oct 2015, 02:00 PM

A rare famille-rose'Peony' moonflask, Qing dynasty, 18th-19th century. Estimate 10,000 — 15,000 USD. Photo Sotheby's

 well potted with gently rounded sides, the flattened circular body rising from an unglazed footrim to a cylindrical neck flanked by a pair of ridged handles, painted in thick enamels with a central peony head on each side radiating leafy stems bearing further blossoms, the enamels incised to depict the veining in the leaves and petals - Height 12 1/4  in., 31.5 cm

Provenance: Collection of Sir Frederick Bruce, G.C.B., British Ambassador to China from 1860 to 1865.
Collection of Robert C. Bruce.

Sotheby's London, 12th May 1953, lot 141.
John Sparks Ltd., London.
Collection of W. A. Evill, London. 
Sotheby's London 17th December 1980, lot 676.
Collection of a prominent Greek family.

Literature: Leigh Ashton and Basil Gray, Chinese Art, London, 1935, pl. 135.
Soame Jenyns, Later Chinese Porcelain: The Ch'ing Dynasty (1644-1912), London, 1959, pl. XC, fig. 1.

Notes: This vessel vaunts an illustrious provenance. It is first known from the collection formed between 1860-1864 by Sir Frederick Bruce, G.C.B., as ambassador to China from 1860-1865. It then entered the collection of Robert C. Bruce and was sold in our London rooms in 1953.

In 1959, when the second edition of Soame Jenyns book was published, the vase was in the Collection of Wilfred Ariel Evill, a solicitor and head of the firm Evill and Coleman. Evill was an active client of Bluett. He passed away in 1963.

Another moonflask that traces its provenance to Sir Frederick Bruce was sold in these rooms, 16th and 17th September 2014, lot 157.

Sotheby's. Important Chinese Art, New York, 15 Sep 2015, 02:00 PM

A blue and white Ming-style 'Lianzi' bowl, Qing dynasty, early 18th century. Estimate 8,000 — 12,000 USD. Photo Sotheby's

with high rounded sides, standing on a small slightly tapering foot enclosing a convex conical base, the exterior painted with upright lappets interlinked with delicate pomegranate silhouettes, between key-fret borders, the interior with a central quatrefoil within key-fret and interlinked trefoil, the rim with a classic scroll - Diameter 4 1/8  in., 10.5 cm

Provenance: Brown Family Collection, Connecticut, acquired in the 1950s.
Private Collection, Princeton, New Jersey, acquired in the 1980s and thence by descent.

Notes: Modeled closely after a Yongle or Xuande period prototype, the present bowl pays respect to the much heralded blue and white porcelains of the early Ming dynasty. There were a few variations of these early lianzi (lotus seed) bowls and all were highly desirable with examples being found in the Ardebil Shrine, Iran and in Europe as seen in a painting of "Madonna and Child" by the 15th century artist Francesco Benaglio in the National Gallery of Art, Washington DC. For an illustration of the Yongle period example see Jessica Harrison-Hall, Ming Ceramics in the British Museum, London, 2001, no. 3:30.

The early Qing dynasty aesthetic embraced the classical taste of the preceding Ming dynasty as a means to show respect for Han traditions while strengthening a new era of Manchu dominance. The present bowl pays homage to the past but its technical artistry also declares the masterful skill of Qing dynasty artisans; a message to be appreciated on several levels.

Sotheby's. Important Chinese Art, New York, 15 Sep 2015, 02:00 PM

Important Pair of Natural Pearl and Diamond Pendent Earrings. Estimate 18,000,000 — 22,000,000 HKD (2,109,549 - 2,578,337 EUR). Photo Sotheby's

Each suspending a natural pearl drop measuring approximately 13.84 – 15.28 x 22.00mm and 13.25 – 14.20 x 23.10mm respectively, surmounted by a button shaped natural pearl measuring approximately 10.55 – 10.60 x 9.00mm and 11.00 – 11.05 x 8.80mm respectively, decorated with millegrain-set rose-cut diamonds, mounted in platinum and white gold.

Accompanied by SSEF report numbered 81769, dated 31 August 2015, stating that the four pearls are natural saltwater pearls, with no indications of artificial colour modification. Also accompanied by SSEF Appendix letter stating that it is 'rare and exceptional' to have natural pearls of 'such an impressive size and weight… combined with a perfect shape and a fine and smooth surface' with 'an attractive light grey colour'.

Sotheby's. Magnificent Jewels & Jadeite, Hong Kong, 07 Oct 2015, 02:00 PM

A large pair of famille-verte'Phoenix' jars and covers, Qing dynasty, Kangxi period. Estimate 35,000 — 55,000 USD. Photo Sotheby's

each stoutly potted of baluster form, well-painted with a pair of phoenix perched on rockwork issuing lavish leafy peony blooms, the fitted domed cover with pointed knop and painted with a pair of sparrows and further flowers emerging from rockwork, all boldly rendered in underglaze blue with iron-red, green, yellow, aubergine enamels and gilt, the flat base unglazed (4) - Height 23 1/2  in., 59.7 cm

Sotheby's. Important Chinese Art, New York, 15 Sep 2015, 02:00 PM

A pair of doucai'Carp' bowls, Qing dynasty, Kangxi period. Estimate 10,000 — 12,000 USD. Photo Sotheby's

each rising from a short foot to rounded sides, painted to the exterior with two  carp amongst swirling waves below a band of clouds and radiating sun, a flowering peach tree with iron-red blooms growing beside a rock amid swirling waves, all between double line borders, the interior of each with peach blossoms amid waves, apocryphal Chenghua marks in underglaze blue (2) - Diameter 7 1/4  in., 18.4 cm

Provenance: Christie's New York, 19th September 2007, lot 330.

Note: A bowl with closely related design was sold in our London rooms, 15th May 2013, lot 306. See also a similarly decorated bowl but without carp in the Palace Museum, Beijing, illustrated in The Complete Collection of Treasures of the Palace Museum - Porcelains in Polychrome and Contrasting Colours, Hong Kong, 1999, p. 223, no. 204. 

Sotheby's. Important Chinese Art, New York, 15 Sep 2015, 02:00 PM

Rare 10.62 carats Burmese Mogok Ruby, Diamond and Onyx 'Panthère' Ring, Monture Cartier. Estimate 18,000,000 — 25,000,000 HKD (2,109,549 - 2,929,929 EUR). Photo Sotheby's

Designed as a panther with a head that swivels, the body pavé-set with numerous circular-cut diamonds together weighing approximately 2.00 carats, flecked by onyx, highlighted by a cushion-shaped ruby weighing 10.62 carats, accented by emerald-set eyes, mounted in platinum, signed MT Cartier and numbered AJE935, with French assay mark. Ring size: 6

Accompanied by AGL, Gübelin and SSEF reports numbered CS 38982, 0708670 and 80730, dated 20 June 2007, 3 September 2007 and 29 June 2015 respectively, stating that the 10.62 carat ruby is natural, of Burmese origin, with no indications of heating. 
The Gübelin Appendix states that 'this ruby possesses a saturated and homogenous colour, combined with a high degree of transparency and a finely proportioned cut...such a combination of characteristics is rare in natural Burmese rubies of this size.' 
The AGL Letter dated 21 November 2008 also states that the Total Quality Integration Rating of this ruby is Excellent and that this ruby 'would be definitely be classified as Mogok TypeTM.' 

THE PRIDE OF THE PANTHER

Rich in history and elegance, the Cartier panther may be the most sought-after statement piece that ever exists. For over a hundred years, it has been a quintessential symbol of determined, powerful yet elegant feminine figure. Since its debut in 1914, this Cartier feline has accrued a respectable list of patrons, including and not restricted to royalties and famous celebrities. Be it rapacious or serene, striding or in a more relaxed posture, each exquisite panther embodies a unique personality of its own, proudly displaying the mastery of artisans and savoir-faire of ‘The King of Jewellers’.

After World War II, panther has become the most significant symbols of all Cartier original initiatives. Jeanne Toussaint, a life-long friend and muse of Louis Cartier and the director of haute joaillerie at Cartier from 1933 to 1970, was the person who brought the panther to life, transforming it from an ornament into a 20th century timeless icon of the house. Her carefree spirit, fashionable style and aura of grandeur also earned her the nickname ‘La Panthère’. She oversaw the making of the first full three-dimensional panther brooch commissioned by the Duke of Windsor for the Duchess in 1948. The design featured a big cat sitting on top of a 116.74 carat cabochon emerald, which has now become a eulogy of love and a signature of romanticism. Another notable panther piece owned by the Duchess was an articulated bracelet which was sold for 4,521,250GBP in Sotheby’s London back in 2010. This panther has set the auction record for the highest price paid for a Cartier jewel at that time.

The exquisite Duchess of Windsor panther bracelet sold for GBP 4,521,250 in Sotheby’s London 2010 is the feline of every collector’s dream.

To be offered is a unique Cartier ring (Lot 1742) which stages this playful menagerie with an exceedingly rare natural Burmese ruby of 10.62 carats, bringing ‘the king of gems’ and ‘the king of jewellers’ together as one extraordinary creation. The impressive ruby itself is an extremely rare find originating from the legendary Mogok mines, yet to pair this important gemstone that signifies passion with the intriguing wild creature is an unprecedented union, definitely one-of-its-kind.

The panther is now a permanent source of inspiration as well as a motif synonymous to the House of Cartier. This stunning panther with the opulent brush of fiery red will conquer any woman’s heart. It is timeless femininity; it is fearlessness; it is a true legend. Just as Pierre Rainero, the Style and Heritage Director of Cartier, once said, ‘there is a panther for every woman.

Sotheby's. Magnificent Jewels & Jadeite, Hong Kong, 07 Oct 2015, 02:00 PM

A large Celtic La Tène bronze beaked flagon, circa late 5th Century B.C. Estimate £70,000 - 90,000 (€96,000 - 120,000). Photo Bonhams.

LONDON.- A rare and impressive 5th century BC Celtic bronze beaked flagon leads Bonhams next Antiquities sale in London on 30 September. It is estimated at £70,000-90,000. 

Its appearance on the market coincides with a major exhibition of Celtic art opening at the British Museum in late September. 

The flagon is one of the only examples in private hands and this is a rare opportunity to acquire a Celtic masterpiece comparable to those exhibited at the British Museum itself. Celtic art has a unique and distinct style that makes it particularly appealing and Bonhams are excited to offer such an exceptional survivor from this important period in European pre-history. 

The beaked flagon would have been used for pouring wine, beer or mead at feasts and it is easy to appreciate the luxury that this elegant piece emanates. It was modelled on the shapes used by the Etruscans but decorated with typical local Celtic motifs on the spout and handles, giving an interesting insight into the multi-cultural aspects of the Iron Age. 

Although it is difficult to pinpoint its exact place of origin, a very similar vessel known as the Kleinaspergle flagon was found at Hohenasperg, near Stuttgart, among a group of drinking vessels in a princely tomb. The tomb was typical of the early La Tène culture which predominated in a region roughly corresponding with modern day France, Belgium and Germany between the fifth century BC and the Roman conquest in the first century BC. 

Bonhams Head of Antiquities, Madeleine Perridge, commenting on the flagon, said: “Very few of these impressive artefacts have survived. The sophisticated decoration on the flagons and their presence in tombs of the aristocracy suggest they were as highly prized then as they are today.”

A large Celtic La Tène bronze beaked flagon, circa late 5th Century B.C. Estimate £70,000 - 90,000 (€96,000 - 120,000). Photo Bonhams.

The tall slender body tapering towards the flat circular base and flaring towards the flattened shoulder, the beaked spout etched along the flattened rim with interlinking scroll motifs, the separately cast ribbed handle surmounted by a central mask, dividing at the rim into two arms with further mask terminals, each with exaggerated features with bulbous eyes, the lower handle attachment plate cast with a mask issuing from a palmette, the features with satyr characteristics including pointed ears, with incised details, 48cm high

Provenance: German private collection, acquired in 2006.
German private collection, acquired in the 1980s.
Luxembourg private collection, acquired prior to the 1980s. 

Literature: Flagons such as the above example were used for holding wine, beer or mead at feasts. The flagons copied the shapes used by the Etruscans while using typical local Celtic motifs for the decoration of the separately cast spouts and handles. Very few of these impressive flagons have survived. 

The above flagon most closely resembles the 'Kleinaspergle' flagon from the region of Hohenasperg, in the Württembergisches Landesmuseum Stuttgart. They both share the same angular elongated form and decorative elements on the handles. For a discussion of the'Kleinaspergle' flagon found amongst a group of drinking vessels in a 'princely tomb' typical of the early La Tène Period cf. S. Moscati (ed.), The Celts, New York, 1991, pp. 127-129. 

Similar examples of elongated bronze flagons are exemplified by the impressive Basse Yutz flagons in the British Museum and the Dürrnberg flagon in the Museum Carolino Augusteum, Salzburg, cf. S. Moscati (ed.), op.cit., p. 171, for the flagon of Dürrnberg, tomb 112, near Hallein, Salzburg, Austria; and pp. 194-195, for the Basse Yutz flagons, Lorraine, France, now in the British Museum.

Bonhams. ANTIQUITIES, 30 Sep 2015 14:00 BST, LONDON, NEW BOND STREET

A pair of huanghuali'weiqi' boxes and covers, Late Ming dynasty. Estimate 20,000 — 30,000 USD. Lot sold 43,750 USD. Photo Sotheby's

each of compressed globular form supported on a short straight foot and surmounted by a gently domed cover, with a recessed circular dip to the center, the wood a rich chestnut tone, containing evenly sized black and white weiqi stones (4) - Diameter 4 1/2  in., 11.4 cm.

Exhibition: Escape from the Dusty World, Sydney L. Moss, 1999, cat. no. 49. 

Sotheby's. Monochrome, New York, 15 sept. 2015, 10:00 AM

A pair of carved chenxiangmu cups, 17th century. Estimate 15,000 — 20,000 USD. Lot sold 40,000 USD. Photo Sotheby's

each naturalistically carved in the form of a tree trunk, the exterior decorated in relief with sprigs of flowering chrysanthemums among gnarled rocks, the wood of a deep brown color (2) - Height 3 3/8  in., 8.6 cm

Provenance: Collection of Charles B. Sweatt Jr. (1929-2007), Wayzata, Minnesota. 

Notes: Chenxiangmu is a fragrant wood held in high esteem in China. A number of small chenxiangmu cups are known, including the present example which are generally made after rhinoceros horn cups in appearance. Gerard Tsang and Hugh Moss in Arts from the Scholar's Studio, Hong Kong, 1986, p. 216, note that these cups are characterized by being made of separate sections of wood joined together, suggesting that it was commonly found in small pieces. It was also, along with sandalwood used as incense and was probably imported in small chunks for that purpose. 

Compare three other chenxiangmu cups, of different form and carved with various motifs, sold in our Hong Kong rooms: 29th October 2001, lot 682, 10th April 2006, lot 1640, and one from the Water, Pine and Stone Retreat Collection, 8th October 2010, lot 2223. 

Sotheby's. Monochrome, New York, 15 sept. 2015, 10:00 AM

A malachite vase, Qing dynasty. Estimate 8,000 — 12,000 USD. Lot sold 21,250 USD. Photo Sotheby's

formed from a natural piece of the botryoidal mineral, the tall irregular shape with perforations around the angled base, the surface polished to highlight the inherent designs and patterns in the stone, the hollow interior fitted with a pewter liner, with a wood stand carved in the form of gnarly entwined pine and prunus trees (2) - Height 9 3/4  in., 25 cm

Note: An example of a brushpot or incense holder made from a natural piece of malachite, and dated from the Qing dynasty to early 20th century, from the Richard Rosenblum Collection was exhibited in Worlds Within Worlds, 1997, cat. no. 72. Another Qing dynasty example of a malachite flower receptacle was sold at Christie's Hong Kong, 6th April 2015, lot 24.

Sotheby's. Monochrome, New York, 15 sept. 2015, 10:00 AM

A large bronze 'Finger citron' incense burner, 17th-18th century. Estimate 8,000 — 12,000 USD. Lot sold 21,250 USD. Photo Sotheby's

cast as a large finger citron issuing from a gnarled stem bearing attendant leaves, the bronze patinated to a rich brown tone, wood stand (2) - Height 8 3/8  in., 21.2 cm

Sotheby's. Monochrome, New York, 15 sept. 2015, 10:00 AM

A carved Qingbai'Chilong' bowl, Song dynasty. Estimate 10,000 — 15,000 USD. Lot sold 17,500 USD. Photo Sotheby's

the rounded sides rising from a tapering foot to a gently everted hexalobed rim, the interior freely carved with a lively pair of chilong centering on a stylized floret, applied overall with a translucent pale blue glaze, the footrim and recessed base unglazed. Diameter 8 1/2  in., 21.6 cm

Sotheby's. Monochrome, New York, 15 sept. 2015, 10:00 AM

Impressive 41.65 carats Fancy Vivid Yellow Diamond Ring. Estimate 15,000,000 — 18,000,000 HKD (1,757,957 - 2,109,549 EUR). Photo Sotheby's

Simply set with a cut-cornered rectangular modified brilliant-cut fancy vivid yellow diamond weighing 41.65 carats, mounted in platinum. Ring size: 5¼

Accompanied by GIA report numbered 2165928022, dated 10 February 2015, stating that the 41.65 carat diamond is natural, Fancy Vivid Yellow, Internally Flawless clarity. 

Sotheby's. Magnificent Jewels & Jadeite, Hong Kong, 07 oct. 2015, 02:00 PM

Fine Pair of Type IIa 8.05 and 8.03 carats Diamond Earrings. Estimate 15,000,000 — 17,000,000 HKD (1,757,957 - 1,992,352 EUR). Photo Sotheby's

Each simply set with a brilliant-cut diamond weighing 8.05 and 8.03 carats respectively, mounted in 18 karat white gold.

Accompanied by two GIA reports numbered 6177175704 and 5171224561, dated 2 June and 22 July 2015 respectively, stating that the 8.05 and 8.03 carat diamonds are both D colour, Internally Flawless clarity, with Excellent Cut, Polish and Symmetry; also accompanied by diamond type classification reports stating that the diamond is determined to be a Type IIa diamond. Type IIa diamonds are the most chemically pure type of diamond and often have exceptional optical transparency.

Sotheby's. Magnificent Jewels & Jadeite, Hong Kong, 07 oct. 2015, 02:00 PM

ImportantBurmese Ruby and Diamond Necklace and Pair of Matching Pendent Earrings, Fulvio Scavia. Estimate 14,000,000 — 17,000,000 HKD (1,640,760 - 1,992,352 EUR). Photo Sotheby's

The necklace designed with cascading fringes set with twenty-eight oval and cushion-shaped rubies, supported by lines of brilliant-cut and pear-shaped diamonds, to a necklace centring on a cluster set with similarly-cut diamonds, completed by a pavé-set diamond chain clasp highlighted by a briolette ruby, the rubies and diamonds together weighing approximately 94.22 and 29.20 carats respectively; and pair of pendent earrings en suite, the rubies and diamonds altogether weighing approximately 19.25 and 9.70 carats respectively; mounted in 18 karat white gold, length approximately 360 to 450mm, all signed Scavia. 

Accompanied by Gübelin reports numbered 15066083 / 1 to 29 and 15066084 / 1 and 2, both dated 18 June 2015, and SSEF reports numbered 80731 and 80732, dated 29 and 30 June 2015 respectively, stating that the rubies are natural, of Burmese (Myanmar) origin, with no indications of heating. The SSEF Appendix Letter for the ruby necklace further states that 'the small inclusions found by microscopic inspection in these twenty-nine rubies represent the hallmarks of the classical ruby mines in the Mogok Valley in Burma (Myanmar)...their attractive and beautifully saturated colour is due to a combination of well-balanced trace elements in these gemstones, characteristic for the finest rubies from Burma (Myanmar)....The rubies have been carefully selected for this necklace and exhibit an attractive and matching saturated colour combined with fine quality...Assembling a matching selection of natural rubies from Burma of this quality and size is rare and exceptional; therefore this ruby jewellery set can be considered a true treasure of nature."

INIMITABLE ITALIAN FLAIR

Established by Domenico Scavia in Milan in 1923, Scavia started as a modest goldsmith shop.  This Italian tradition has since been passed down in the family and is currently in the hands of third-generation successor, Fulvio Maria Scavia, a multi award-winning designer-jewellery, who took home his first prize when he was just seventeen.

Over the years, this Italian name has developed into a world-class fine jewellery house, with presence in Milan, Bangkok, Tokyo, Beijing and Dubai. Through his designs, Fulvio Scavia combines sophisticated Italian craftsmanship with nature’s most precious gemstones, creating jewels that enrich the mystique of the feminine ideal.

One of Scavia’s trademarks is the mastery of sculpting platinum or white gold into elegant geometric forms punctuated by diamonds. As seen in the ruby necklace and earrings suite (Lot 1730), Scavia lavishly arranged over a hundred carats of natural Burmese rubies into a cascading necklace and matching ear-pendants. Another diamond-set ‘serpente’ parure (Lot 1609) further exhibits the skillful, three-dimensional craftsmanship of Scavia.  Sitting sensuously over the feminine contours of the neck, these two suites of extremely fine hand-made jewellery instantaneously display an inimitable Italian flair.

Sotheby's. Magnificent Jewels & Jadeite, Hong Kong, 07 oct. 2015, 02:00 PM

Fine Pair of 9.42 and 8.93 carats Type IIa Diamond Pendent Earclips. Estimate 12,000,000 — 14,000,000 HKD (1,406,366 - 1,640,760EUR EUR). Photo Sotheby's

Each suspending a pear-shaped diamond weighing 9.42 and 8.93 carats respectively, to a surmount set with cluster of marquise-shaped diamonds, connected by a brilliant-cut diamond, the diamonds altogether weighing approximately 7.00 carats, mounted in platinum, tops signed HW, pendants detachable.

Accompanied by two GIA reports numbered 1162905747 and 1162940227, dated 5 January and 2 February 2015, stating that the 9.42 and 8.93 carat diamonds are both D colour, Internally Flawless clarity; also accompanied by diamond type classification reports stating that the diamonds are determined to be a Type IIa diamonds. Type IIa diamonds are the most chemically pure type of diamond and often have exceptional optical transparency. Further accompanied by a signed box.

Sotheby's. Magnificent Jewels & Jadeite, Hong Kong, 07 oct. 2015, 02:00 PM

A very rare yellow amber flattened baluster vase and cover, 18th-19th century. Estimate $60,000 - $80,000. Price Realized $68,750. Photo Christie's Image Ltd 2015

The vase is of flattened form with tapered neck and flared foot. The shoulders are carved with fixed lion mask and ring handles below the rim, which is encircled by a bow-string band repeated on the lower edge of the domed cover, which is surmounted by a recumbent lion. The amber is of an unctuous, golden honey-yellow tone. 8 5/8 in. (21.9 cm.) high, box

Provenance: The Viscount Astor, Cliveden, Berkshire, England, Philips London, 15 May 1967, lot 1263.
Christie's London, 12 July 2005, lot 67.
Property from the Lai Family Collection.

Christie's. THE LAI FAMILY COLLECTION OF FINE CHINESE FURNITURE AND WORKS OF ART, 17 September 2015, New York, Rockefeller Plaza

Jadeite and Diamond Necklace. Estimate 10,000,000 — 12,000,000 HKD (1,171,972 - 1,406,366 EUR). Photo Sotheby's

Of fringe design, suspending nine graduated oval jadeite cabochons of translucent emerald green colour, decorated by brilliant-cut and pear-shaped diamonds together weighing approximately 39.60 carats, mounted in 18 karat white gold, length approximately 430mm. Nine cabochons approximately 17.82 x 13.96 x 9.10mm to 12.73 x 10.53 x 5.85mm.

Accompanied by Hong Kong Jade & Stone Laboratory certificate numbered KJ 90739, dated 16 July 2015, stating that the jadeites are natural, known in the trade as "A Jade".

Sotheby's. Magnificent Jewels & Jadeite, Hong Kong, 07 oct. 2015, 02:00 PM

Very Fine Pair of Jadeite Earstuds. Estimate 8,000,000 — 12,000,000 HKD (937,577 - 1,406,366 EUR). Photo Sotheby's

Each simply set with an oval jadeite cabochon of highly translucent emerald green colour, mounted in 18 karat white gold. Cabochons approximately 17.95 x 14.95 x 6.56mm and 17.89 x 14.88 x 6.86mm resepectively.

Accompanied by Hong Kong Jade & Stone Laboratory certificate numbered KJ 90749 and KJ 90750, dated 17 July 2015, stating that the jadeites are natural, known in the trade as "A Jade".

Sotheby's. Magnificent Jewels & Jadeite, Hong Kong, 07 oct. 2015, 02:00 PM