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A wucai ‘Dragon and Phoenix’ bowl, Kangxi mark and period - Sothebys

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A wucai‘Dragon and Phoenix’ bowl, Kangxi mark and period - Sothebys

The rounded sides rising from a straight foot to a gently flaring rim, painted to the exterior with a green and a red dragon striding in pursuit of flaming pearls, divided by a pair of swooping phoenix, all below a band of bajixiang interspersed with ruyi emblems, the interior with a central medallion enclosing a dragon and a flaming pearl, the base with a six-character mark within a double-circle; 13cm., 5 1/8 in. Estimation: 15,000 - 20,000 GBP

Sotheby's. Fine Chinese Ceramics and Works of Art. London | 15 mai 2013 - www.sothebys.com


Rare furniture with links to the Forbidden City for sale at Bonhams Chinese Art Sale in London

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An 18th century pair of important gilt-lacquer cabinets, estimated at £80,000-120,000. Photo: Bonhams.

LONDON.- Historical pieces of Chinese furniture, which include a pair of gilt-lacquer cabinets and an Imperial gilt bronze zitan double gourd plaque are due to be sold in Bonhams Chinese Art sale on 16th May in London.

These objects possess a significant and impressive provenance, once belonging to an important Spanish diplomat who witnessed the Boxer Rebellion in China and which remained with succeeding generations of the nobleman’s family.

Luis Valera y Delavat, a Spanish nobleman, was sent to China in order to protect Spanish interests. As a great art collector, he acquired rare and interesting Chinese works of art in addition to writing books, including one of his more important works entitled Shadow Plays in which he recounts his perilous journey from Hong Kong to Beijing a few days before the end of the siege of the Diplomatic Legations and its immediate aftermath.

Offered from his collection is Lot 390, an 18th century pair of important gilt-lacquer cabinets, estimated at £80,000-120,000. According to the family the cabinets were acquired around 1900 and originated from the Forbidden City. In fact, there is a unique likeness to another existing pair of gilt-lacquered cabinets still housed within the Forbidden City, in the Yucuixuan (‘Bower of Purest Joy’), a hall within the Ningshougong (‘Palace of Tranquility and Longevity’) – the Qianlong Emperor’s private palace planned for his retirement.

The Emperor was very much involved in the design and decoration of the retirement palace and indeed its opulent embellishments. Based on numerous design similarities of each pair of cabinets, it is most likely that these cabinets for sale could have come from the Forbidden City as well and most probably from the Ningshougong, where it may have been part of a set of cabinets furnishing the Yucuixian.

Asaph Hyman, director of Chinese Art says: “We were very excited to make the discovery of the rare pair of lacquer cabinets, which match the pair in the Forbidden City and are very possibly part of the same set”.

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An 18th century rare Imperial double-gourd gilt-bronze zitan and hardwood ‘Da Ji’ plaque is estimated at £15,000 – 25,000. Photo: Bonhams.

Another fascinating item in this sale is Lot 391, an 18th century rare Imperial double-gourd gilt-bronze zitan and hardwood ‘Da Ji’ plaque is estimated at £15,000 – 25,000. This wonderful object boasts artistic craftsmanship associated with the height of the Qing dynasty period.

The plaque is decorated with multiple layers of symbolism and an auspicious message. Five bats adorning the gilt-bronze crest symbolize the five wishes: old age, wealth, health, love of virtue and a peaceful death. The wish for longevity is further reinforced by the shape of the double gourd. The rare double-catfish gilt bronze handles also signify the blessing: may you have plenty year after year. The detail of this highly auspicious plaque suggests that it was probably made in celebration of an Imperial birthday. 

The fashionable world of the Tudors and Stuarts revealed at The Queen's Gallery

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Joos van Cleeve, Henry VIII, c.1530-35. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2013.

LONDON.- A diamond ring given by Charles I to his 19-year-old wife, the armour of a fashion-conscious 13-year-old boy who should have been king, and the diamond-encrusted box in which a queen kept her face patches are among the highlights of a new exhibition at The Queen’s Gallery, Buckingham Palace.

In Fine Style: The Art of Tudor and Stuart Fashion provides an insight into the world of the rich and famous of the 16th and 17th centuries. The exhibition includes over 60 portraits from the Royal Collection, as well as rare surviving contemporary examples of clothing and accessories. A number of works go on display for the first time.

For the Tudors and Stuarts, jewellery was the ultimate in conspicuous consumption. Although relatively little survives from the period, two important pieces went on display for the first time in the exhibition. One of these is a gold and diamond signet ring bearing the royal coat of arms and the cypher of Henrietta Maria, given to the young Queen by her husband Charles I in around 1628, three years after their marriage. Also on display for the first time is a pendant of gold, rubies and diamond, incorporating a miniature of Elizabeth I. It was possibly presented to a courtier by the Queen as a sign of favour and worn as an earring. Earrings became an increasingly popular accessory for men towards the end of the 16th century, and it was fashionable to wear them in one ear only.

Some of the most important jewels of the period are recorded in portraits in the exhibition. Weighing 58.5 carats, ‘La Peregrina’, meaning ‘The Wanderer’, was the largest pearl in existence at the time of its discovery. This famous pear-shaped jewel is seen in portraits of both Mary I (c.1554–59), who received it as an engagement gift from Philip II of Spain, and of Margaret of Austria (c.1605), who was given the pearl when it reverted to the Spanish crown on Mary’s death. ‘La Peregrina’ was presented to Elizabeth Taylor by Richard Burton on Valentine’s Day 1969.

In the Tudor and Stuart periods, even armour followed fashion. The ornate set belonging to the 13-year-old Henry, Prince of Wales (c.1607) was designed to echo the full breeches and V-shaped doublets of the day. The armour was a gift from a French nobleman and a statement of great extravagance, particularly since the adolescent Prince would soon have outgrown it. Heir to the English and Scottish thrones, Henry died of typhoid fever at the age of 18, and his younger brother succeeded him as the ill-fated Charles I.

High-ranking sitters were painted wearing clearly impractical clothing, conveying the message that the subject enjoyed a privileged lifestyle. The fashion of extending the fingers of gloves beyond the fingertips is particularly associated with Elizabeth I. Hans Eworth’s Elizabeth I and the Three Goddesses, 1569, is the only known portrait of the Queen wearing gloves. Elizabeth was particularly proud of her elegant hands and would remove a glove for a courtier to kiss her as a mark of favour. Perhaps unsurprisingly, contemporary painters mostly chose to emphasise the Queen’s ungloved hands.

Just as today, the fashion-conscious Tudors and Stuarts copied the styles of those they admired. In 1666, Charles II announced that he was to introduce a new English fashion for men – a long vest worn under a coat instead of a short doublet and cloak. The King is seen wearing this style of coat in the painting Charles II presented with a pineapple, c.1675, which goes on display for the first time. Later to become the three-piece suit, the style spread so quickly that three weeks later the diarist Samuel Pepys was wearing his own version. Pepys records how his wife avidly followed the fashions of the court favourites, visiting the same shops at Barbara Villiers, Charles II’s mistress.

In the 17th century, black fabric patches were stuck to the face to emphasise the creamy white skin of the leisured class and to conceal blemishes. They were applied using saliva or adhesive and produced in a variety of shapes, from crescents and flowers to animals – as many as seven were worn at once. The exhibition includes a patch box of enamelled gold set with diamonds that belonged to Mary II. It dates from around the year of the Queen’s death from smallpox, which caused terrible scarring to the skin.

Portraits allowed the sitter to express different aspects of their personality through clothing. Among the 60 paintings on display are two portraits of the renowned court beauty Frances Stuart, Duchess of Richmond. Known as ‘La Belle Stuart’, she famously refused to become mistress to Charles II. In a portrait by Sir Peter Lely (c.1662) the Duchess wears a glamorous yellow silk gown. In another by Jacob Husymans (1664), she wears a masculine buff coat with her hair styled to resemble a male periwig, following the trend for women to dress in clothes inspired by male garments. This portrait went on display for the first time in the exhibition.

Exhibition curator Anna Reynolds of Royal Collection Trust said, ‘Fashion was hugely important to court life and entry to the inner circle was largely driven by personal appearance. The rich and powerful were the trend-setters of the age, and used clothing to send out messages about their taste and status’. 

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Hans Eworth, Elizabeth I and the Three Goddesses, 1569. Royal Collection Trust / © 2013, Her Majesty Queen Elizabeth II.

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British School, 16th century, Edward IV (1442-83). Royal Collection Trust  / © 2013, Her Majesty Queen Elizabeth II.

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Hans Holbein the Younger (c. 1497-1543), Cicely Heron (b.1507), c.1526-7. Royal Collection Trust / © 2013, Her Majesty Queen Elizabeth II.

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Hans Holbein the Younger (c. 1497-1543), Recto: Queen Anne Boleyn (c.1500-1536). Verso: A coat of arms of the Wyatt family, and other heraldic sketches, c.1533-6. Royal Collection Trust / © 2013, Her Majesty Queen Elizabeth II.

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Hans Holbein the Younger (c. 1497-1543), William Parr, later Marquess of Northampton (1513-1571), c.1538-42. Royal Collection Trust / © 2013, Her Majesty Queen Elizabeth II.

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Hans Eworth (1520-74?), Henry Stewart, Lord Darnley and his brother Charles Stewart, Earl of Lennox, 1563. Royal Collection Trust / © 2013, Her Majesty Queen Elizabeth II.

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Attributed to William Scrots (active 1537-53), Elizabeth I when a Princess, c.1546. Royal Collection Trust / © 2013, Her Majesty Queen Elizabeth II.

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Attributed to William Scrots (active 1537-53), Edward VI (1537-53), before 28 Jan 1547. Royal Collection Trust / © 2013, Her Majesty Queen Elizabeth II.

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After Anthonis Mor van Dashorst (c. 1518-76), Mary I (1516-58), 1554-59?. Royal Collection Trust / © 2013, Her Majesty Queen Elizabeth II.

Poudrier "Etoile"émeraudes et diamants, par Suzanne Belperron

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Poudrier "Etoile"émeraudes et diamants, par Suzanne Belperron. Photo Christie's Image Ltd 2013

De forme rectangulaire, en or guilloché, décoré d'étoiles en or, certaines ponctuées de diamants taille ancienne en serti clos, et d'un quart de lune en émeraude, le fermoir serti d'une émeraude cabochon rectangulaire découvrant un miroir et un compartiment à poudre, 8.5 x 7 x 1 cm., dans une pochette noire, monture en or, poinçons français, poids brut: 170.30 gr., vers 1950. Estimate  €4,000 – €5,000

Accompagné d'un certificat de Belperron LLC no. B41803202013 en date du 20 mars 2013

AN EMERALD, DIAMOND AND GOLD "ETOILE" COMPACT, BY SUZANNE BELPERRON

Christie's. PARIS BIJOUX. 29 May 2013. Paris.

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Photo Archives Belperron

A Famille-verte bottle vase. Qing dynasty, Kangxi period

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A Famille-verte bottle vase. Qing dynasty, Kangxi period - Sothebys

the globular body rising from a short foot to a tall cylindrical neck, painted with four budding lotus sprays alternating with lanterns variously decorated with landscape, birds and horse, all below large ruyi-shaped lappets enclosing butterflies amongst floral blooms on a stippled ground, the neck encircled by meandering lotus sprays, all divided by lappet, diaper, keyfret and ruyi bands; 41.8cm., 16 1/2 in. Estimation: 8,000 - 12,000 GBP

Sotheby's. Fine Chinese Ceramics and Works of Art. London | 15 mai 2013 - www.sothebys.com

A moulded wucai vase, hu, circa 1630

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A moulded wucai vase, hu, circa 1630 - Sothebys

of square section, the curved sides rising from a straight foot to a waisted neck, flanked by a pair of lion mask handles suspending mock rings, one face moulded in relief with a figure holding a bow and an attendant beside, the other face with a foreigner and Buddhist lion, the two sides each similarly decorated with a basket of auspicious objects, all divided by vertical classic scroll borders in underglaze-blue, the rim and the foot encircled with keyfret band, Japanese wood box. Quantité: 2 - 17.5cm., 6 7/8 in. Estimation: 5,000 - 7,000 GBP

Sotheby's. Fine Chinese Ceramics and Works of Art. London | 15 mai 2013 - www.sothebys.com

Collier perles, perles d'imitation et diamants, par Suzanne Belperron

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Collier perles, perles d'imitation et diamants, par Suzanne Belperron. Photo Christie's Image Ltd 2013

Formé d'une chaîne ponctuée de perles (non testées) et de diamants taille ancienne en chute et d'une seconde chaîne reprenant le même dessin et retenant en pampille des perles d'imitation de forme poire, 30.5 cm., monture en platine, poids brut: 57.15 gr., vers 1950Estimate €3,000 – €5,000

Accompagné d'un certificat de Belperron LLC no. B41603202013 en date du 20 mars 2013

A PEARL, IMITATION PEARL, DIAMOND AND PLATINUM NECKLACE, BY SUZANNE BELPERRON

Christie's. PARIS BIJOUX. 29 May 2013. Paris.

Broche Art Deco onyx et diamants, par Cartier

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Broche Art Deco onyx et diamants, par Cartier. Photo Christie's Image Ltd 2013

De forme ovale, sertie de diamants taille 8/8 ponctués de triangles d'onyx et ponctué d'un rectangle d'onyx, monture en platine et or 14K, poids brut: 8.00 gr., vers 1930. Signée Cartier. Estimate €1,500 – €2,500

AN ART DECO ONYX, DIAMOND, PLATINUM AND 14K GOLD BROOCH, BY CARTIER

Christie's. PARIS BIJOUX. 29 May 2013. Paris.


A doucai ‘Carp’ bowl. Qing dynasty, Kangxi period - Sothebys

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A doucai‘Carp’ bowl. Qing dynasty, Kangxi period - Sothebys

the rounded sides rising from a straight foot, painted to the exterior with two carp leaping amongst turbulent waves below the radiating sun, the waves cresting against rocks issuing flowering crabapple, the interior with a medallion enclosing a crabapple blossom floating on waters, the base inscribed with an apocryphal Chenghua mark within a double circle, Japanese wood box. Quantité: 2 - 19.5cm., 7 3/4 in. Estimation: 5,000 - 7,000 GBP

PROVENANCE: A Japanese Private Collection.

Sotheby's. Fine Chinese Ceramics and Works of Art. London | 15 mai 2013 - www.sothebys.com

A Famille-rose ‘Balsam Pear’ bowl, Qianlong seal mark and period - Sothebys

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A Famille-rose ‘Balsam Pear’ bowl, Qianlong seal mark and period - Sothebys

the deep rounded sides rising from a short foot to a flared rim, brightly enamelled to the exterior with a butterfly in flight amongst overhanging flowering and fruiting balsam pears and bamboo, the interior similarly decorated, inscribed to the base with a six-character seal mark; 11.1cm., 4 3/8 in. Estimation: 5,000 - 7,000 GBP

PROVENANCE: Bluett & Sons, London.
A European Private Collection, purchased ca. 1980.
Christie’s New York, 21st March 2000, lot 389 (part lot).

Sotheby's. Fine Chinese Ceramics and Works of Art. London | 15 mai 2013 - www.sothebys.com

Bracelet Art Deco rubis et diamants

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Bracelet Art Deco rubis et diamants. Photo Christie's Image Ltd 2013

Entièrement flexible, formé de maillons à décors géométriques ajourés sertis de diamants demi-taille, baguettes, carrés et rectangulaires et pour certains, de rubis calibrés, 17.5 cm., monture en platine et or 14K,poids brut: 38.35 gr., vers 1935. Estimate €8,000 – €12,000

Christie's. PARIS BIJOUX. 29 May 2013. Paris.

A Pair of Art Deco Onyx, Natural Pearl and Diamond Ear Pendants

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A Pair of Art Deco Onyx, Natural Pearl and Diamond Ear Pendants. Photo Christie's Image Ltd 2013

Of tapering form, the graduated row of old-cut cushion shaped diamonds within a calibré onyx and diamond point border suspending a three pearl tassel termination, circa 1925, 7.8cm long, post fittings. £10,000 – £12,000

Accompanied by a report, please refer to the department for further details (2)

Christie's. JEWELLERY. 5 June 2013. London, King Street.

International screen legend Gina Lollobrigida's jewels steal the show at Sotheby's Geneva

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GENEVA.- Tonight in an electric atmosphere at Sotheby’s Geneva, outstanding pieces from the collection of international screen legend Gina Lollobrigida sold for a combined total of CHF 4,741,500 ($4,962,122) (est. CHF 1.8-3.1 million/ $1.9-3.2 million). An exceptional pair of natural pearl and diamond pendant earrings - said to have belonged to the historic collection of the House of Habsburg – which the actress wore on numerous landmark occasions in her career, sold for CHF 2,285,000 ($2,391,321) – an auction record for a pair of natural pearl ear pendants, beating the figure set by Elizabeth Taylor’s pearl earrings in 2011. Buyers from around the world also clamoured for seminal pieces from the 1950s and 1960s by Bulgari. Ms Lollobrigida’s collection was the centrepiece of an epic auction of Magnificent and Noble Jewels which saw nearly 650 lots selling for a combined total of CHF 74,751,375 ($78,229,556) (est. CHF 46,982,000- 69,900,500 / $49,168,072- 73,152,970). Tonight a 74.53 carat cushion shaped fancy yellow diamond formerly in the collection of the Persian Shah, Ahmed Shah Qajar also sold for CHF 2,853,000 ($2,985,750), establishing an auction record for a fancy yellow diamond and a record price per carat for a fancy yellow diamond ($40,061 per carat). 

Speaking after the sale, Gina Lollobrigida said: “Jewels are meant to give pleasure and for many years I had enormous pleasure wearing mine. Many people tried to persuade me to sell them, but for a very long time I was unwilling. What changed, was seeing a little girl called Sofia suffering from a disorder, which could only be helped by stem cell treatment – treatment which she is unable to receive in Italy. Selling my jewels to help raise awareness of stem cell therapy, which can cure so many illnesses, seems to me a wonderful use to which to put them. It is my hope that the Italian parliament will approve this ground-breaking treatment, so that children and adults in Italy should have free access to it without having to travel abroad at great expense. It now gives me great pleasure to see that these jewels will create a legacy which will live on after me and continue to do good.” 

David Bennett, Chairman of Sotheby’s Switzerland and Chairman of the Jewellery Department for Europe and the Middle East commented: “Every so often a very special jewel collection comes along which is so much more than the sum of its parts. Gina Lollobrigida’s magnificent jewels captured the public imagination around the world and the prices achieved this evening reflect not only the importance and rarity of those pieces, but also the aura of fascination which this legendary actress continues to exert. Sotheby’s was honoured to be entrusted with the sale and we are delighted that the results will contribute to the noble cause of stem cell research, reflecting Miss Lollobrigida’s great generosity of spirit and her humanitarian work.” 

Jewels from the Collection of Gina Lollobrigida Testament to the allure of one of the greatest stars of 20th century cinema, outstanding jewels from the collection of Gina Lollobrigida excited interest from around the world. On Friday night, the star caused a sensation when she visited the opening of the exhibition of her collection at Sotheby’s Geneva. 

The highlight of the collection – the record-breaking pair of natural pearl and diamond pendant earrings are exceptional for their colour and size, each drop-shaped natural pearl measuring approximately 15.6 x 12.1 x 24.9mm and 15.9 x 13.8 x 23.3mm. Estimated at CHF 565,000-940,000 ($600,000-1,000,000), these pearls were worn by Miss Lollobrigida on numerous public occasions, including to meet Princess Margaret at The Taming of the Shrew premiere in London in 1967. Tonight they were pursued by no less than eight bidders before selling to a buyer in the room. 

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Pair of magnificent natural pearl and diamond pendants - Sothebys

The other star lot of the collection was a diamond necklace/bracelet combination, Bulgari, 1954 which realised CHF 749,000 ($783,851) (lot 663, est. CHF 285,000-470,000/ $300,000-500,000). The necklace was identified by Daniela Mascetti as one of Bulgari’s most important creations in her book Bulgari. Gina Lollobrigida was seen wearing this jewel on key moments in her professional and personal life, including when she received her 1961 Golden Globe for World Film Favourite – Female. 

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Magnificent diamond necklace/bracelet combination, Bulgari, 1954 - Sothebys

Other highlights in the collection included: A diamond ring set with a cushion-shaped diamond weighing 19.03 carats, Bulgari, 1962 which brought CHF 749,000 ($783,851) (lot 662, est. CHF 375,000-750,000/ $400,000-800,000). 

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Important diamond ring, Bulgari, 1962 - Sothebys

A pair of emerald and diamond earclips, Bulgari, 1964 which sold for CHF 293,000 ($306,633) (lot 659, est. CHF 145,000-240,000/ $150,000-250,000). 

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Attractive pair of emerald and diamond pendent ear clips, Bulgari, 1964 - Sothebys

An emerald and diamond ring, Bulgari, 1964, set with a step-cut emerald weighing 16.62 carats which was bought for realised CHF 173,000 ($181,050) (lot 660, est. CHF 115,000-170,000/ $120,000-180,000). 

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Emerald and diamond ring, Bulgari, 1964 - Sothebys

Historical & Noble Jewels Today’s auction confirmed the extraordinary appeal of jewels of noble provenance and great historical importance among international collectors. Having featured in the private collection of his Late Imperial Majesty Sultan Ahmed Shah Qajar, the seventh and last ruler of the Qajar dynasty of Persia (r. 1909-1925), a fancy yellow diamond and diamond jewel from the late 19th century, set with a 74.53 carat cushion shaped fancy yellow diamond sold for CHF 2,853,000 ($2,985,750), establishing an auction record for a fancy yellow diamond and a record price per carat for a fancy yellow diamond ($40,061 per carat) and doubling the pre-sale expectations (lot 585, est. CHF 1,310,000-1,680,000/ $1,400,000-1,800,000).

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Fancy yellow diamond and diamond jewel, late 19th century - Sothebys

From the collection of a Lady of title, an important light pink diamond and diamond necklace, suspending a detachable pendant set with two marquise diamonds, a brilliant-cut light pink diamond weighing 6.93 carats, two circularcut diamonds, one weighing 34.78 carats, and a briolette diamond weighing 11.38 carats sold for CHF 2,285,000 ($2,391,321) (lot 586, CHF 1,410,000-2,350,000/ $1,500,000-2,500,000). 

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Important light pink diamond and diamond necklace - Sothebys

Magnificent Jewels The Magnificent Jewels section featured a rich offering of white diamonds, led by a cushion modified brilliant-cut diamond weighing 27.90 carats mounted as a ring which made CHF4,253,000 ($4,450,892). This D Colour, internally flawless gem has not only received the highest colour and clarity grade from the GIA for white diamonds, but has also been found to be part of the rare Type IIa subgroup. Stones in this group, which comprise less than 2% of all gem diamonds, are chemically the purest of all diamond crystals and often have extraordinary optical transparency (lot 636, CHF 3,760,000-5,640,000/ $4,000,000-6,000,000). 

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Magnificent and very important diamond ring - Sothebys

Other white diamond jewels sold tonight included: a fine diamond necklace by Graff, suspending a 12.60 carat pearshaped diamond (certified D Colour, Internally Flawless) which achieved CHF 1,745,000 ($1,826,195) (lot 631, CHF 1,410,000-1,880,000/ $1,500,000-2,000,000) and an impressive ring, set with a cushion brilliant-cut diamond weighing 31.35 carats which realised CHF 1,745,000 ($1,826,195) (lot 614A, est. CHF 1,310,000-1,680,000/ $1,400,000-1,800,000). 

The selection of coloured diamonds comprised a cut-cornered rectangular mixed cut fancy light purplish pink diamond weighing 12.85 carats and mounted as a ring which sold for CHF 1,445,000 ($1,512,236) (lot 630, est. CHF 1,125,000-1,695,000/ $1,200,000-1,800,000). 

The sale also included a rich assortment of exceptional gemstones. Among the Kashmir sapphires was an important cushion-shaped sapphire weighing 11.71 carats, mounted as a ring which made CHF 1,061,000 ($1,110,368) (lot 629, est. CHF 940,000-1,500,000/ $1,000,000-1,600,000). The velvety blue of this stone has been described by the Swiss Gemmological Institute SSEF as “typical and characteristic of the finest sapphires of Kashmir”. 

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Important sapphire ring - Sothebys

Burmese sapphires were represented by a magnificent sapphire and diamond pendant/brooch from the 19th century, set with a pear-shaped sapphire weighing 43.27 carats. This stone was sold for CHF 521,000 ($545,242) (lot 624, est. CHF 190,000-285,000/ $200,000-300,000). By family tradition, the sapphire once belonged to Joséphine de Beauharnais (b. 1763-1814), first wife of Napoléon Bonaparte. 

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Impressive  sapphire and diamond pendant/brooch, 19th century composite - Sothebys

The finest emeralds in the world are generally acknowledged to be found in Columbia and fine examples exhibit the most vivid green, as exemplified in a fine emerald and diamond ring, claw-set with a cushion-shaped emerald weighing 25 carats which achieved CHF 1,025,000 ($1,072,693) (lot 626, CHF 940,000-1,400,000/ $1,000,000-1,500,000). 

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Fine emerald and diamond ring - Sothebys

Jewels designed by Suzanne Belperron for Cécyle Simon Following Sotheby’s Geneva “white glove” sale of 60 Jewels from the personal collection of Suzanne Belperron (1900-1983) in May 2012 1, this spring’s sale confirmed the appeal of creations by the most talented and influential female jeweller of the 20th century. Jewels designed for her long-standing friend Cécyle Simon realised a combined total of CHF 1,215,250 ($1,271,796) which almost doubled the low estimate (est. CHF 550,000-771,500/ $575,592-807,398). 

Leading this collection was a diamond ring, set with a 9.10 carat circular-cut diamond, 1970-1974, which achieved CHF 269,000 ($281,517) (lot 33, est. CHF 150,000-185,000/ $159,000-195,000). 

Suzanne Belperron’s daring creations often combine diamonds and hardstones. In circa 1955, she created a chalcedony and diamond dress clip, in the form of a bunch of grapes (“grappe de raisin”) which nearly tripled the high estimate to realise CHF 93,750 ($98,112) (lot 34, est. CHF 23,000-33,000/ $24,300-34,800). 

A silk fabric. China, Qing dynasty, 19th century

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A silk fabric. China, Qing dynasty, 19th century. Photo Florence Number Nine

On a blue silk background, this artefact is embellished with multicoloured embroideries depicting three dragons among the clouds fighting for the flaming pearl. There are also Buddhist good luck symbols scattered among the dragons; at the bottom, there are sea waves and Mount Meru. Protected by a glass. 149 x 76 cm. Estimate: €2,500 - €3,000

Florence Number Nine. Asian, Himalayan & Indian Works of Art. 18 May 2013 10:30am http://florencenumbernine.com

A silk fabric. China, Qing dynasty, 19th century

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A silk fabric. China, Qing dynasty, 19th century. Photo Florence Number Nine

On a blue silk background, this artefact is embellished with multicoloured embroideries depicting three dragons among the clouds fighting for the flaming pearl. There are also Buddhist good luck symbols scattered among the dragons; at the bottom, there are sea waves and Mount Meru. Protected by a glass. Estimate: €2,500 - €3,000

Florence Number Nine. Asian, Himalayan & Indian Works of Art. 18 May 2013 10:30am http://florencenumbernine.com


A rare pair of sapphire and diamond ear pendants

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A rare pair of sapphire and diamond ear pendants. Photo Christie's Image Ltd 2013

Each suspending a pendant set with a cushion-shaped sapphire weighing approximately 8.88 and 8.36 carats, within a pear-shaped diamond surround, to the marquise and pear-shaped diamond cluster surmount, mounted in platinum, 7.1 cm long. Estimate:  $1,617,536 – $2,329,252

Diamond cluster signed Winston for Harry Winston 
Accompanied by two reports nos. 65149 and 66063 dated 1 october 2012 and 7 january 2013 from the SSEF Swiss Gemmological Institute stating that the 8.88 and 8.36 carat sapphires are of Kashmir origin, with no indications of heating; Also accompanied by an appendix stating that the 8.88 sapphire possesses extraordinary characteristics and merits special mention and appreciation. The sapphire exhibits an attractive velvety blue colour, combined with an outstanding purity and a very fine cutting style. The few inclusions found by microscopic inspection represent the hallmarks of sapphires from the reputed deposit in Kashmir, located in a remote part of the Himalayan Mountains
in India. The velvety blue of this sapphire is due to very fine and subtle inclusions and a combination of well-balanced trace elements in the gemstone, typical and characteristics for the finest sapphires of Kashmir. This sapphire has been spared exposure to heat treatment and its clarity and colour are thus all natural. A natural sapphire from Kashmir of this size and quality is rare and exceptional

Also accompanied by two reports nos. CS 52249 and CS 52250 dated 13 november 2012 from the American Gemological Laboratories stating that based on available gemological information, it is the opinion of the laboratory that the sapphires weighing 8.88 and 8.36 carat are natural, the origin of this material would be classified as Kashmir, no gemological evidence of heat, clarity enhancement: none; Also accompanied by a jewelfolio  

Twenty-two reports dated from 30 january 2006 to 2 march 2012 from the Gemological Institute of America stating that the pear and marquise-cut diamonds weighing from 1.51 to 1.00 carat range from D to G colour, VVS1 to VS2 clarity

Please note that one certificate is more than 5 years old and might require an update

Christie's. HONG KONG MAGNIFICENT JEWELS. 28 May 2013. Convention Hall.

A gilt bronze agate inlay ruyi sceptre, China

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A gilt bronze agate inlay ruyi sceptre, China. Photo Florence Number Nine

Beautiful bronze ruyi sceptre, the two pomegranates carved in agate and small polychrome enamels on the leaves. This object inspired by nature is of great importance and exuberance. 30 cm. Estimate: €1,000 - €1,500

Florence Number Nine. Asian, Himalayan & Indian Works of Art. 18 May 2013 10:30am http://florencenumbernine.com/

A pale céladon jade ruyi scepter, China

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A pale céladon jade ruyi scepter, China. Photo Florence Number Nine

This magnificant white jade scepter is finely carved as a stem of lingzhi, the fungus of immortality in daoist doctrine. 36 cm. Estimate: €15,000 - €20,000

A very similar scepter is illustrated in the Guwan Tu (“Pictures of Ancient Playthings”) In the Victorian & Albert museum of London (S. Mccausland, in China. The Three Emperors. 1662-1795, exhibition catalogue edited by E.S. Rawski and J.Raawson, London 2005, nn. 168-169), A scroll (one of a series) with old and contemporary objects from the collection of the Emperor Yongzheng (1723-1736). this painting demonstrates the passion of Chinese sovereigns for ruyi scepters. A Series of similar ruyi scepters to this one once belonged to the Emperors Yongzheng and Qianlong (1736-1795) and are now in the Beijing Palace Museum. THESE Examples are illustrated in the same catalogue cited above (nn. 273-282)

Florence Number Nine. Asian, Himalayan & Indian Works of Art. 18 May 2013 10:30am http://florencenumbernine.com/

An unique natural pearl, diamond and seed pearl pendent necklace

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An unique natural pearl, diamond and seed pearl pendent necklace. Photo Christie's Image Ltd 2013

Suspending a cream natural pearl drop measuring 10.8 x 21.7 mm, surmounted by an old european-cut diamond weighing approximately 8.29 carats, to the collet-set old european-cut diamond neckchain with seed pearl accents, mounted in platinum, 42.2 cm long. Estimate:  $1,488,133 – $1,941,044

Accompanied by report no. 60882 dated 13 october 2011 from the SSEF Swiss Gemmological Institute stating that the analysed properties confirm the authenticity of the saltwater natural pearl

Report no. 1129116398 dated 19 may 2011 from the Gemological Institute of America stating that the 8.29 carat diamond is D colour, VVS1 clarity; Also accompanied by a supplemental letter from the Gemological Institute of America stating the 8.29 carat diamond has been determined to be type IIA. Type IIA diamonds are the most chemically pure type of diamond and often have exceptional optical transparency. Type IIA diamonds were first identified as originating from India (particularly from the Golconda region) but have since been recovered in all major diamond-producing regions of the world. Among famous gem diamonds, the 530.20 carat Cullinan and the 105.60 carat Koh-I-Noor, are examples of type IIA  

Also accompanied by report no. 11060151 dated 5 july 2011 from the Gübelin Gemmological Laboratory stating that the 8.29 carat diamond is D colour, internally flawless clarity; Also accompanied by a note and appendix stating that based on its infrared spectrum, the 8.29 carat diamond is classified as type IIA. Additionally this 8.29 carat diamond possesses an antique cutting style which is rarely encountered in the gem trade today. It displays a colour and degree of transparency which are particular to the unique gemstones of type IIA. Diamonds of this type, exhibiting an antique cutting style as well as a fine quality, are very rare and will most certainly evoke references to the historic term of 'Golconda'

A Golconda diamond is of a distinct caliber coveted by true connoisseurs of the gem trade. universally regarded as the mine from which the world's finest diamonds were produced, the word Golconda still evokes a sense of scintillating exclusiveness. Located in the southern state of Hyderabad, the Indian diamond fields are scattered throughout a broad band of ancient rocks extending nearly one thousand miles in the north-south direction along the eastern half of the country. The vast majority of the diamonds found were from alluvial deposits uncovered in five distinct districts, each separated by high terrain. Each district had its own name, the most famous being Golconda. The celebrated french gem-merchant, Jean-Baptiste Tavernier, who frequented India on numerous visits in the 17th century described Golconda diamonds as "Pools Of Crystal Water", a reference to the clear transparency and soft luminescent quality derived from its exceptional intrinsic crystal structure. A quality commonly referred to as limpidity, watery or purity, a Golconda diamond is described as whiter-than-white. Light appears to pass through the transparent colourless stone, unhindered, illuminating a substance clear as a pool of glistening pristine water, taintless, unadulterated, and unconditionally pure. it is this semblance that defines these diamonds and propels a 'Golconda' to such elite status.

Christie's. HONG KONG MAGNIFICENT JEWELS. 28 May 2013. Convention Hall.

Jackson Pollock work "Number 19, 1948" sells for record $58.4 million at Christie's

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Jackson Pollock, Number 19, 1948. Oil and enamel on paper laid down on canvas, 30 7/8 x 22 7/8 in. (78.4 x 58.1 cm.). Painted in 1948. Estimate: $ 25,000,000-35,000,000. Price Realized $58,363,750. Photo: Christie's Images Ltd 2013. 

NEW YORK (AFP).- A Jackson Pollock drip painting sold Wednesday at Christie's in New York for a record $58.4 million and a work by one-time graffiti artist Jean-Michel Basquiat set another record at $48.8 million.

"Number 19, 1948" features Pollock's iconic drip-paint style, creating a shimmering mixture of silver, black, white, red and green.

It had been expected to sell for between $25 million and $35 million, but shot up to set a new auction high for the artist.

The previous top auction price for a Pollock had been $40.4 million last year, although his paintings are said to have sold for far more in unconfirmed private deals.

"Number 19" was painted in 1948, the point when the famous and often imitated Pollock drip technique really took off.

Christie's called it the fruit of "a legendary three-year burst of creativity between 1947 and 1950 that completely revolutionized American painting and reshaped the history of twentieth century art."

The exuberant sale at Christie's in Manhattan came a day after rival Sotheby's sold Barnett Newman's "Onement VI" for $43.84 million and a Gerhard Richter photo-style painting called "Domplatz, Mailand" for $37.1 million -- the highest auction price for any living artist.

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Jean-Michel Basquiat (1960-1988), Dustheads. Signed, titled and dated 'DUSTHEADS Jean-Michel Basquiat 82' (on the reverse), acrylic, oilstick, spray enamel and metallic paint on canvas , 72 x 84 in. (182.8 x 213.3 cm.). Painted in 1982. Estimate $25,000,000 - $35,000,00. Price Realized $48,843,750. Photo: Christie's Images Ltd 2013. 

Christie's blockbuster session saw Basquiat's "Dustheads" easily pass beyond its $25 million to $35 million pre-sale estimate to the highest auction price ever for the artist, who died in 1988 of a heroin overdose in New York, aged just 27.

The painting depicts two grimacing, brightly colored figures against a black background and "demonstrates Basquiat's unique ability to combine raw, unabashed expressive emotion whilst displaying a draughtmanship that was unrivalled in modern painting," Christie's said.

The previous auction high for the street artist turned superstar had been $26.4 million last year.

The other mega sale of the evening was "Woman with flowered hat" by Pop Art master Roy Lichtenstein for $56.1 million.

The work is unusual for Lichtenstein, who is best known for comic-strip style scenes, but this time used his meticulous style to parody the Cubism of Picasso. © 1994-2013 Agence France-Presse

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Roy Lichtenstein (1923-1997), Woman with Flowered Hat, signed and dated 'rf Lichtenstein '63' (on the reverse).Magna on canvas, 50 1/8 x 40¼ in. (127.3 x 102.2 cm.). Painted in 1963. Estimate on request. Price Realized $56,123,750. Photo: Christie's Images Ltd 2013.

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